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Open House NYC - (Sep 23rd)
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Garden Rescue - (Sep 23rd)
No Gain No Love - (Sep 23rd)
The Cook Up with Adam Liaw - (Sep 23rd)
Inside with Jen Psaki - (Sep 23rd)
Bargain Hunt - (Sep 23rd)
The Block - (Sep 23rd)
The Amazing Race Australia - (Sep 23rd)
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Letters and Numbers - (Sep 23rd)
NFL Honors - (Sep 23rd)
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Roadkill - (Sep 23rd)
Watch What Happens Live with Andy Cohen - (Sep 23rd)
Universal Basic Guys - (Sep 23rd)
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Tipping Point Australia - (Sep 23rd)
Celebrity Treasure Island - (Sep 23rd)
Film sponsored by Western Electric (AT&T's equipment manufacturing division), the builder of the United States Air Force's White Alice Communications System in Alaska. Introduces the people and geography of the new state as well as the Western Electric radio-relay system, which links far-flung military sites, alert stations, and missile-warning facilities. Ralph Caplan praised the film's "intrinsically dramatic and highly photogenic" portrayal of communications equipment.
This is the first documentary about the singer Marijonas Mikutavičius. Marijonas Mikutavičius, who is celebrating his fiftieth birthday this year, has been on stage since he was 18 and his song "Trys milijonai (Three millions)" has been called Lithuania's second national anthem. In the film, director Eimantas Belickas allows the viewer to be with Marijonas in his intimate surroundings, without the mask. As one of the country's most popular singers, Marijonas is a man, a father, a Lithuanian citizen, just like many of us. The viewer can see this clearly in the film, but at the same time it becomes clear that creativity makes the singer a unique personality.
This film is a story about that time in the Baltics, Latvia, and Riga. Young rebels of 1960s – nonconformists, hippies and beatniks – have turned into a generation of well-known writers, poets, musicians, directors, as well as politicians of the new independent Latvia. The ones who were 18, 20, or 25 in 1960s are half a century older today. The protagonists of the film are united by the bohemian gathering place of their youth, a small nameless cafe in the Old Town of Riga, commonly referred to as “Kaza” (The Goat). This place is surrounded by legends, myths and humorous stories.
This film shows how far we have come since the cold-war days of the 50s and 60s. Back then the Russians were our "enemies". And to them the Americans were their "enemies" who couldn't be trusted. Somewhere in all this a young girl in Oklahoma named Shannon set her sights on becoming one of those space explorers, even though she was told "girls can't do that." But she did.
Not just another documentary on the French resistance movement, this film focuses on one particular group of underground fighters in France: those from Eastern Europe. Many were Jews and all had fled their native countries before the war broke out. They were among the most staunch and fearless enemies of fascism, as shown here in personal interviews and memoirs of war-time experiences. But the most famous of these immigrants were 23 who were rounded up among several hundred Parisians in 1943, tried for their activities, and executed - all were immigrants under the leadership of the Armenian poet Manouchian. After their execution, Paris was papered with posters decrying these 23 martyrs as "foreign communists."
Peter Ustinov hosts this haunting 1980 documentary exploring the world's nuclear weaponry and the fragile system that deters either side from initiating the first nuclear strike. Although the world's political climate has mellowed since the Cold War era, Nuclear Nightmares takes the viewer back in time to gain a perspective of what it was like to live under a very real nuclear threat.
“Code of Tumas ” is an effort to show the well-known events and processes of history through the eyes of a direct person with a subjective and emotional look. Letters, publicism, all creations of Juozas Tumas Vaižgantas, also memories of his contemporaries make this reconstruction possible.
National Geographic 2011 Documentary on the World's Biggest Bomb (UK).
A cinematic, character-driven insight to what it meant to produce and to own a car in communist times: the Socialist propaganda dreams and the hard reality of living that dream. The freedom that these slow and clumsy vehicles were giving to their owners; the cars as an instrument in the Cold War battle; legends and homemade tune-ups as an attempt to stand at least a little bit off the crowd.
An isolated village in the Lithuanian countryside. Seated in her house, an elderly woman recites an old folk story. Then she climbs up the tall ladder that takes her to the rooftop of the church.