Tumo Kodeksas

The film is set in Lithuania after the Second World War. It shows dramatic events in a small Lithuanian farming community, where people are split between the Soviets and the "brothers in the woods", who are fighting to defend their land from the Soviets after the end of the Second World War.

Soviet Lithuania in 1972. A young theatre actress is trying to make a difference and tell the forbidden story of repression in a play.

A grand and patriotic tale of Poland's struggle for freedom just before Napoleon's war with Russia. Written in poetic style by Adam Mickiewicz, this story follows two feuding Polish families as they overcome their old conflicts and petty lives. However, they are able to unite as one with their patriotic and rebellious efforts to free the country they deeply love from Russian control.

A meditation on the time when the world watched as filmmaker Jonas Mekas' home country of Lithuania fought for independence. An immersion into the addictive grasp of the 24-hour news cycle, into a moment of major social upheaval, and into one very personal fixation of an obsessive chronicler. The film exists in a shortened, four-screen version as well as a one-screen, full-length document.

The film - an open, sincere, warm and funny story about Arvydas Sabonis life and career. This is particularly characteristic of a T-shirt with the number 11 worn out 2.20 m tall basketball giant Olympic and world champion, portrait.

Between 1944–1953, courageous resistance movement took place in the Baltic region of Europe, uniting the partisan troops for struggle against the Soviet Union. “The Invisible Front” was a coded name used by the Soviet Interior forces to describe the resistance movement in Lithuania. Film depicts the story of the fighters through the words and experience of the partisan leader, Juozas Luksa, and interviews with eyewitnesses of those events - both the partisans and the Soviet fighters. Tales of horror, torture and courage are told in the rare archival footage that has never been screened before, and interviews with the surviving members of the resistance movement.

A home movie by Adolfas Mekas and wife Pola Chapelle on their travels to Lithuania and Europe. It was filmed concurrently with the more highly regarded “Reminiscences of a Journey to Lithuania” by Jonas Mekas, brother to Adolfas.

Lithuanian photographer, the legend of Soviet Sixties' generation Vitas Luckus tragically passed away in 1987. Yet the life and times of the talented rebel still impassion and lead us to a journey questioning why, at all times, we are wary of those who are really free.

With striking images and meticulous sound work, Burial reminds us of the paradoxical relationship between scientific development and the destruction of nature. Questioning the effects of human activity on the planet we inhabit and which we have put at risk, the film focuses on the unsolved issues of nuclear plants and nuclear activity.