Balak Ambedkar

A couple's fourth of July weekend is interrupted by the arrival of an estranged childhood friend.

As the Best Exotic Marigold Hotel has only a single remaining vacancy - posing a rooming predicament for two fresh arrivals - Sonny pursues his expansionist dream of opening a second hotel.

When casual hook-ups become too debilitating, a man suffering from Obsessive-Compulsive Disorder seeks out different ways to purge himself of the consequences of the night before.

After having an abrupt falling out with his childhood friend and bandmate, William, Ben Aiken must contend with the idea of striking out on his own, making amends with his friend, or giving up on his dreams altogether.

unwelcome visit to Hamoud's abode, where ancient wounds are reopened, exposing the complexities of the past's influence on the present, amidst a conflict between healing and nostalgia.

Else Riedel (Lissy Arna), locked out by her authoritarian father, seeks refuge with her boyfriend Hans. Complications threaten when Hans's roommate Max falls in love with her, but the situation is resolved: the three remain friends, and decide to form a music hall act. They want to ascend, but how? A way out beckons when a theatrical agent named Nevin enters Else’s life. He is played by Hubert von Meyerinck as a slick and oily villain, who oozes refinement; his experience behind bars is waved away with a silk scarf. He is cunning to the point of perfidiousness, but is not completely unsympathetic. He also embodies a new type - the scrounger.

Farid, who works abroad, locks himself on the last day of his stay in Beirut in his son Rawad's room, to find what he is hiding there. Separated by a locked door, the dysfunctional dynamic between them intensifies, and the past resurfaces.

In his debut feature film, Kumar Shahani employs highly innovative forms for depicting the conflict between oppressive feudal norms and a changing industrial landscape while making female sexuality and its complex mindscape the focus. The protagonist, Taran, the younger daughter of a Rajasthani zamindar revolts against the social code set by the class system by a sexual encounter with an engineer. This film was one of the earlier and successful examples experimentation in colour during the advent of New Indian cinema.

Samantha is an 18-year-old girl who, in the middle of a move, experiences a flashback of memories and is reunited with her imaginary childhood friend, Flux. Between waves and cardboard boxes, she passes the farewell with herself, with what surrounds her and with the tide.

When an old friend enters her hair salon, a local hairdresser tries to talk to him about his life since their departure while cutting his hair, unaware of his dark secret.