Saaransh

Şehnaz, a young female psychiatrist from Istanbul, starts mandatory duty in a provincial town. Back in the city, she maintains a marriage that looks flawless on the outside. Elmas, a young woman on the verge of breakdown, opens a new path in her.

This film is about what the routine of everyday life can do to the human mind and psyche. It also reflects on the importance of the choices we make and how limited these choices are in the first place. The plot evolves around a family of four. They live in the suburbs, in a strange villa that appears, through a complex game of mirrors, to be more like a piece of installation art than a real house. The main character, who hardly appears on screen, is the son, a man in his thirties. Suffering from asthma and eczema since childhood, he uses his condition to manipulate his parents and his sister. Thus the existence of the terrorized family turns into an endless ritual of attempting to satisfy his whims, and always on the alert for yet another one of his “health crises”. Las Meninas resembles the scattered pieces of a puzzle. It is up to the viewer to assemble them in order to form his very own picture – something that makes the film itself personal and unique.

An ordinary funeral procession moves along its path from church to cemetery. Observing, you slip from reality into a place where time has lost its linearity, looping through the odd images thrown off by a distorted reality. Images of non-existence, of varying reflections of death issuing from both past and future, concrete yet abstract, horrible yet desirable. A family asks a young psychiatrist to be their guest for a while to untangle the circumstances of their father's illness. He's developed a suicidal fixation for ropes and knots among other things. While deeply involved in analyzing the patient's delirium, the doctor begins to lose track of what is taking place. The task of "how to help" is twisted into "who am I? Doctor or patient? Chance guest, member of this suffering family, or a catholic priest who has dreamed this all up?" In order to get a handle on it all, it's best to start from the beginning, but why do things keep shifting, changing?

While holidaying in the French Alps, a Swedish family deals with acts of cowardliness as an avalanche breaks out.

After a rehearsal with her band, Tess meets Edward, and the two find themselves entangled in a deadly game of consequences. A remake of Carlo Lizzani's 1983 film "The House of the Yellow Carpet" which switches its subgenre from Italian giallo to British psychodrama.

The movie is about the mixed relationships between a failed artist and his girlfriend. Returning home after a long period of imprisonment, the father tries to improve his son's life in the most radical ways.

While living rough on the streets of London's East End, a young man named Dink encounters the mysterious Dee and they begin a relationship. When tenderness gives way to cruelty, they become consumed by darkness.

This film is about a conversation between a woman and an old house.

Haunted by an inner conflict, a driven artist, along with her gentle and emphatic daughter, returns to her childhood home to finally make peace with herself and her past. Once there, however, she loses herself in a long-forgotten world.

This film tells the story of an adolescent psychotherapy group that met at an outpatient clinic for two hours a week over a period of two years. Art and drama were the major therapeutic tools, along with music, movement, poetry, and filmmaking. The varied expressive modalities are demonstrated in this film, as well as the different roles the therapists played in facilitating the group process. In addition to telling the story of the group, this film also includes detailed case studies of two of the members. It is a rare example of multimodality group therapy unfolding over time.