Scotch Mist: A Film with Radiohead in It

In this wildly entertaining vision of one of the twentieth century’s greatest artists, Bob Dylan is surrounded by teen fans, gets into heated philosophical jousts with journalists, and kicks back with fellow musicians Joan Baez, Donovan, and Alan Price.

Born in New York in 1949, Elliott Murphy becomes one of the new Dylans in the '70s; most critics from the era praise his albums; still, he makes a bigger connection with European audiences, becoming a worshipped artist in countries overseas.

A documentary film about the Afro-American Woodstock concert held in Los Angeles seven years after the Watts riots. Director Mel Stuart mixes footage from the concert with footage of the living conditions in the current-day Watts neighborhood.

Robbie Williams takes over the London Palladium for an evening of swing classics and new songs. Special guests joining Robbie and his big band on stage are Lily Allen, Rufus Wainwright and Muppets Miss Piggy, Kermit the Frog, and grumpy old men Statler and Waldorf.

A documentary on the late American entertainer Dean Reed, who became a huge star in East Germany after settling there in 1973.

Father John Misty performs a career spanning setlist at The Ryman in Nashville, TN, during the tour for his 5th studio LP, Chloë and the Next 20th Century

Shot over a two-year period observing Abbado: a) Rossini, Overture to 'll Barbiere di Siviglia' b) Schubert, Symphony no. 2 B-Major, D. 125 c) Arnold Schonberg, Kammersinfonie no. 1 E-Major op. 9 (Filmed in Venice, Gran Teatro La Fenice, in February 1995, Chamber Orchestra of Europe). a) Richard Strauss, Elektra (Deborah Polaski, Karita Mattila, Marjana Lipovsek, Ferrucio Furlanetto) b) Beethoven, Symphony no 6 F-Major, op. 68, 'Pastorale' (Filmed in the Festspielhaus Salzburg on the occasion of the Easter Festival, April 1995, Berlin Philharmonic). a) Beethoven, Concerto for piano and orchestra no. 3 C-MINOR, OP. 37 (Maria Joao Pires) b) Bruckner, Symphony no. 9 D-Minor (Filmed in Paris, Cite de la Musique, in August 1995, Gustav Mahler Youth Orchestra).

Austrian classical conductor Carlos Kleiber (1930-2004) was as eccentric and reclusive as he was brilliant, persistently and obstreperously declining to participate in the international music community or business. This set him apart from his more public contemporaries, such as Herbert von Karajan. This biographical documentary attempts to resolve the ambiguities surrounding Kleiber. The product of exhaustive research, it features rare performance footage of Kleiber leading orchestras, and draws on interviews with individuals who knew and worked with the maestro, including Otto Schenk, Riccardo Muti, Michael Gielen and Ioan Holdender. Carlos Kleiber also turns up to conduct a series of illustrative musical excerpts.