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Lakeview Terrace is a tense, psychological thriller that stands out because of Samuel L. Jackson's powerful performance. He plays Abel Turner, a character so commanding and relentless that his presence carries the entire movie. Jackson's ability to make you both fear and understand Abel is what makes this film so gripping. The movie builds its suspense slowly, creating a tense and uneasy atmosphere that keeps you on edge throughout. The plot tackles some heavy themes, particularly around race and power dynamics, which might feel a bit heavy-handed at times. While the racial aspect of the story may not sit well with everyone, it undeniably fuels the conflict and drives the tension between the characters. The film isn't subtle in how it approaches these themes, but that bluntness works in its favor, keeping the stakes high and the audience engaged. The third act might divide viewers, but it ties the story together in a way that feels fitting for the characters, especially Abel. While some might argue it leans into thriller clichés, it also delivers closure that matches the relentless nature of the movie's lead. Overall, Lakeview Terrace is a solid watch if you're in the mood for a psychological thriller with strong performances and a story that isn't afraid to be provocative. It's not perfect, but it's well worth your time.
A married couple, unable to conceive, search for a male donor, but jealousy creates problems when the husband spies on his wife while posing as her brother.
In the post-apocalyptic future, reigning tyrannical supercomputers teleport a cyborg assassin known as the "Terminator" back to 1984 to kill Sarah Connor, whose unborn son is destined to lead insurgents against 21st century mechanical hegemony. Meanwhile, the human-resistance movement dispatches a lone warrior to safeguard Sarah. Can he stop the virtually indestructible killing machine?
A young drifter working on a river barge disrupts his employers' lives while hiding the fact that he knows more about a dead woman found in the river than he admits.
Parisian everyman Antoine Doinel has married his sweetheart Christine Darbon, and the newlyweds have set up a cozy domestic life of selling flowers and giving violin lessons while Antoine fitfully works on his long-gestating novel. As Christine becomes pregnant with the couple's first child, Antoine finds himself enraptured with a young Japanese beauty. The complications change the course of their relationship forever.
After narrowly escaping a bizarre accident, a troubled teenager is plagued by visions of a large bunny rabbit that manipulates him to commit a series of crimes.
Everyone is addicted to Lulu. As a symbol of the seductress, she drags everyone around her into the abyss: the elderly Dr. Goll, the mediocre painter Schwarz, her foster father Dr. Schön and the lesbian Countess Geschwitz - all succumb to her beauty and pay with their lives.
Oskar Matzerath is a very unusual boy. Refusing to leave the womb until promised a tin drum by his mother, Agnes, Oskar is reluctant to enter a world he sees as filled with hypocrisy and injustice, and vows on his third birthday to never grow up. Miraculously, he gets his wish. As the Nazis rise to power in Danzig, Oskar wills himself to remain a child, beating his tin drum incessantly and screaming in protest at the chaos surrounding him.
With no clue how he came to be imprisoned, drugged and tortured for 15 years, a desperate man seeks revenge on his captors.
Kuhle Wampe takes place in early-1930s Berlin. The film begins with a montage of newspaper headlines describing steadily-rising unemployment figures. This is followed by scenes of a young man looking for work in the city and the family discussing the unpaid back rent. The young man, brother of the protagonist Anni, removes his wristwatch and throws himself from a window out of despair. Shortly thereafter his family is evicted from their apartment. Now homeless, the family moves into a garden colony of sorts with the name “Kuhle Wampe.”
A couple of high school graduates spend one final night cruising the strip with their buddies before they go off to college.
In 1962 Hong Kong, neighbors Su Li-zhen (Mrs. Chan) and Chow Mo-wan (Mr. Chow) discover their spouses are having an affair. As they spend time together, they develop feelings for each other, but their relationship remains chaste and unspoken, reflecting societal constraints and their own moral compass.