Autumn at Apple Hill 2024 - Movies (Oct 6th)
Wineville 2024 - Movies (Oct 6th)
Azrael 2024 - Movies (Oct 5th)
The Peasants 2023 - Movies (Oct 5th)
Girl You Know Its True 2023 - Movies (Oct 5th)
New Life 2023 - Movies (Oct 5th)
Harold and the Purple Crayon 2024 - Movies (Oct 5th)
Electric Lady Studios A Jimi Hendrix Vision 2024 - Movies (Oct 5th)
The Absence of Eden 2023 - Movies (Oct 5th)
A Sprinkle of Deceit A Hannah Swensen Mystery 2024 - Movies (Oct 5th)
Kinds of Kindness 2024 - Movies (Oct 4th)
Subservience 2024 - Movies (Oct 4th)
The Conqueror Hollywood Fallout 2023 - Movies (Oct 4th)
Its Whats Inside 2024 - Movies (Oct 4th)
Joker Folie à Deux 2024 - Movies (Oct 4th)
Spin the Bottle 2024 - Movies (Oct 4th)
Things Will Be Different 2024 - Movies (Oct 4th)
The Radleys 2024 - Movies (Oct 4th)
Gods Not Dead In God We Trust 2024 - Movies (Oct 4th)
Little Bites 2024 - Movies (Oct 4th)
The Killers Game 2024 - Movies (Oct 4th)
Countryfile - (Oct 6th)
Alex Witt Reports - (Oct 6th)
Rich Holiday, Poor Holiday - (Oct 6th)
Strictly Come Dancing- It Takes Two - (Oct 6th)
The Runaway - (Oct 6th)
Saturday Kitchen Best Bites - (Oct 6th)
Have I Got a Bit More News for You - (Oct 6th)
Sunday Brunch - (Oct 6th)
The Cook Up with Adam Liaw - (Oct 6th)
The Great Canadian Baking Show - (Oct 6th)
VOCES American Historia- The Untold History of Latinos - (Oct 6th)
Be My Guest with Ina Garten - (Oct 6th)
48 Hours - (Oct 6th)
Love Next Door - (Oct 6th)
Alan Carrs Picture Slam - (Oct 6th)
Live and Let Dai - (Oct 6th)
The Amazing Race Australia - (Oct 6th)
The Kelly Clarkson Show - (Oct 6th)
Angel of Death - (Oct 6th)
Earth Odyssey with Dylan Dreyer - (Oct 6th)
"Helvetica" is a surprisingly interesting documentary about the creation and influence of a font. Yes, a font. Yet, the story behind it is more interesting than you might believe, not to mention the influence it's had since its creation, both by its design and by the creation of an anti-Helvetica faction that rebels against its button-down and now traditional design. The influence of that rebellion alone is actually quite interesting, and as you watch this film you realize the design and the work that's gone on behind the scenes for things that we see every day and likely take for granted. Afterall, someone had to invent it at some point (like I've always said, the first person who figured out that you could drink cows' milk had to have been really weird). Worth a look, both for graphic design nerds as well as those simply curious about what's really behind the scenes of everyday things.
A portrait of Eric Lyons and Span, under the scrutiny of Ian Nairn, as well as the residents of their estates.
PBS Frontline takes an in-depth look at the multibillion-dollar "persuasion industries" of advertising and public relations and how marketers have developed new ways of integrating their messages deeper into the fabric of our lives. Through sophisticated market research methods to better understand consumers and by turning to the little-understood techniques of public relations to make sure their messages come from sources we trust, marketers are crafting messages that resonate with an increasingly cynical public.
Advertising surrounds us. It is part of our lives, our memory and our culture: it is a pure reflection of our society. However, those who think and create ads are unknown people. Playing with the mechanisms of publicity as a narrative resource, we enter this medium through Spain's best creative director: Toni Segarra.
The film shows one day from waking up in the morning all the way to waking up again the next morning. The everyday situations that many commercials are made of, the little dramas that they create and solve through the product or service they sell, are stitched together into one day. This is a film about the everyday in (German, or Western-European) society because the commercials are part of the everyday of most people (everyone who watches television) and they depict an ideal image of society. The film abundantly uses repetition as an editing technique, in visual ways as described above, but also because commercials can be read in different ways. For instance, Brat baking foil shows up at the evening dinner sequence, when an ovendish is put on the table, and again later on in the sequence about going out to a classic concert, because the clip has classic music.
Since the late 18th century American legal decision that the business corporation organizational model is legally a person, it has become a dominant economic, political and social force around the globe. This film takes an in-depth psychological examination of the organization model through various case studies. What the study illustrates is that in the its behaviour, this type of "person" typically acts like a dangerously destructive psychopath without conscience. Furthermore, we see the profound threat this psychopath has for our world and our future, but also how the people with courage, intelligence and determination can do to stop it.
Nobody captured the atmosphere of 1990s Berlin better than German photographer Daniel Josefsohn, who died in 2016 at the age of 54, leaving his mark in advertising with his irreverent aesthetic and punk sensibility. It was his spontaneous, imperfect images shot for an MTV campaign in 1994 that first made him famous.
You've never heard of Jonathan Hoefler or Tobias Frere-Jones but you've seen their work. They run the most successful and respected type design studio in the world, making fonts used by the Wall Street Journal to the President of the United States.
Full-length documentary featuring design leaders and product designers from 15+ industry-toppling companies—valued at more than $1 trillion dollars combined. The film chronicles the true nature of design and the design-driven business revolutions being shaped around the world through the designers eyes. Get a never-before-seen look into the perspectives, processes, and design approaches of leaders at industry-toppling brands and discover how these companies are disrupting billion dollar industries through design.
In this highly anticipated sequel to his groundbreaking, ADVERTISING AND THE END OF THE WORLD, media scholar Sut Jhally explores the devastating personal and environmental fallout from advertising, commercial culture, and rampant American consumerism. Ranging from the emergence of the modern advertising industry in the early 20th century to the full-scale commercialization of the culture today, Jhally identifies one consistent message running throughout all of advertising: the idea that corporate brands and consumer goods are the keys to human happiness. He then shows how this powerful narrative, backed by billions of dollars a year and propagated by the best creative minds, has blinded us to the catastrophic costs of ever-accelerating rates of consumption.