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Gastronauts - (Aug 30th)
WWE Main Event - (Aug 30th)
James Martins Saturday Morning - (Aug 30th)
Beyond the Bar - (Aug 30th)
Ainsleys Fantastic Flavours - (Aug 30th)
Lucky - (Aug 30th)
The Winning Try - (Aug 30th)
Bon Appetit, Your Majesty - (Aug 30th)
Anne Shirley - (Aug 30th)
Foreign Correspondent - (Aug 30th)
Lie Detector- Truth or Deception - (Aug 30th)
Dan Da Dan - (Aug 30th)
The First 48 Presents Critical Minutes - (Aug 30th)
The Great Indian Kapil Show - (Aug 30th)
Kaiju No. 8 - (Aug 30th)
The Football Interview - (Aug 30th)
Jimmy And Shivis Farmhouse Breakfast - (Aug 30th)
Casualty - (Aug 30th)
The One Show - (Aug 30th)
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A student of the occult encounters supernatural haunts and local evildoers in a village outside of Paris.
As the war between the vampires and the Lycans rages on, Selene, a former member of the Death Dealers (an elite vampire special forces unit that hunts werewolves), and Michael, the werewolf hybrid, work together in an effort to unlock the secrets of their respective bloodlines.
The mysterious Count Orlok summons Thomas Hutter to his remote Transylvanian castle in the mountains. The eerie Orlok seeks to buy a house near Hutter and his wife, Ellen. After Orlok reveals his vampire nature, Hutter struggles to escape the castle, knowing that Ellen is in grave danger. Meanwhile Orlok's servant, Knock, prepares for his master to arrive at his new home.
After kidnapping a father and his two kids, the Gecko brothers head south to a seedy Mexican bar to hide out in safety, unaware of its notorious vampire clientele.
In Los Angeles, a gang of bank robbers who call themselves The Ex-Presidents commit their crimes while wearing masks of Reagan, Carter, Nixon and Johnson. Believing that the members of the gang could be surfers, the F.B.I. sends young agent Johnny Utah to the beach undercover to mix with the surfers and gather information.
On the surface, Saya is a stunning 16-year-old, but that youthful exterior hides the tormented soul of a 400-year-old "halfling". Born to a human father and a vampire mother, she has for centuries been a loner obsessed with using her samurai skills to rid the world of vampires, all the while knowing that she herself can survive only on blood like those she hunts.
When an unsuspecting town newcomer is drawn to local blood fiends, the Frog brothers and other unlikely heroes gear up to rescue him.
A career criminal, Ah Sang, engineers a bank robbery to be carried out by a gang of recruited hoodlums led by himself. It takes only three minutes to complete the robbery of seven million dollars. A special police unit is then formed to investigate the case, and the chief inspector suspects Sang, and begins keeping him under surveillance. In order to stay undetected, each member is specifically ordered to not spend their share of the one million HKD from the heist for six months.
Bella once again finds herself surrounded by danger as Seattle is ravaged by a string of mysterious killings and a malicious vampire continues her quest for revenge. In the midst of it all, she is forced to choose between her love for Edward and her friendship with Jacob, knowing that her decision has the potential to ignite the ageless struggle between vampire and werewolf. With her graduation quickly approaching, Bella is confronted with the most important decision of her life.
Phyllis is a moving and atmospheric portrait of a ‘psychic’ vampire, a woman obsessed with synthetic Nollywood dramas, that lives alone in Lagos, Nigeria. The central idea of this short experimental film is the practise and significance of wig-wearing in Nollywood film; a practise the director has invested with deeper psychological as well as science-fiction layers. Underpinning this central idea however is a critique of the unforgiving treatment of single women in Nollywood and Nigeria. The film is an example of what the director, Zina Saro-Wiwa, has termed “alt-Nollywood”, a genre that plays with and reworks certain narrative, stylistic and visual conventions of Nollywood. Phyllis explores the gothic possibilities of the Nollywood aesthetic creating a new kind of low-budget atmospheric film that is very much of Nollywood and yet subverts the genre. Using Nollywood to subvert Nollywood.