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The Mighty Ducks- Game Changers - (Jun 3rd)
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The Rachel Maddow Show - (Jun 3rd)
The Last Word with Lawrence ODonnell - (Jun 3rd)
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Springwatch - (Jun 3rd)
90 Day- Hunt For Love - (Jun 3rd)
The Last American Vagabond - (Jun 3rd)
Piers Morgan Uncensored - (Jun 3rd)
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The Price Is Right - (Jun 2nd)
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The Young and the Restless - (Jun 2nd)
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**_Several lost boys but, unfortunately, only one lost girl_** After a mother and two sons move from Phoenix to coastal town in Northern California, the older son (Jason Patric) gets involved with a gang led by a sinister guy (Kiefer Sutherland) while the younger son (Corey Haim) hangs out with two geeky vampire hunters (Corey Feldman & Jamison Newlander). Meanwhile the mother (Dianne Wiest) starts dating a shop owner (Edward Herrmann). Jami Gertz in on hand as the sole young female. Released in 1987, "The Lost Boys" is a stylish and hip vampire flick that expertly meshes horror and humor. I usually don't like horror-comedies, but this one works well. The horror is pretty horrifying (in a fun way) while the comedy is consistently amusing. The coastal California locations are superb. However, the excellent train trestle sequence was shot in Alabama (see below). I generally don't like 80's new wave pop rock, but the soundtrack is enjoyable, particularly the creative Lost Boys Theme, "Cry Little Sister" by Gerard Mcmann (with a catchy chorus sung by children). "Lost in the Shadows" by Lou Gramm is good as well. INXS, Roger Daltry and Echo and The Bunnymen also have songs on the soundtrack, the latter group doing a mid-80's version of The Doors' "People Are Strange," which is very close to the original song and actually sounds like its Jim Morrison singing. The sax-playing beefcake sequence features one-hit wonder Tim Cappello playing "I Still Believe." Speaking of beefcake, this zeroes in on my problem with this flick: There are multiple lost boys, but only one lost girl. Although Gertz is good-looking, she's always wearing a long skirt and so we never get a good look at her beyond her face (not talkin' 'bout nudity), with the exception of a campfire sex scene that doesn't work because it's premature and overall lame. Needless to say, a mid-80s horror flick without adequate females is scandalous. Director Joel Schumacher needed to take notes from the six Friday the 13th movies that had been released by the time "The Lost Boys" was shot. Oh, wait, Schumacher is, um, nevermind. While the movie was largely shot in Santa Cruz, California, the vampire cave entrance was 350 miles south at Rancho Palos Verdes whereas the train trestle sequence was shot in Bayou Canot, Mobile, Alabama. The boys were able to jump into the underlying fog because the river was only 12-15 feet below, although the movie gives the impression that they were way higher up. Interior shooting was done in the studio at Burbank. It's short 'n' sweet at 1 hour, 37 minutes. GRADE: B
Carl Allen, a guy whose life is going nowhere, signs up for a self-help program based on one simple covenant: say yes to everything…and anything.
A group of film students set out to finish filming a movie that was never completed after its director was murdered. After they begin filming, they realize they're in for a bit of trouble, not unlike the late director...
Blonde, bouncy Buffy is your typical high school cheerleader. But all that changes when a strange man informs her she's been chosen by fate to kill vampires.
Upon receiving reports of missing persons at Fort Spencer, a remote Army outpost on the Western frontier, Capt. John Boyd investigates. After arriving at his new post, Boyd and his regiment aid a wounded frontiersman who recounts a horrifying tale of a wagon train murdered by its supposed guide - a vicious U.S. Army colonel gone rogue. Fearing the worst, the regiment heads out into the wilderness to verify the gruesome claims.
Narrowly escaping death, outlaw Johnny Madrid goes on the run with the hangman's sensuous daughter Esmeralda by his side.
A small mountain community in Canada is devastated when a school bus accident leaves more than a dozen of its children dead. A big-city lawyer arrives to help the survivors' and victims' families prepare a class-action suit, but his efforts only seem to push the townspeople further apart. At the same time, one teenage survivor of the accident has to reckon with the loss of innocence brought about by a different kind of damage.
Berlin, Germany. A cruel murder took place in an appartment building. Somebody bit off quite a piece of the victim's penis, who then, of course, lost a lot of blood, before being struck down at the head. Leading investigator Bernhard Kominka, being in stress due to a mentally retarded son and a problematic wife, seems to be the only one to see a lady in a red coat. After a while, his theory of her being the murderer may prove to be true, but the Cop also kind of fell in love with this new, interesting person in both of his lives: professional and private as well. Borders dissolve. His decision may be disastrous in any way.
Martha Beck, an obese nurse who is desperately lonely, joins a "correspondence club" and finds a romantic pen pal in Ray Fernandez. Martha falls hard for Ray, and is intent on sticking with him even when she discovers he's a con man who seduces lonely single women, kills them and then takes their money. She poses as Ray's sister and joins Ray on a wild killing spree, fueled by her lingering concern that Ray will leave her for one of his marks.
A former child star torments her paraplegic sister in their decaying Hollywood mansion.
A tragic car accident in the middle of nowhere finds six stranded college students fighting for their lives after making a horrifying discovery in a remote farmhouse in director Edward Gorsuch's rural frightener. With no place to run and no police station for miles, these doomed students are about to discover that down home hospitality is the last thing on the minds of the murderous family who stalks them through the woods.
His name: infamous. His reputation: ruthless. But when James "Animal"Allen is locked up in a maximum security prison, he meets a revolutionary who changes his life. Now a reformed man, James is released only to find that his own son has assumed a life of crime and violence. Can a father haunted by his past redeem his family from the very streets he created, or will he be forced to make the ultimate sacrifice?