Boualem Zid El Goudam

Advertising man Roger Thornhill is mistaken for a spy, triggering a deadly cross-country chase.

Yvan finds a burglar in his house. After some consideration, Yvan decides not to call the police and to drop the lad near the nearby city but he ends up giving him a lift home to his parents. Together, they travel through Belgium and meet some extraordinary people and find themselves in ditto situations.

In a space without limits, a being without identity confronts his own existence by asking himself six fundamental questions. In his search to define his essence, the protagonist enters an introspective journey marked by a lack of answers and uncertainty. Through this internal challenge, the character unravels the complexity of identity and self-awareness, inviting the viewer to plunge into the depths of existence, where unknowns and the absence of clear answers defy the limits of human understanding.

An FBI informant has kept his new identity secret for 15 years. Now an old flame has recognised him, and the bad guys are back for revenge.

Running on Empty (German: Der Lebensversicherer) is a 2006 German drama film directed by Bülent Akinci. It was entered into the 28th Moscow International Film Festival where Jens Harzer won the award for Best Actor.

Mere seconds before the Earth is to be demolished by an alien construction crew, Arthur Dent is swept off the planet by his friend Ford Prefect, a researcher penning a new edition of "The Hitchhiker's Guide to the Galaxy."

Rebecca, an American who has been living in Jerusalem for a few months now, has just broken off her engagement. She gets into a cab driven by Hanna, an Israeli. But Hanna is on her way to Jordan, to the Free Zone, to pick up a large sum of money.

Thirteen-year-old Paula lives with her mother on a well-kept estate in a small town surrounded by nice neighbours. But Paula's view of normality has been sharpened by her extensive and consistent diet of horror movies.

Branko has been a truck driver for only a few months, a choice that is quite understandable, given that he now earns three times as much as he did as a schoolteacher. But everything has a price, which is not always quantifiable in terms of money. As children we were told: “work ennobles man”. But here the opposite seems true: it is Branko, with his efficiency, his obstinacy, his good will, who ennobles a job that grows more and more alienating, absurd and enslaving.

On an Algerian beach, kids splash about, sleep, squabble - and then suddenly go to war. And it’s neither Lord of the Flies nor La Guerre des boutons. In her first film, full of grace, Narimane Mari films this childish freefor- all closely, at the irregular pace of an imagination inspired by the highest form of reality, national History — actually, nothing less than the Algerian War of Independence. When their make-believe induces a general upheaval, we follow the flock of children as they stamp their feet up the stairs, invade houses, cross village squares, in a whirlwind of shouts and empty words. Time is stretched like in a dream, through a choreography of belligerent shadows or the night-time explosion of the cemetery, as so many warning signs of dangers to come.

A super-model begins to question her glitzy, frenetic lifestyle when she awakes after a all night party to find a strange man in her bed. She sees a surfer riding the waves below, follows him to his tented camp on the banks of a river. 'Leatherlip' earns a living making leather goods and roaming around on an extraordinary 'trike' with his worldly goods and surfboard strapped on an overhead rack. They fall in love and she abandons her previous life. Then inexplicably she disappears. Leatherlip sets off on a cross-country odyssey to find her, knowing only that her father lives on a boat on the West Coast...