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As far as I know, this is a lost film. If anyone knows of an existing copy, please contact me. My thanks to 2nd Unit director **Josh Spencer** for supplying the info on this film. (Most of it from memory!). For those who are interested, I have posted Josh’s comments and a full film synopsis below. **2nd Unit Director's Comments** > This film is exploitative in the most literal sense in that Director Stuart Pringle had no clear idea of what the film would be. He simply exploited whatever production value he could find in locations, props and people he encountered whilst the unit travelled across southern Africa. All dialogue was improvised. There was no shooting script. Stuart was open to ideas from all crew members and gave me a free hand to direct the petrified forest sequence (amongst others) in his absence. > > The wildly diverse material – fashion industry, surfing, Leatherlip's camp, drag racing, wildlife, bushman encampment, and much material of Leatherlip travelling on his exotic trike through various landscapes was woven into a semblance of a story by Editor Tommy Doig. Colin Shapiro's music helped knit it together too. The result was an adventure/travelogue that captured much of the late 60's ethos. Considering that it was made on a shoe-string budget, with a tiny crew and amateur Director and leads, the end product is surprisingly enjoyable. **Film Synopsis (Contains spoilers)** > A super-model (Evon de Meistre) begins to question her glitzy, frenetic lifestyle when she awakes after a all night party to find a strange man (Richard Loring) in her bed. Suffering a nervous breakdown she is intent on suicide and is about to throw herself off a cliff when she sees a surfer riding the waves below. She follows him to his tented camp on the banks of a river. 'Leatherlip' (Tim . . . . .) is a free spirit, earning a living making leather goods and roaming around on an extraordinary 'trike' with his worldly goods and surfboard strapped on an overhead rack. > > They fall in love and she abandons her previous life, entranced with his gypsy-like existence. They enjoy a blissful interlude, surfing, swimming in the river, exploring forests and lying in each others arms around the camp fire each night. Then inexplicably she disappears. Leatherlip sets off on a cross-country odyssey to find her, knowing only that her father (Bill Brewer) lives on a boat on the West Coast. He wins a drag race on his trike to finance his search and has many adventures. Crossing the Kalahari, rides through huge herds of antelope, he rescues an injured bushman (Whotsie), is fated as a hero at a Bushman camp, gets run off the road by roughnecks and gets lost in a sandstorm. Weary and dispirited by his seemingly futile quest, in a dramatic petrified forest he re-connects to the natural world and draws strength to continue. Eventually, he finds her father and is reunited with his lover.
Roar follows a family who are attacked by various African animals at the secluded home of their keeper.
Lee Hyeong is a talented songwriter. He happens to connect people who are not good with love. Those include Hyeong-Gyeong who wants to become a singer, but she suffers from stage fright. Scully is a high school student. She helps Lee Hyeong's spirit. Chan-Young is a colleague of Lee Hyeong and he likes Hyeong-Gyeong, but in vain.
A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. But in the course of a single day he unknowingly captures a death on film.
A self-assured businessman murders his employer, the husband of his mistress, which unintentionally provokes an ill-fated chain of events.
When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.
The true story of anti-apartheid activists in South Africa, and particularly the life of Patrick Chamusso, a timid foreman at Secunda CTL, the largest synthetic fuel plant in the world. Patrick is wrongly accused, imprisoned and tortured for an attempt to bomb the plant, with the injustice transforming the apolitical worker into a radicalised insurgent, who then carries out his own successful sabotage mission.
In post-9/11 New York City, an eclectic group of citizens find their lives entangled, personally, romantically, and sexually, at Shortbus, an underground Brooklyn salon infamous for its blend of art, music, politics, and carnality.
Shin Hye, Mi Yeon, and Hae Young are three vivacious women who help each other through the tangles of their romantic lives, from tentative first dates to Viagra-taking husbands and one-night stands. Being 40 proves that they're not past their prime.
Nina, a blind girl, lives with her grandmother, who has taught her to make artificial flowers, which she sells at a flower-stand. Nina, and Jimmie, a crippled newsboy who sells papers on the same corner, are sweethearts. Nina's grandmother dies, and she turns to Jimmie. One day Jimmie has a fight with another newsboy, whom he thinks is hanging about Nina's stand too much, and the other boy is soon begging for mercy. Miss Fifi Chandler, an artist, happens to be passing, and becoming interested, she accompanies Nina and Jimmie to their rooms, and is surprised to find that Jimmie is an artist, having made a beautiful plaster cast of Nina. Fifi brings Jimmie and his protégé to the notice of her fellow artist, Fred Townsend, who falls in love with Nina.