Tuesday 2023 - Movies (Jul 26th)
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The Garfield Movie 2024 - Movies (Jul 26th)
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Inhuman Kiss The Last Breath 2024 - Movies (Jul 26th)
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What Lies Under the Tree 2023 - Movies (Jul 26th)
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Aliens Abducted My Parents and Now I Feel Kinda Left Out 2023 - Movies (Jul 25th)
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GRAND SUMO Highlights - (Jul 27th)
The Beat with Ari Melber - (Jul 27th)
Deadline- White House - (Jul 26th)
8 Out of 10 Cats Does Countdown - (Jul 26th)
Gutfeld! - (Jul 26th)
Jesse Watters Primetime - (Jul 26th)
Outnumbered - (Jul 26th)
Special Report with Bret Baier - (Jul 26th)
The Ingraham Angle - (Jul 26th)
Hannity - (Jul 26th)
Bargain Hunt - (Jul 26th)
The Great House Giveaway - (Jul 26th)
MSNBC Reports Andrea Mitchell Reports - (Jul 26th)
The Last American Vagabond - (Jul 26th)
Watch What Happens Live with Andy Cohen - (Jul 26th)
The 11th Hour with Stephanie Ruhle - (Jul 26th)
Trucking Hell - (Jul 26th)
No Place Like Home - (Jul 26th)
George Clarkes Amazing Spaces - (Jul 26th)
Masters of Illusion - (Jul 26th)
**A good biographical film about one of the greatest American painters of the 20th century.** I'm not a deep connoisseur of Mexican painting, but I don't think I'm saying heresy if I consider Frida Kahlo the most international and well-known artist in the country, the most notable of Mexican painters. She was considered a surrealist, but she didn't really agree with that because she didn't paint dreams. In fact, I agree with the artist: what she left us, in powerful and dramatic canvases, is a portrait of her life, what she lived, felt and saw. Kahlo's paintings look simple. She was not an academic, coming out of a very expensive and elegant school. She painted with feeling, with an art that was her own, not a copy of others, nor an attempt to follow any school or any master. She painted with simplicity, emotion and drama, in what we can call a “naïf style”. She was married, in a very tempestuous relationship, to the painter Diego Rivera, but he, although more technically perfect, is not as good as she is because he lacks in emotion and sincerity what he has left in political activism. In fact, what I don't like about Rivera's art is the constant apology for communist ideas. Art and propaganda are different things, although they can be harmonized. The film, directed in a very elegant and competent way by Julie Taymor, invites us to know the artist's life from her youth until her death. It begins shortly before she suffers the accident that will weaken her for the rest of her life (something the film does not tell us – and it is a pity – is that she had polio as a child). The film focuses on her relationship with Rivera and, later, on her affair with the exiled Leon Trotsky. However, and as the film makes clear, the artist was bisexual and had a lot of extramarital relationships with men and women, like her husband, who had a variety of lovers. I dare say that this is one of the most solid cinematographic works of Salma Hayek's career so far. The actress gave us a powerful, intense and personality-filled performance. Beside her, Alfred Molina also gives us a strong and charismatic work. Geoffrey Rush, an actor who rarely lets us down, was not so good as the disgraced Russian revolutionary. I found it unconvincing, and the romantic relationship with Kahlo sounds artificial, more like a whim than a powerful attraction between characters. The film also has cameos by António Banderas, Edward Norton and others, but they were misused and accessories. Technically, the highlight goes to the cinematography, crafted with a lot of creativity: I cannot fail to highlight, for example, the scenes in the Aztec ruins, or that scene where Kahlo is treated in the hospital, with a graphic animation that remembers the artist's paintings. The insertion of the paintings is very well executed, so that we can clearly understand the connection between Kahlo's art and life. The soundtrack, with various themes alluding to traditional Mexican music, does an excellent job, and the recreation of historical times and environments was also done with great care and discretion.
'Titles within the film are: Numen of the Boughs, Old Boots, Speed Bonny Boat, Lapping Water, Incense, Aha, Brave New World, Things, Terra Firma. A poem started in words is continued in images - Part of another poem as an addition to the picture - Some images formed by direct-on-film animation - Others 'found' by the camera" - MT
A documentary revealing the under-appreciated, highly demanding world of Broadway Understudies and Standbys. Three undiscovered performers at various points in their careers get the chance of a lifetime. Their struggle is put into perspective through never-before-heard stories from celebrities who themselves were once Understudies or Standbys.
The story of Osamu Dazai, one of Japan's most celebrated novelists, absorbed in alcohol and love; married and in a relationship with two other lovers.
Art form crosses art form and makes a new art form. Manifesto for Love is an inter-layered journey into the highs and lows of the romantic adventure: an experiment in shape, music, vision and words to find a new expression of love.
As the muse of Hal Hartley’s indie classics and as writer/director of the critically acclaimed Waitress, Adrienne Shelly was a shining star in the indie film firmament. A devoted young mother, her life was right on track until her husband found her dead. Filmmaker Andy Ostroy has been fighting to discover the truth about his wife’s death ever since.
The road can be long when allowing yourself to love again. Shy and self-effacing Léo leads a solitary existence, but an encounter with the confident Thom turns his world upside down.
A collection of gay short films. The 7 short films are: A Man's Voice [Une voix d'homme] (2002); Back Room (1999); Bright Spell [L'embellie] (2000); Campfire [Kampvuur] (2000); Golden Whore [Puta de oros] (2000); Knock at the Door (2000); Three Wishes [Drei Wünsche] (2000).
To cope with a grieving process, Eli creates his own pink musical paradise, full of neon lights and a lot of gayness.
A collection of gay short films. The 9 short films are: An Early Frost [Gelée précoce] (1999); Casualty (1999); Coming Out [Papa, faut que j'te parle...] (2000); Doors Cut Down [En malas compañías] (2000); Final Exams [Les résultats du bac] (2001); In and Out [L'un dans l'autre] (1999); Odd Sock (2000); Sloth [Likegyldighet] (2000); The Virgins [Les puceaux] (1997).
Oxum goes to the river every day to fill his jug with water. One day, a woman in red clothes crosses his path and changes her life forever.