The We Should Game

Death is a moment whose reverberation endures for the living. Three students from the Audio-Visual team are shooting a documentary on a schoolmate who has recently committed suicide. It is intended to convey a ‘positive message’ to the entire school about the importance of life. During interviews, the students notice some discrepancies in the testimonies, particularly those by a prefect and a teacher, while friends of the deceased seem to be withholding some inconvenient truth. Should the team pursue the truth, or act as the school’s propagandist? Filmed in a mocumentary style, The Handbook of Suicide Prevention challenges and exposes the hypocrisy and suppression that haunt adolescence.

HELD FOR RANSOM tells the true story of Danish photojournalist Daniel Rye who was held hostage for 398 days in Syria by the terror organization ISIS along with several other foreign nationals including the American journalist, James Foley. The film follows Daniel’s struggle to survive in captivity, his friendship with James, and the nightmare of the Rye family back home in Denmark as they try to do everything in their power to save their son. At the center of this crisis, we find hostage negotiator, Arthur, who plays a pivotal role in securing Daniel’s release.

A teenage boy navigates the final minutes before his first theater stage performance, which includes experiencing his first kiss. Despite his rising anxiety, he shares a romantic moment with a classmate.

14th-century Franciscan monk William of Baskerville and his young novice arrive at a conference to find that several monks have been murdered under mysterious circumstances. To solve the crimes, William must rise up against the Church's authority and fight the shadowy conspiracy of monastery monks using only his intelligence; which is considerable.

During the Nazi occupation of Poland, an acting troupe becomes embroiled in a Polish soldier's efforts to track down a German spy.

Spanning the years 1945 to 1955, a chronicle of the fictional Italian-American Corleone crime family. When organized crime family patriarch, Vito Corleone barely survives an attempt on his life, his youngest son, Michael steps in to take care of the would-be killers, launching a campaign of bloody revenge.

Two victims of traumatized childhoods become lovers and serial murderers irresponsibly glorified by the mass media.

Arvid is an ordinary bank clerk who lives a rather unassuming life with his dear girlfriend. But his life is turned completely upside down when he bravely manages to avert a robbery against the bank where he works.

When eccentric candy man Willy Wonka promises a lifetime supply of sweets and a tour of his chocolate factory to five lucky kids, penniless Charlie Bucket seeks the golden ticket that will make him a winner.

Whilst making a documentary on their friend, the crew uncover a dark secret which leads to friction, betrayal and puts their lives in danger. Can you ever truly know a ginger?

Ricky is a young man who takes care of his sick mother. His father hovers at the edge of the picture, so Ricky provides for himself and his mom through prostitution, running errands, and acting as a caregiver for a blind man. Through the course of the film, Ricky befriends Janey, a young woman he finds beaten by her ex-boyfriend, and Trenn, a mysterious young man in trouble with the law. The three of them navigate a dark and confusing world. It uses many of the actors who have come to constitute the Dar A Luz company, including Tony Torn, Tom Fitzpatrick, Juliana Francis, and Tom Pearl. It will disappoint those who approach it looking for a film analogue of the “faster and louder” aesthetic that critics have used to characterize much of Abdoh’s stage work. The Blind Owl does use a variety of techniques reminiscent of his stage direction, giving it an unusual theatricality.