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Monster Summer 2024 - Movies (Nov 9th)
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The Pirate Bay - (Nov 10th)
Later... with Jools Holland - (Nov 10th)
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The Sunday Show with Jonathan Capehart - (Nov 10th)
Match of the Day - (Nov 10th)
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Strictly Come Dancing- It Takes Two - (Nov 9th)
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Alan Carrs Picture Slam - (Nov 9th)
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The Katie Phang Show - (Nov 9th)
The Last American Vagabond - (Nov 9th)
The Great Indian Kapil Show - (Nov 9th)
A Virtuous Business - (Nov 9th)
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The SmackDown LowDown - (Nov 9th)
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**The greatest Rocky movie? I think it could be.** It's hard to pick a favorite Rocky movie, but Rocky IV definitely makes its case for first place. The epic showdown with Ivan Drago drips with emotion, heart, and motivation in ways the other movies can't match. Add the restless conflict between USA and Russia at the time, and it just doesn't get better. Getting the final fight perfect was so crucial that Sylvester Stallone recommended actually boxing and ended up in the hospital after getting knocked out by Dolph Lundgren. Ivan Drago is, without a doubt, the franchise's best villain. The development of Rocky and Apollo's relationship in Rocky IV is a beautiful credit to excellent writing and four movies worth of growth. The added Christmas spirit gives the film more character. If you had to watch only one Rocky, I would say pick this one, but it's only as great as it is because it stands on the shoulders of the movies that came before.
I liked it and then I didn't like it and now I like it again. I have a serious love/hate relationship with this one. The hate comes from Rocky and Rocky II and a little bit, just a little from Rocky III. This was a film focused more on the fight than the Rocky story and, just like Rocky III, and, honestly, I miss the heartfelt Rocky family part of the franchise. Mickey, Creed, Adrian, Paulie, they were the real heart behind what made the Rocky movies great and.... this focused more on the fight. However, it was inspirational and that is what you ultimately sit down to watch a Rocky movie for. You want to see the little guy, the under dog struggle and work hard and give it his best win or lose... and the best part about the Rocky franchise is that he doesn't always win, you see him hurt, you see him lose, and you see him get back up and fight. And that is what Rocky IV delivers.
Unfortunately, Rocky IV is the first film in the series that has disappointed me. This film had major tonal conflicts. For starters, the film is trying to have a very tragic story that motivates Rocky with the death of Apollo Creed, but at the same time has goofy scenes of a robot housewife. I did not like the ungroundedness that began to take shape here. This film also drew the least amount of emotion from me. I felt that Apollo Creed’s character regressed in this film, with him underestimating Ivan Drago the same way he underestimated Rocky in the original film. He no longer had the humble wisdom that he portrayed in Rocky III and was all about the spectacle and show. Additionally, I thought this opponent was the weakest of the series. This is probably due to the main connection between the two boxers being the death of Apollo, and that aspect fell flat for me. The final fight was the least exciting of the series, mainly due to the lack of buildup. The acting is pretty similar to the third film, with Sylvester Stallone, Talia Shire, and Carl Weathers all doing an excellent job. But the same complaint I had in Rocky III remains in this film, with the main antagonist being extremely corny and poorly acted. The silent, stoic figure of Drago was intimidating but lacked any emotional connection that the previous antagonists had. I would like to note that this film had a little too much 80s music for my liking. I really enjoyed the track "Eye of the Tiger," like in the third film, but I felt that there were not enough of the classic Rocky themes that really boosted the training segments. Overall, I still enjoyed this film, even with all of its flaws. Score: 57% | Verdict: Decent
A bright, talented and lonely long-distance runner twists her ankle as she prepares for the Olympic Trials and must do something she's never done before: take a day off.
Joe O'Hara finds out he has a damaged optic nerve just before a boxing match for the title. He needs the money badly, so he doesn't delay the fight. The opponent discovers Joe's weakness and pounds on his eyes, causing him to go blind.
Film deals with Stakhanovite movement. Old miners try to sabotage young man's plan to renew methods of getting coal.
Jean-Claude Delsart, a 50 years-old bailiff, with his worn-out smile and heart, abandoned a long time ago the idea that life could give him pleasures. Until the day, he dares to push the doors of a tango lesson...
Brimming with action while incisively examining the nature of truth, "Rashomon" is perhaps the finest film ever to investigate the philosophy of justice. Through an ingenious use of camera and flashbacks, Kurosawa reveals the complexities of human nature as four people recount different versions of the story of a man's murder and the rape of his wife.
The brief life of Jean Michel Basquiat, a world renowned New York street artist struggling with fame, drugs and his identity.
When a beautiful young Grace arrives in the isolated township of Dogville, the small community agrees to hide her from a gang of ruthless gangsters, and, in return, Grace agrees to do odd jobs for the townspeople.
September of 1944, a few days before Finland went out of the Second World War. A chained to a rock Finnish sniper-kamikadze Veikko managed to set himself free. Ivan, a captain of the Soviet Army, arrested by the Front Secret Police 'Smersh', has a narrow escape. They are soldiers of the two enemy armies. A Lapp woman Anni gives a shelter to both of them at her farm. For Anni they are not enemies, but just men.
Wounded Civil War soldier John Dunbar tries to commit suicide—and becomes a hero instead. As a reward, he's assigned to his dream post, a remote junction on the Western frontier, and soon makes unlikely friends with the local Sioux tribe.
In 1984 East Berlin, an agent of the Stasi secret police, conducting surveillance on a writer and his lover, finds himself becoming increasingly absorbed by their lives.