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The Briefing with Jen Psaki - (Aug 30th)
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The Young and the Restless - (Aug 30th)
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The Jury- Murder Trial - (Aug 29th)
WWE SmackDown - (Aug 29th)
Gardeners World - (Aug 29th)
Piers Morgan Uncensored - (Aug 29th)
The Tucker Carlson Show - (Aug 29th)
Chris Jansing Reports - (Aug 29th)
Parlor Room - (Aug 29th)
Digman - (Aug 29th)
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The Nice Guy - (Aug 29th)
The Winning Try - (Aug 29th)
Impractical Jokers - (Aug 29th)
Impractical Jokers- Inside Jokes - (Aug 29th)
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I’ve never really be an huge fan of Diana Ross’s voice, but there’s no getting away from her personable and visceral performance here as the flawed jazz musician Billie Holliday. With Motown’s Berry Gordy at the helm it was always going to lead on the music and it does that effectively too for the most part whilst giving us the basic bones of her turbulent battle with narcotics. We start in that position so often inhabited by aspirational young black Americans, a poverty stricken environment where sex was all too often the way young women made a living, before she gets that lucky break in a Harlem nightclub. That introduces her to Louis McKay (Billy Dee Williams) who takes up the management of her career. Unlike with many of her contemporaries, though, he is genuinely interested in his protégée and tries to keep her on the rails as her success exposes her to bigotry and heroin. Gradually the headlines begin to turn against her, the pressures increase and her talent alone can no longer save her from this very sad, but predicable, path of self-destruction. Ross, helped often by some quite powerful make-up effects, is entirely convincing right through the stages of Holliday’s rise and fall, and Williams as well as an authentic looking production design also manages to evoke some of the trials and tribulations faced by an African American woman in a very much white man’s world. As you’d expect, the soundtrack reminds us of some of the gorgeous songs like “God Bless the Child” and the title song that made her famous. It’s a bit speculative when it comes to the private life of this woman, and can be a bit heavy weather towards the disappointingly rushed conclusion, but it’s still a classy production that largely steers clear of being adulatory.
Shudra: The Rising is a Hindi language film with a storyline based on the caste system in ancient India, and more specifically the Hindu Varna system. It is directed by Sanjiv Jaiswal and dedicated to Bhim Rao Ambedkar. The film depicts the four basic units of the caste system - the Brahmins, Kshatriyas, Vaishyas and the Shudras. The film shows various rules imposed on the Shudras such as waking with a bell around their ankles and a long leaf behind their back,and a pot hanging around their neck.
Based on true events that unfolded in 1975, the film chronicles incidents that took place under the leadership of Indira Gandhi, one of the most powerful women in Indian history.
The murderous, backwoods Firefly family take to the road to escape the vengeful Sheriff Wydell, who is not afraid of being as ruthless as his target.
A successful and married black man contemplates having an affair with a white girl from work. He's quite rightly worried that the racial difference would make an already taboo relationship even worse.
Homer is an orphan who was never adopted, becoming the favorite of orphanage director Dr. Larch. Dr. Larch imparts his full medical knowledge on Homer, who becomes a skilled, albeit unlicensed, physician. But Homer yearns for a self-chosen life outside the orphanage. What will Homer learn about life and love in the cider house? What of the destiny that Dr. Larch has planned for him?
In the slums of the upper West Side of Manhattan, tensions are high as a gang of Polish-Americans compete against a gang of recently immigrated Puerto Ricans, but this doesn't stop two romantics from each gang falling in love.
Michael Collins plays a crucial role in the establishment of the Irish Free State in the 1920s, but becomes vilified by those hoping to create a completely independent Irish republic.
Au revoir les enfants tells a heartbreaking story of friendship and devastating loss concerning two boys living in Nazi-occupied France. At a provincial Catholic boarding school, the precocious youths enjoy true camaraderie—until a secret is revealed. Based on events from writer-director Malle’s own childhood, the film is a subtle, precisely observed tale of courage, cowardice, and tragic awakening.
Several ordinary high school students go through their daily routine as two others prepare for something more malevolent.
The story of Mexican revolutionary Emiliano Zapata, who led a rebellion against the corrupt, oppressive dictatorship of president Porfirio Díaz in the early 20th century.