Splitsville 2025 - Movies (Aug 28th)
Cleaner 2025 - Movies (Aug 28th)
Ship of the Damned 2024 - Movies (Aug 28th)
The Thursday Murder Club 2025 - Movies (Aug 28th)
Ballerina 2025 - Movies (Aug 27th)
The Players 2025 - Movies (Aug 27th)
Au revoir 2024 - Movies (Aug 27th)
Oh Hi 2025 - Movies (Aug 27th)
Sketch 2024 - Movies (Aug 26th)
KPop Demon Hunters 2025 - Movies (Aug 26th)
Together 2025 - Movies (Aug 26th)
Stans 2025 - Movies (Aug 26th)
I Know What You Did Last Summer 2025 - Movies (Aug 26th)
Prepare to Die 2024 - Movies (Aug 26th)
Karate Kid Legends 2025 - Movies (Aug 26th)
Lilo and Stitch 2025 - Movies (Aug 26th)
Girl in the Cellar 2025 - Movies (Aug 25th)
Relay 2024 - Movies (Aug 24th)
Trust 2025 - Movies (Aug 24th)
The Assessment 2024 - Movies (Aug 24th)
Dear Stranger 2025 - Movies (Aug 23rd)
The Fortune Hotel- Late Check Out - (Aug 29th)
Gardening Australia - (Aug 29th)
The Fortune Hotel - (Aug 29th)
The Real Housewives of Miami - (Aug 29th)
The Last Word with Lawrence ODonnell - (Aug 29th)
The Real Housewives of Orange County - (Aug 29th)
The Big Scottish Book Club - (Aug 29th)
Dexter- Resurrection - (Aug 29th)
Outlander- Blood of My Blood - (Aug 29th)
Destination X - (Aug 29th)
Tom Kerridge Cooks... - (Aug 29th)
The Briefing with Jen Psaki - (Aug 29th)
Atomic - (Aug 29th)
All In with Chris Hayes - (Aug 29th)
Chief of War - (Aug 29th)
Peacemaker - (Aug 29th)
Foundation - (Aug 29th)
Invasion - (Aug 29th)
The Beat with Ari Melber - (Aug 29th)
The Bold and the Beautiful - (Aug 29th)
A lady who sets her heart upon a lad in uniform must prepare to change lovers pretty quickly, or her life will be but a sad one. First thing that is patently obvious is that as a visual piece of work the film has few peers, from stunning shots of rolling hills to the lavish period detail, it quite literally is breath taking. The attention to detail by director Stanley Kubrick and cinematographer John Alcott is admirable, whilst the costumes are of the highest order. I have never read the novel by William Makepeace Thackeray so have no frame of reference as regards the portrayals we witness unfolding. I have read that many find the film lacking in the humorous wit that is rife in Thackeray's page turner, yet Kubrick's take is full of satire surrounding the social standing that is the core beat of the story - well it certainly had me smiling anyways. The film is pretty downbeat, thus, for a three hour movie it can bog down many a viewers patience. Which puts this into the movie for mood scenario bracket - because I personally wouldn't want to watch it if I was having a particularly blue day, so that is something newcomers to the film might want to bear in mind. There seems to be much division as regards Ryan O'Neal's performance in the film, and again having not read the novel I couldn't tell you if he nailed it. What I do know is that he seems perfect for the tone of the movie, and that really shouldn't be seen as a negative in my opinion. My only gripe really with it is that as a story it really doesn't engage me, I really didn't care about what happened to our title character or the assorted people close in his rapidly annoying world. Is that Kubrick's fault? Well he did his job with much style, the story just doesn't warrant a three hour epic, even when it's dressed up as splendidly as this most assuredly is. 8/10
Loved-up “Redmond Barry” (Ryan O’Neal) has a crush on his cousin “Nora” (Gay Hamilton) but her family are in need of the £1,500 a year from “Capt. Quin” (Leonard Rossiter) so they engineer a situation that sees this young man heading off for the bright lights of Dublin. Along the way, he encounters a highwayman and that necessitates him joining the army. That has it’s advantages, though, as it takes him on a few adventures on the continent where he espies the fabulously wealthy “Lady Lyndon” (Marisa Berenson). She is married to a decrepit British parliamentarian, already has a young son, and isn’t exactly fulfilled. With an opportunity beckoning, the unscrupulous “Barry” steps up his game and is soon living the life of luxury with a wife, their own son “Brian” upon whom he dotes and a stepson who increasingly manages to see through his venal and profligate step-father. This latter character is too young, and too spineless, to take any action, but with his inheritance being squandered at an alarming rate, how long before he is compelled to take action? This is a slow burn of a film, and at times is a little too episodic, but in the main it allows O’Neal to demonstrate his skills portraying a lovable rogue kind turned nasty piece of work and it also sees Berenson on great form depicting a woman treading on the eggshells of sanity with less and less confidence. When a true tragedy befalls their family, the toxicity reaches a palpable level and Stanley Kubrick attains then sustains that without excess or violence as the psychology, jealousy and fear come into play. The production design is pristine, with authentic looking costumes and sets ranging from the hovel to Blenheim and Chatsworth really helping to bring the photography alive. The story in a Pitney hybrid of green-eyed monster meets be careful what you wish for, and is well worth three hours on a big screen if you can.
Tabel abandons his luxurious family life in favor of a bohemian life with his eccentric marginalized friends. When Tabel dies, his daughter attempts to give him a decent burial, but his friends take the corpse away to bid him farewell in their own way.
In 17th century Finland young Arvid is forced to marry Brita but their ways soon part when their respective fathers move to different places. Years roll by and Arvid grows up into a handsome and respected Thirty Years' War veteran known for his excellent fencing skills. However, he has fallen madly in love with a local maiden who does not reciprocate his advances, not to mention that his forced marriage to Brita is still valid.
A story set over one night in a small rural community we watch various relationships and actions among local people; these include birth, death, and conflicts fuelled by alcohol. The fates of various characters become interlaced over a long and light-filled summer night in the Finnish countryside. Lumberjacks, a deer-eyed young man Nokia, a family of poor farmers, a young girl and her lover. New life is born, old life dies, man is slain in his prime, and his widow continues her life.
Hanna lives in a small village in Småland together with her parents. She is the most beautiful girl around and has a lot of admirers.
A well-to-do husband who allows his wife to have affairs in order to avoid a divorce becomes a prime suspect in the disappearance of her lovers.
When illegal card dealer and recovering heroin addict Frankie Machine gets out of prison, he decides to straighten up. Armed with nothing but an old drum set, Frankie tries to get honest work as a drummer. But when his former employer and his old drug dealer re-enter his life, Frankie finds it hard to stay clean and eventually finds himself succumbing to his old habits.
Four people recount different versions of the story of a man's murder and the rape of his wife.
A ticking-time-bomb insomniac and a slippery soap salesman channel primal male aggression into a shocking new form of therapy. Their concept catches on, with underground "fight clubs" forming in every town, until an eccentric gets in the way and ignites an out-of-control spiral toward oblivion.
When their ocean liner capsizes, a group of passengers struggle to survive and escape.
20 volunteers agree to take part in a seemingly well-paid experiment advertised by the university. It is supposed to be about aggressive behavior in an artificial prison situation. A journalist senses a story behind the ad and smuggles himself in among the test subjects. They are randomly divided into prisoners and guards. What seems like a game at the beginning soon turns into bloody seriousness.
Suzanne Stone wants to be a world-famous news anchor and she is willing to do anything to get what she wants. What she lacks in intelligence, she makes up for in cold determination and diabolical wiles. As she pursues her goal with relentless focus, she is forced to destroy anything and anyone that may stand in her way, regardless of the ultimate cost or means necessary.