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Someday at a Place in the Sun - (May 17th)
Lucky - (May 17th)
The Kelly Clarkson Show - (May 17th)
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GRAND SUMO Highlights - (May 17th)
Tragedies involontaires - (May 17th)
Saturday Kitchen Live - (May 17th)
Say Yes to the Dress - (May 17th)
RV There Yet - (May 17th)
James Martins Saturday Morning - (May 17th)
WWE Main Event - (May 17th)
Karine and the Yellow House - (May 17th)
The Fire Festivals - (May 17th)
Pop the Balloon LIVE - (May 17th)
My Music with Rhiannon Giddens - (May 17th)
Resident Playbook - (May 17th)
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A lady who sets her heart upon a lad in uniform must prepare to change lovers pretty quickly, or her life will be but a sad one. First thing that is patently obvious is that as a visual piece of work the film has few peers, from stunning shots of rolling hills to the lavish period detail, it quite literally is breath taking. The attention to detail by director Stanley Kubrick and cinematographer John Alcott is admirable, whilst the costumes are of the highest order. I have never read the novel by William Makepeace Thackeray so have no frame of reference as regards the portrayals we witness unfolding. I have read that many find the film lacking in the humorous wit that is rife in Thackeray's page turner, yet Kubrick's take is full of satire surrounding the social standing that is the core beat of the story - well it certainly had me smiling anyways. The film is pretty downbeat, thus, for a three hour movie it can bog down many a viewers patience. Which puts this into the movie for mood scenario bracket - because I personally wouldn't want to watch it if I was having a particularly blue day, so that is something newcomers to the film might want to bear in mind. There seems to be much division as regards Ryan O'Neal's performance in the film, and again having not read the novel I couldn't tell you if he nailed it. What I do know is that he seems perfect for the tone of the movie, and that really shouldn't be seen as a negative in my opinion. My only gripe really with it is that as a story it really doesn't engage me, I really didn't care about what happened to our title character or the assorted people close in his rapidly annoying world. Is that Kubrick's fault? Well he did his job with much style, the story just doesn't warrant a three hour epic, even when it's dressed up as splendidly as this most assuredly is. 8/10
A charismatic charlatan begins a business — and eventually romantic — relationship with a roadside evangelist to sell religion to 1920s America. Based on Sinclair Lewis' novel of the same name.
Gino, a drifter, begins an affair with inn-owner Giovanna as they plan to get rid of her older husband.
A headstrong young teacher in a private school in 1930s Edinburgh ignores the curriculum and influences her impressionable 12-year-old charges with her over-romanticized worldview.
A dishonest businessman asks rich layabout Craig Blake to help him buy a gym, which will be demolished for a development project in Alabama. But after spending time with weightlifter Joe Santo and gym worker Mary Tate Farnsworth, Craig wants out of the deal. The property negotiations turn ugly, causing a brawl at the gym and a spectacle at a big bodybuilding meet, as Craig learns that it's not easy to turn your back on fair-weather friends.
Five unmarried sisters make the most of their simple existence in rural Ireland in the 1930s.
Four corrupted fascist libertines round up 9 teenage boys and girls and subject them to 120 days of sadistic physical, mental and sexual torture.
This deceptively simple tale of a bored English couple travelling to Italy to find a buyer for a house inherited from an uncle is transformed by Roberto Rossellini into a passionate story of cruelty and cynicism as their marriage disintegrates around them.
Manchester, 1976. Tony Wilson is an ambitious but frustrated local TV news reporter looking for a way to make his mark. After witnessing a life-changing concert by a band known as the Sex Pistols, he persuades his station to televise one of their performances, and soon Manchester's punk groups are clamoring for him to manage them. Riding the wave of a musical revolution, Wilson and his friends create the legendary Factory Records label and The Hacienda club.
Charlie Kaufman is a confused L.A. screenwriter overwhelmed by feelings of inadequacy, sexual frustration, self-loathing, and by the screenwriting ambitions of his freeloading twin brother Donald. While struggling to adapt "The Orchid Thief," by Susan Orlean, Kaufman's life spins from pathetic to bizarre. The lives of Kaufman, Orlean's book, become strangely intertwined as each one's search for passion collides with the others'.
Robert Tisdall finds on the beach the corpse of a woman he knew. Others wrongly conclude that he is the murderer. Fleeing, he desperately attempts to prove that he is not the killer. A young woman becomes embroiled in the effort.
Grace Dalrymple Elliot is a British aristocrat trapped in Paris during the French Revolution. Determined to maintain her stiff upper lip and pampered life despite the upheaval, Grace continues her friendship with the Duke of Orléans while risking her life and liberty to protect a fugitive.