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Spitting Image - (Feb 13th)
SAKAMOTO DAYS - (Feb 13th)
The Nature of Things - (Feb 13th)
Family Feud Canada - (Feb 13th)
The Kelly Clarkson Show - (Feb 13th)
Homes Under the Hammer - (Feb 13th)
NCIS- Sydney - (Feb 13th)
Robson Greens Weekend Escapes - (Feb 13th)
The Z-Suite - (Feb 13th)
The 11th Hour with Stephanie Ruhle - (Feb 13th)
The Chase Australia - (Feb 13th)
Dateline- Secrets Uncovered - (Feb 13th)
A League of Their Own - (Feb 13th)
The Chase - (Feb 13th)
Reality of Wrestling - (Feb 13th)
Summer House - (Feb 13th)
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The Family Business- New Orleans - (Feb 13th)
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This story has quite a well trodden feel to it. Frank Sinatra's "Frankie" is released from a stint in prison and heads straight back to the drug-infused melting pot from whence he came. Initially intent on staying clean, soon peer pressures and his struggle to survive, with his high-maintenance wife "Zosh" (Eleanor Parker) have him back at square one. It might just be that his salvation can come from his lover, the excellent Kim Novak ("Molly"), and from his drum kit? Sinatra proves he has some versatility as an actor here, and both Parker and Novak - alongside an un-nerving effort from Robert Strauss as his supplier "Schwiefka", makes this a far grittier, harder hitting drama than we might have expected. It shows us the relentlessness and hopelessness of his situation; also of the relative futility of the attempts at rehabilitation he went through in jail. It is too long, the first twenty minutes establish the characters, but at the expense of any decent pace - but once the ducks are in a row here, Otto Preminger elicits characterful performances from the cast that make this film quite realistic, and tough to watch at times.
Bit of a slow-moving picture, one that might've ended sooner, though I do class 'The Man with the Golden Arm' as something rather quite good. Frank Sinatra and Kim Novak keep events moving along with strong showings, Sinatra especially. Eleanor Parker is, though, the person onscreen that I appreciated most whilst watching, there's just something about her performance that puts her ahead of her co-stars; I'd even say she overacts in parts, yet it absolutely still worked for me. The story does go round the houses a little, but even with that being the case it didn't actually affect my personal enjoyment all that much - it just totally could've been trimmed and we probably wouldn't have missed anything. Elsewhere, the score is excellent - especially the theme for when Frankie desires his habbits. I'd have to be in the right mood to revisit this. Nonetheless, it do be a very good film from 1955 - ahead of its time, that's for sure.
Bob Terry is in love with Lois Borden the daughter of his employer, John Borden. When some bonds are missing from the office, Bob is accused and because of Borden's strong sense of obligation to his stockholders, Bob is railroaded to prison. A few years later, the real thief is apprehended and Bob is released. He now begins his plan for revenge against Borden with the aid of his prison cell mate Todd and a gangster, John Carmody. Soon, some bonds are missing again and Borden knows Bob is involved but because Bob has suffered at his hands before, Borden assumes the responsibility and is about to be sentenced to prison. Todd is shot while trying to steal the bonds back from Carmody, but gets the bonds back to Bob and, before he dies, begs Bob to return them to the owner.
A hard-nosed cop reluctantly teams up with a wise-cracking criminal temporarily paroled to him, in order to track down a killer.
Jeong-yoon and Jong-bae own a car body repair shop together that gets in financial trouble. To help cover the losses and take care of her family, Jeong-yoon decides to smuggle thirty kilograms of cocaine.
Two men who do not know each other: Ertan, a 35-year-old ex-convict who is trying to make amends for his past actions, and Mikail, a teenager drug dealer and aspiring musician. However, both will have to face the same reality.
The story of Bobby Sands, the IRA member who led the 1981 hunger strike during The Troubles in which Irish Republican prisoners tried to win political status.
Tom Ripley is a talented mimic, moocher, forger and all-around criminal improviser; but there's more to Tom Ripley than even he can guess.
The Limey follows Wilson, a tough English ex-con who travels to Los Angeles to avenge his daughter's death. Upon arrival, Wilson goes to task battling Valentine and an army of L.A.'s toughest criminals, hoping to find clues and piece together what happened. After surviving a near-death beating, getting thrown from a building and being chased down a dangerous mountain road, the Englishman decides to dole out some bodily harm of his own.
An old gangster is advised that Freddie Mays would leave jail after thirty years in prison. His mood changes and he recalls when he was a young punk and who joined Freddie's gang—a man he both envied and ultimately betrayed.
In a seaside California town, best friends Mac and Nick are on opposite sides of the law. Mac is a former drug dealer trying to clean up his act, while Nick is a high-profile detective trying to take down a Mexican drug lord named Carlos. Soon Nick's loyalties are put to the test when he begins an affair with restaurateur Jo Ann - a love interest of Mac's - unwittingly leading his friend into a police-orchestrated trap.
The story of Rubin "Hurricane" Carter, a boxer wrongly imprisoned for murder, and the people who aided in his fight to prove his innocence.
It's night on a Paris bridge. A girl leans over Seine River with tears in her eyes and a violent yearning to drown her sorrows. Out of nowhere someone takes an interest in her. He is Gabor, a knife thrower who needs a human target for his show. The girl, Adele, has never been lucky and nowhere else to go. So she follows him. They travel along the northern bank of the Mediterranean to perform.