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Frenetic roller-coaster ride - Capra style! The Broadway show this film is based on ran for something like four years, such was the yearning for riotous rompathons in the 40s, and thus here the Capra adaptation is pretty much non stop mania. Led by the perfectly cast Cary Grant, the film barely pauses for breath, stopping only briefly to put a bit of creepy menace into the otherwise insane plot. Oh yes the plot, the elderly Brewster sisters are the dear hearts of the neighbourhood, but what folk don't realise is that they are poisoning elderly male visitors to their home to save them from being lonely! This sets us up for romps as nephew Mortimer (Grant) lurches from one incredulous scene to another upon finding out about his dear Aunt's penchant for murder. Peter Lorre & Raymond Massey add to the madness upon visiting the house, whilst John Alexander almost steals the film as the barmy uncle who thinks he is Theodore Roosevelt! But it's Grant's show all the way, rarely will you see an actor express so many faces of incredulity with such mirthful results as what Grant gives us here. A joyous performance from the great man. Directed with all the sharpness and knowing of tones we expect from Frank Capra, the film is an out and out joy. So be sure to wear a corset to stop your sides from splitting. 9/10
There are thirteen bodies in the cellar! Oh, piffle. Drama critic Mortimer Brewster has just gotten married. But his newfound wedded bliss is interrupted by the disturbing discovery that his sweet old spinster aunts have been murdering lonely old men with their homemade elderberry wine, and burying the bodies in the cellar. This demented screwball comedy was the film that introduced me to Cary Grant. The utterly black comedic treatment never gets old, and the laughs never let up. Every time he gets another surprise, Grant puts on a slightly different flustered expression. Peter Lorre and Raymond Massey, as the villains of the piece, are very amusingly sinister, and the spinster aunts Brewster are utterly charming, in spite of their, uh, somewhat morbid hobby. It's a hilariously insane romp from the brilliant director of some of America's greatest films, Frank Capra. Do yourself a favor and watch it already! Prepare to laugh nonstop. As Mortimer Brewster says, "Insanity runs in my family. It practically gallops!"
A girl goes missing after escaping from a bus accident. Her family and the police try to make sense of what happened to her.
In spring 1976, a 19-year-old beauty, her German-born mother, and her crippled father move to the town of a firefighter nicknamed Pin-Pon. Everyone notices the provocative Eliane. She singles out Pin-Pon and soon is crying on his shoulder (she's myopic and hates her reputation as a dunce and as easy); she moves in with him, knits baby clothes, and plans their wedding. Is this love or some kind of plot? She asks Pin-Pon's mother and aunt about the piano in the barn: who delivered it on a November night in 1955? Why does she want to know, and what does it have to do with her mother's sorrows, her father's injury, this quick marriage, and the last name on her birth certificate?
An affair between the second in line to Britain's throne and the princess of the feuding Irish spells doom for the young lovers.
A Hollywood songwriter goes through a mid-life crisis and becomes infatuated with a sexy blonde newlywed.
Officer Chan Ka Kui manages to put a major Hong Kong drug dealer behind the bars practically alone, after a shooting and an impressive chase inside a slum. Now, he must protect the boss' secretary, Selina, who will testify against the gangster in court.
A Harvard professor is lured back into the courtroom after twenty-five years to take the case of a young black man condemned to death for the horrific murder of a child.
Fisher, an ex-detective, decides to take one final case when a mysterious serial killer claims the lives of several young girls. Fisher, unable to find the culprit, turns to Osbourne, a writer who was once respected for his contributions to the field of criminology. Fisher begins to use Osbourne's technique, which involves empathizing with serial killers; however, as the detective becomes increasingly engrossed in this method, things take a disturbing turn.
A young British officer resigns his post when he learns of his regiment's plan to ship out to the Sudan for the conflict with the Mahdi. His friends and fiancée send him four white feathers as symbols of what they view as his cowardice. To redeem his honor, he disguises himself as an Arab and secretly saves the lives of those who branded him a coward.
A criminal subculture operates among U.S. soldiers stationed in West Germany just before the fall of the Berlin wall.
After greengrocer Mehmet Üsker is murdered, police detective Inspector Menemenci is put on the case. At the same time, detective Vera Gemini is on the lookout for a former foreign legionnaire who, however, has been presumed dead for years. It soon turns out that there must be a connection between the two cases.
The Law Enforcement Technology Advancement Centre (LETAC) has developed SID version 6.7: a Sadistic, Intelligent, and Dangerous virtual reality entity which is synthesized from the personalities of more than 150 serial killers, and only one man can stop him.
