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The Death Coast - (May 21st)
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Frenetic roller-coaster ride - Capra style! The Broadway show this film is based on ran for something like four years, such was the yearning for riotous rompathons in the 40s, and thus here the Capra adaptation is pretty much non stop mania. Led by the perfectly cast Cary Grant, the film barely pauses for breath, stopping only briefly to put a bit of creepy menace into the otherwise insane plot. Oh yes the plot, the elderly Brewster sisters are the dear hearts of the neighbourhood, but what folk don't realise is that they are poisoning elderly male visitors to their home to save them from being lonely! This sets us up for romps as nephew Mortimer (Grant) lurches from one incredulous scene to another upon finding out about his dear Aunt's penchant for murder. Peter Lorre & Raymond Massey add to the madness upon visiting the house, whilst John Alexander almost steals the film as the barmy uncle who thinks he is Theodore Roosevelt! But it's Grant's show all the way, rarely will you see an actor express so many faces of incredulity with such mirthful results as what Grant gives us here. A joyous performance from the great man. Directed with all the sharpness and knowing of tones we expect from Frank Capra, the film is an out and out joy. So be sure to wear a corset to stop your sides from splitting. 9/10
There are thirteen bodies in the cellar! Oh, piffle. Drama critic Mortimer Brewster has just gotten married. But his newfound wedded bliss is interrupted by the disturbing discovery that his sweet old spinster aunts have been murdering lonely old men with their homemade elderberry wine, and burying the bodies in the cellar. This demented screwball comedy was the film that introduced me to Cary Grant. The utterly black comedic treatment never gets old, and the laughs never let up. Every time he gets another surprise, Grant puts on a slightly different flustered expression. Peter Lorre and Raymond Massey, as the villains of the piece, are very amusingly sinister, and the spinster aunts Brewster are utterly charming, in spite of their, uh, somewhat morbid hobby. It's a hilariously insane romp from the brilliant director of some of America's greatest films, Frank Capra. Do yourself a favor and watch it already! Prepare to laugh nonstop. As Mortimer Brewster says, "Insanity runs in my family. It practically gallops!"
**An extraordinary comedy that stands out for its unpretentiousness.** I didn't have high expectations when I decided to watch this film, and I think this increased the impact it ended up having even more: based on a successful play, the film is an extraordinary comedy full of bizarreness and mischief, without a single dead moment and full of twists and turns that make us laugh and amuse us. The script begins with the sudden marriage of Mortimer Brewster, a famous theater critic known for being a bachelor. When preparing his bags for his honeymoon trip, the young man discovers that the two elderly aunts he has been living with are two remorseless killers, who believe they are doing enormous good by speeding up the deaths of lonely men. and sad people who will knock on their door to rent a room and sleep. Furthermore, their brother, who lives in that house, firmly believes that he is President Theodore Roosevelt and is digging the Panama Canal in the basement. And as if the madness wasn't enough, Mortimer has a crazy, murderous brother. The dialogues and situations are memorable, and the humor is contagious. I can understand why Cary Grant didn't like the work he did in this film: he really exaggerates his performance, he's histrionic, he spends almost half the film hysterical. However, this is funny and the character, and the script, asked the character to be this way. The actor, despite himself, knew how to understand what the character was asking of him and act accordingly. Veterans Jean Adair and Josephine Hull don't disappoint, offering us a truly brilliant interpretation, and the same can be said of Raymond Massey. The film also features the participation and worthy efforts of Peter Lorre and John Alexander. On a technical level, the film is reasonably discreet and focuses on effectiveness. The setting – the house where everything happens – is the most striking element that catches our attention. Apparently, it was made entirely in the studios, and it was a colossal, huge set. The costumes are also good, and the cinematography is quite pleasant and well executed.
John Berlin, a big-city cop from LA moves to a small-town police force and immediately finds himself investigating a murder. Using theories rejected by his colleagues, Berlin meets a young blind woman named Helena, whom he is attracted to. Meanwhile, a serial killer is on the loose—and only John knows it.
When a promised job for Texan Michael fails to materialize in Wyoming, Mike is mistaken by Wayne to be the hitman he hired to kill his unfaithful wife, Suzanne. Mike takes full advantage of the situation, collects the money, and runs. During his getaway, things go wrong, and soon get worse when he runs into the real hitman, Lyle.
After 300 years of slumber, three sister witches are accidentally resurrected in Salem on Halloween night, and it is up to three kids and their newfound feline friend to put an end to the witches' reign of terror once and for all.
Just after a bad breakup, Charlie MacKenzie falls for lovely butcher Harriet Michaels and introduces her to his parents. But, as voracious consumers of sensational tabloids, his parents soon come to suspect that Harriet is actually a notorious serial killer - "Mrs. X" - wanted in connection with a string of bizarre honeymoon killings. Thinking his parents foolish, Charlie proposes to Harriet. But while on his honeymoon with her, he begins to fear they were right.
Former detective Brenner has become an ambulance driver and finds himself, much to his dismay, caught up in a war between two rival first aid organizations.
What happens when a person decides that life is merely a state of mind? If you're Betty, a small-town waitress and soap opera fan from Fair Oaks, Kansas, you refuse to believe that you can't be with the love of your life just because he doesn't really exist. After all, life is no excuse for not living. Traumatized by a savage event, Betty enters into a fugue state that allows - even encourages - her to keep functioning... in a kind of alternate reality.
In a small Minnesota town, the annual beauty pageant is being covered by a TV crew. Former winner Gladys Leeman wants to make sure her daughter follows in her footsteps; explosions, falling lights, and trailer fires prove that. As the Leemans are the richest family in town, the police are pretty relaxed about it all. Despite everything, main rival (but sweet) Amber Atkins won't give up without a fight.
Eccentric consulting detective Sherlock Holmes and Doctor John Watson battle to bring down a new nemesis and unravel a deadly plot that could destroy England.
When illegal card dealer and recovering heroin addict Frankie Machine gets out of prison, he decides to straighten up. Armed with nothing but an old drum set, Frankie tries to get honest work as a drummer. But when his former employer and his old drug dealer re-enter his life, Frankie finds it hard to stay clean and eventually finds himself succumbing to his old habits.
An endearing light comedy about a woman who spontaneously becomes a resident of Venice after her family left her behind. While enjoying the wonderful people she meets she achieves a new life and the first time independent of her family.
London is terrorized by a vicious sex killer known as The Necktie Murderer. Following the brutal slaying of his ex-wife, down-on-his-luck Richard Blaney is suspected by the police of being the killer. He goes on the run, determined to prove his innocence.