కెమెరామెన్ గంగతో రాంబాబు

Makoto Fukamachi is a Japanese cameraman. He finds an old camera on a backstreet of Nepal. The camera might possibly solve the mystery of whether George Mallory became the first person to successfully climb Mount Everest on June 8, 1924 or not. Pursuing the old camera's past, Makoto Fukamachi meets legendary Alpinist Joji Habu. Joji Habu is isolated from other people because of his reckless and thoughtless personality.

A television cameraman and his subject find themselves in the middle of an intertwined professional and personal dilemma.

Parer's War is the true story of World War II frontline cameraman, Damien Parer, whose work won Australia’s first Oscar. His desperate efforts to return to the battlefield to capture what he believed was the ‘truth’ of war were thwarted by his own government. Caught between two worlds, his own personal demons almost cost him the woman he loved.

An American journalist and his cameraman are caught in the combat zone during the first Russian airstrikes against Georgia. Rescuing Tatia, a young Georgian schoolteacher separated from her family during the attack, the two reporters agree to help reunite her with her family in exchange for serving as their interpreter. As the three attempt to escape to safety, they witness-and document-the devastation from the full-scale crossfire and cold-blooded murder of innocent civilians.

Freelancer is a horror comedy that follows Jorge, a struggling freelancer cameraman, who is about to endure the most nightmarish gig he has ever gotten.

A young man called Andrew is forced to endure a bitter encounter with a man known as the Cameraman, who enjoys filming beatings, murders and rapes in an abandoned underpass.

A TV cameraman is having marital problems with his beautiful blonde wife. He comes up with the idea of going to a nudist camp as a way to help with their marital and sexual problems.

Promotional documentary for the MGM film "Ice Station Zebra" focusing on the career and cinematographic innovations of cameraman John Stephens.

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.

A photographer takes up newsreel shooting to impress a secretary.

In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?