The Chumscrubber

Mika, heiress to a Swiss chocolate company, is married to celebrated pianist André and stepmother to his son, Guillaume, whose mother died in a car wreck on his tenth birthday. Their lives are interrupted by the unexpected arrival of Jeanne, a young woman who has learned she was almost switched with Guillaume at birth.

A bright high-school senior has her impending status as valedictorian jeopardized when her bitter history teacher, Mrs. Tingle, gives her a poor grade on a project. When an attempt to get ahead in Mrs. Tingle's class goes awry, mayhem ensues and friendships, loyalties and trust are tested by the teacher's intricate mind-games.

It's night on a Paris bridge. A girl leans over Seine River with tears in her eyes and a violent yearning to drown her sorrows. Out of nowhere someone takes an interest in her. He is Gabor, a knife thrower who needs a human target for his show. The girl, Adele, has never been lucky and nowhere else to go. So she follows him. They travel along the northern bank of the Mediterranean to perform.

The nine-year-old Nikolas has been missing for days. The criminal psychologist Claudia Meinert notices contradictions in her conversation with the parents of the missing child. In particular Nikolas' mother appears to be hiding something. When a video of the missing Nikolas surfaces, showing him tied up in a cellar, the trail leads to his school. The 13-year-old Leon and Mathilda strike the psychologist as conspicuous and provocative. Shortly afterwards, Meinert encounters the children with Nikolas' parents at the local swimming pool and her suspicions are confirmed: the parents are entangled in an insidious father-mother-child game with the possible suspects Leon and Mathilda. Now it is up to the psychologist to resolve the dark mystery of Nikolas' disappearance and save the child.

A young man meets a young woman under a bridge by a railroad. They shelter from the rain and exchange a kiss. The man grows sullen and leaves. The film starts with him and ends with her. It’s a straightforward anecdote told in traditional ways, the likes of which he’d forsake forever; that is, it uses actors, a soundtrack with music and post-dubbed sound effects, a photographer who frames everything professionally and a coherent edited narrative.

A man fails to acknowledge the teenagers he mistreated when they were small children.

Irresponsible party girl, Maggie is kicked out of her father's and stepmother's home—where she lives for free—and is taken in by her hard-working sister, Philadelphia lawyer, Rose. After Maggie's disruptive ways ruin her sister's love life, Rose turns her out as well. But when their grandmother, who they never knew existed, comes into their lives, the sisters face some complicated truths about themselves and their family.

A naive business graduate is installed as president of a manufacturing company as part of a stock scam.

Emil Svensson lives with his mother and father, little sister Ida, farmhand Alfred, and maid Lina on a picturesque farm in Småland. He is an unusually lively little boy, who just can't resist trying out every whim that enters into his white-haired head. Always with the best intentions in mind, because he is a good-hearted child, but often with catastrophic results, especially for his short-tempered father. As a result, Emil spends a lot of quality time in the wood shed carving wood figurines and waiting for Anton's temper to cool down. And the father's patience is certainly tried, as Emil gets his head stuck in the family's only soup bowl, hoists little Ida up the flag pole, and arranges a lavish Christmas party for the poor.

Nursing a piglet back to life because it's the runt of the litter earns Emil a friend for life.