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Smoking Guns is a 2017 crime drama about a serial gambler on track to hit a big windfall but now has to keep the betting slip safe to collect the winnings. A film like Smoking Guns, also known as A Punters Prayer, has only one thing going for it and if it’s off by even a bit, it falls apart. That’s the characters, which might seem obvious right out of the barrel, but many movies can still get by on visuals and plot. With basically a single room as its setting, and a carousal of oddballs and quirky types swinging through the doors, Smoking Guns thrives on the characters that come and go. It’s not for everyone, but if Londoner black comedies are your thing, and you have even a passing interest in talky guerrilla filmmaking, this one will score big. At the local bookies, a trio of friends spend a Friday afternoon, playing the action, talking big dreams and small chances. They’re led by Jack (Tommy O’Neill), a steady bettor wanting out of the rat race of weekly paychecks and so bets £250 on a horse to win the treble, which means if it wins all three of its races, would bag him a fortune, though the odds are astronomical against. With him are his pals Yiannis (Andreas Karras), an older guy with a hedge-your-bets attitude, and Ian (Jamie Crew), a wee-little man with a chip on shoulder. When two of the races come in his favor, news begins to spread, and in come some seedy fellows looking to tip the winnings their way, by any means necessary. Written and directed by Savvas D. Michael, Smoking Guns is a chatty film, barely taking a moment to breath as the boys wax philosophical and ponder big and small as a game of wits and luck rules the roost as Jack stands his ground on a single bet that will either save him or end him. Michael starts his story with a jarring moment that sets a terrifying tone, though is cut off by a strip of purposefully amateurish animation and then a slow burn all the way back to the start. Stylistic to a degree, the film clips along on its snappy dialogue and Michael’s sharp direction, both of which give this some real crackle. While it has very little action, the sheer energy of the performances have it bristling from start to finish. Smoking Guns Smoking Guns, 2017 © Liontari Pictures That begins with O’Neill, who is electrifying throughout, the singular stable mate in the bunch, determined and convinced in his luck and the guiding hand of his newfound faith, twisted as it is. Equally good is Crew, who takes the tropes of the scrappy underling and pumps him full of genuine emotional punch. The film itself does a sublime job of convincing you it’s a comedy until it swings ’round like hurricane and knocks flat any and all your expectations, with a truly disturbing and ambiguous end that will leave you debating what happens behind a closed door. Smoking Guns is an odd film to be sure, but in the best possible way. Taking its influences to heart, it feels larger than it is and while not everyone is going to be on board with the style choices and rapid-fire pace, it earns its wings easily enough and is well worth a look.
In the early 1960s, teenager Adam Stafford (Cameron Bright) becomes obsessed with his new neighbor, Catherine Caswell (Gretchen Mol), a divorcée and free spirit. Stafford spies on Caswell as she meets with strange men, and, despite the warnings of his conservative parents, he begins working for her as a gardener. Amid rumors of her affair with President Kennedy, the two become close, but political intrigue surrounding her acquaintances soon infringes on their friendship.
"The Prodigy" tells the story of small-time enforcer Truman Fisher's vicious conflict with a sadistic assassin who has chosen the unwilling Truman to be his successor. The assassin, who goes by the alias Rains and whose exploits have become the source of legend among Truman's underworld colleagues, drives Truman, through the pressure of constant violence and grief, to understand his own capacity for both bloodshed and compassion. Ultimately this reveals to Truman that he as with all of us, must find our place in this world or as Rains would say "our place in this grand design." This action begins quickly as Truman meets with a turncoat from a rival gang. This tense showdown erupts quickly into mayhem, when Rains makes his unexpected entrance. In the wake of the ensuing bloodbath, Truman is forced to reevaluate his own role in the small, violent world he inhabits, suddenly aware that there are larger powers at work which he does not understand...
Guy is a young film executive who's willing to do whatever it takes to make it in Hollywood. He begins working for famed producer Buddy Ackerman, a domineering, manipulative, coldhearted boss. When Guy also finds out that his cynical girlfriend, Dawn, has been using sex as a career move, he reaches his limit. Guy decides to exact revenge on Buddy by kidnapping him and subjecting him to cruel and unusual punishment.
This is the story of four African-American "yuppies" (a banker, a doctor, a lawyer, and a "playboy") who call themselves "The Brothers". When the playboy gets engaged, the other three friends find themselves having to come to terms with their own issues of commitment and honesty...
High school loser Danny Stein needs a prom date. As a cause of anxiety for Danny, Bart Beeber, the nerdiest guy in school, has already found a date. At the same time, Danny's divorced parents are both seeking relationships again.
Kent Weston lives in the not-too-distant future. He is more organized than a day planner and more regimented than a Marine when his goals of dating his pretty co-worker Allison are thrown into disarray with the arrival of Adam, an all-too-human robot.
This story concerns a hapless civil servant who gets more than he bargains for when he moves into an apartment in Limerick with a gay fashion student and becomes a star on the catwalk. A contemporary story embracing the essence of what it is to be young in today's Ireland.
The film follows four inter-connecting stories revolving around love, drugs and poverty in Philadelphia
Marlon Cruz, a young Colombian man who motivated by his girlfriend Reina, leaves his comfortable life in Medellin and flees with her through Guatemala and Mexico, across the borders, illegally into the United States.
After stealing a huge stash of drugs, speed freaks Hector and Dorena plan to cook up an enormous batch of crystal meth and get rich quick. Hector's old buddy Merle has the perfect hideout/meth lab: an old, abandoned farmhouse in the woods where no one will ever find them. Unfortunately, no one will hear their screams either. Turns out, they may not be alone after all. It seems this farmhouse is the site of a horrific urban legend. Now, holed up together with nothing to do but snort, smoke and shoot up, the strung-out "cookers" fall prey to paranoia, private demons and terrifying visions which, whether they are hallucinations or hauntings, are equally terrifying and just as deadly!
Ida and Karin are a lesbian couple whose relationship is threatened by a long-buried secret: Ida's father sexually abused her as a child, and serious emotional scars remain. Now that it has been revealed, what can these women do to ensure it doesn't destroy them?