青木祐子＆井上あんり ヘンタイよい子のバナナ交換日記

Gyeong-soo and Jeong-min used to be the happiest couple in the world. However, Jeong-min is left home alone after her husband leaves to the regional area for a lengthy business trip. While she tries to deal with her lonely feelings, her son’s tutor Min-hyeok starts flirting with her hard. And although Jeong-min knows she shouldn’t, she starts being attracted to Min-hyeok more and more. Meanwhile, Gyeong-soo finds his place in a boarding house in the regional district and starts getting attracted to the owner of the board house, who is a single mother with a young daughter.

Koji grew up with a brother complex, constantly being compared to his successful older brother. The only place he could find solace was the bar called "Arles". One night Koji is provoked by Soma, a regular at Arles who smells similar to his brother. He is then sexually assaulted by Endo, one of Soma's henchmen. Koji somehow manages to escape. He finds Soma's home and swears to take his own type of revenge, making persistent silent phone calls. As the confident Soma becomes confused on the other end of the phone, Koji begins to get a type of enjoyment from the phone calls.

As a newspaper reporter listens to the confession of a wife who murdered her husband, the film shockingly depicts the process by which she discovers why she killed her husband, why she started working on street corners, and how she became deeply immersed in an affair that began as prostitution to relieve boredom...

Dong-hoon moves to a new house. On the day of moving, he comes to the landlord to pick up the keys he didn't receive. He is happy to be seeing the beautiful Ji-hyeon. Ji-hyeon noticed Dong-hoon's interest. Dong-hoon had a housewarming celebration with his friend Min-soo. Ji-hyeon started to take a hold on the drunk Min-soo and then passed out in no time. The next day, Dong-hoon happily welcomes Ji-hyeon, who came to him without knowing what happened.

After the death of his wife, Jong-Sub (Kang Shin Sung Il) raised his son alone. He lost his son in a car accident. Since the death of his son, Jong-Sub lived all alone. He retired from his job as a principle. Jong-Sub is then diagnosed with colon cancer and learns he has only 6 months left to live. All his desire to live is gone, but he still wants to keep his dignity. Jong-Sub tries to hire a caregiver. A woman named Yeon-Hwa (Bae Seul-Ki) comes to him. She is beautiful, but looks sad. Watching Yeon-Hwa, Jong-Sub sees his dead wife. He is shaken by her and wants to live more with her. Jong-Sub realizes he loves her and faces a truth he can't believe.

Madonna, the female editor-in-chief. Her body was used as a reward for the writers who completed their manuscripts. Leopard, an erotic novelist who has a relationship with his girlfriend, spends all his time playing with women as his wife approves, but one day he hears that his sperm cannot fertilize her, and he despairs. Wandering around town, he ends up at an adult shop where Madonna is the manager!

Masamitsu Ichimori presides over a haiku doujinshi association, but behind the scenes he is actually running a sex club centered around doujinshi. Masamitsu's wife was trained and shown off to her coterie. The wives of the doujinshi also participated. Masamitsu's younger brother Hiroto, who lives with Masamitsu, is peeking in from the next room with a knife in his hand. He believes that he is possessed by something, and Hiroto sets out to kill them all.

Fuyusako lives with her half-brother Natsuo. She secretly works at an image club without telling him, and Yumihiko, a regular customer at the image club, is Fuyusako's half-brother. To Natsuo, Fuyusako was like a virgin, and that was the reason why even if she had a lover with him, it wouldn't last long. Fuyusako takes the plunge and confesses her truth for the sake of her younger brother. However, after Natsuo cleansed his dirty body, he embraced Fuyusako. One day, an incident occurs where Fuyusako is raped by a customer...

Pinku distributed by Okura Eiga

Pinku distributed by Okura Eiga

Pinku distributed by Okura Eiga