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Barbra Streisand and Walter Matthau make for quite a formidable team in this entertaining comedy drama about a marriage broker ("Dolly") who is engaged to find a bride for the wealthy "Horace". He is a bit cantankerous so she has her work cut out for her, but undeterred - she travels to Yonkers where she embroils his two clerks "Cornelius" (Michael Crawford) and "Barnaby" (Danny Lockin) in more affairs of the heart with "Minnie" (E.J. Peaker) and "Irene" (Marianne McAndrew) before a denouement that we all expected, but is nonetheless fun to watch. This film really all belongs to a star very much at the top of her game delivering some pithy lines whilst attired in crippling corsets and dancing in some uncomfortable looking lace-up boots. Directed by Gene Kelly so you would expect the ensemble dance numbers to be top drawer, and the they are - synchronised to within an inch of their lives, but always looking natural and flowing enthusiastically. Jerry Herman certainly does the business with the lyrics - "Put on Your Sunday Clothes"; "It Takes a Woman" and the Louis Armstrong assisted title song all make this a quickly paced and enjoyable romp through all things mischievous, Jewish and one that is at times almost bawdy. Matthau is a revelation - he really enters into the spirit of things and Michael Crawford (though never my favourite singer) demonstrates a nimble fleetness-of-foot that adds a charm to the proceedings too. I couldn't quite believe that 2½ hours flew by so quickly and if you are a fan of top-end musical theatre then you are in for a real treat.
Australian good girl Sandy and greaser Danny fell in love over the summer. But when they unexpectedly discover they're now in the same high school, will they be able to rekindle their romance despite their eccentric friends?
It's a dreary Christmas 1944 for the American POWs in Stalag 17 and the men in Barracks 4, all sergeants, have to deal with a grave problem—there seems to be a security leak.
In this comedy, a conservative family becomes alarmed when they begin believing their daughter is pregnant.
Thief Gaston Monescu and pickpocket Lily are partners in crime and love. Working for perfume company executive Mariette Colet, the two crooks decide to combine their criminal talents to rob their employer. Under the alias of Monsieur Laval, Gaston uses his position as Mariette's personal secretary to become closer to her. However, he takes things too far when he actually falls in love with Mariette, and has to choose between her and Lily.
Lulu is a young woman so beautiful and alluring that few can resist her siren charms. The men drawn into her web include respectable newspaper publisher Dr. Ludwig Schön, his musical producer son Alwa, circus performer Rodrigo Quast, and seedy old Schigolch. When Lulu's charms inevitably lead to tragedy, the downward spiral encompasses them all.
In director Baz Luhrmann's contemporary take on William Shakespeare's classic tragedy, the Montagues and Capulets have moved their ongoing feud to the sweltering suburb of Verona Beach, where Romeo and Juliet fall in love and secretly wed. Though the film is visually modern, the bard's dialogue remains.
William Parrish (Sir Anthony Hopkins), media tycoon, loving father, and still a human being, is about to celebrate his 65th birthday. One morning, he is contacted by the inevitable, by hallucination, as he thinks. Later, Death enters his home and his life, personified in a man's body: Joe Black (Brad Pitt) has arrived. His intention was to take William with him, but accidentally, Joe's former host and William's beautiful daughter Susan (Claire Forlani) have already met. Joe begins to develop certain interest in life on Earth, as well as in Susan, who has no clue with whom she's flirting.
When an Italian man comes out of the closet, it affects both his life and his crazy family.
