الإنفجار الجميل

Amshir works as a bodyguard in the cabaret owned by his Medhat al-Shamshiri, and a court sentences Medhat to a month in prison after he burned the mustache of a wealthy Upper Egyptian named al-Najawi. Amshir goes to prison instead of Medhat for money. in meanwhile Medhat relation with Azhar (al-Najawi girl) is revealed to Sohair (Medhat Fiance).

Two sisters (Riya) and (Skina), start a gang to kidnap rich women with the help of Riya's husband. Skina, in an effort to avoid suspicion, try to marry a policeman who is not aware of the sisters' criminal activity.

The play tells the story of four siblings trying to stop their father from leaving his family for another woman after one of them accidentally finds a love letter from an unknown woman to their father.

Sherif (Mohammed Najm) wants to marry Amani (Laila Alawi), but her father Gad Al-Haq Metwally Owais (Hassan Abdeen) requires that her sister Tahani (Mimi Gamal) to marry first because she is older. Amani agrees with Sharif to deny and act as someone coming to her sister's speech. Can they complete their marriage, will the plan succeed?

The first Gulf economic play centered on an issue that affected members of Kuwaiti society, which sparked widespread controversy between Kuwaiti society and the Gulf community in general, and the issue was the "Al Manakh Market" crisis in 1982, which ended in losses exceeding $ 22 billion. Where the story tells about the second oil boom of the Gulf states at the end of the seventies and the beginning of the eighties of the twentieth century AD where the price of oil increased continuously until the Gulf countries recorded large financial surpluses, so the money poured into the stock market significantly until it opened a stock trading office in a semi-parallel office and was named a market "Al Manakh" in which money flowed greatly from almost all segments of Kuwaiti society and even foreign residents and some individuals from the Gulf states and increased frantic speculation and increased buying and selling for the future until it reached astronomical numbers.

Dr. Raafat faces challenges and difficulties in raising his three daughters, Fawzia (Sanaa Younis), Soso (Shreihan) and Nadia (Ijlal Zaki).

A comedy about an old married man that travels to London with his nephew who does his to save him from exposure to fraud, and being mugged in London, the play also covers some political aspects and projections in addition to social criticism of some of the Arab situations.