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Tormentors and the tormented given Lang's gifted touch. Out of MGM, Fury is directed by Fritz Lang and stars Spencer Tracy and Sylvia Sidney and features Walter Abel, Bruce Cabot, Edward Ellis and Walter Brennan in support. It's adapted by Lang and Bartlett Cormack from the story "Mob Rule" written by Norman Krasna. Loosely based around the events that surrounded both the "Brooke Hart" murder in 1933 and the "Lindbergh" kidnapping/murder case in 1932, the story sees Tracy as Joe Wilson, an innocent man who is jailed and apparently killed in a fire started by a rampaging lynch mob. However, as the lynch mob go on trial for his murder, Joe surfaces but is twisted by thoughts of revenge on those who happily watched him burn. Widely and rightly considered a classic, this first Hollywood outing from director Fritz Lang is a remarkable look at mob violence and one man's limit pushed to its breaking point - and then some. That Lang survived studio interference to craft such a penetrating study of injustice is a minor miracle. Fury is neatly put together as a story, the calm before the storm as Joe & Kath are brought to us as the happy face of Americana. Then it's the middle section as rumours run out of control, the dangers of idle prattling rammed home as things start to escalate out of control - culminating in the savage assault on the jail (a gusto infused action sequence indeed). Then the fall out of mob rule actions, the court case and Joe's malevolent force of vengeance, that in turn comes under scrutiny. The film was said to have been Lang's favourite American film, which is understandable given it bares all his trademarks. The expressionistic touches, shadow play dalliances and supreme cross-cutting between tormentors and the tormented, for sure this is prime Lang, with no frame wasted. While it's no stretch of the imagination to think that Lang, having fled Nazi Germany, was pondering what he left behind as he moulded the picture together. Of the cast, Tracy is majestic as our main protagonist, while Sidney is brightly big eyed and hugely effective as the moral centre of Joe's universe. Controversial at the time, the film has naturally lost some of that controversial power over the decades. However, as the film points out with the lynching statistics, there was once a time when inhumanity was able to rear its ugly head in the blink of an eye. Fury serves to remind two-fold that not only is it a potent social commentary, but also that it's a damn fine piece of skilled cinema. 9/10
When Simon awakens in the hospital after surviving a near-fatal accident, amnesia has erased the last two years from his memory. He learns that his brother was killed, he has married a woman he doesn't remember and he's haunted by strange visions of the woman he loved.
To build up attendance at their games, the management of a struggling minor-league hockey team signs up the Hanson Brothers, three hard-charging players whose job is to demolish the opposition.
Beverly is the perfect happy homemaker, along with her doting husband and two children, but this nuclear family just might explode when her fascination with serial killers collides with her ever-so-proper code of ethics.
A rascally nearing-retirement man juggles a workers' compensation suit while secretly working for his nemesis and flirting with his nemesis' young wife. As his estranged son returns, he faces new family responsibilities, while a banker plots to evict him from his home.
In the remote Bhutan, an undercover detective investigates the case of a missing Buddhist nun and falls into a risky alliance with his only suspect, an alluring young woman known as the village "demoness".
Aimilia, a young and relatively well-to-do woman, leads a rather schizophrenic existence. Every day, she gives piano lessons to the children at an orphanage, while at night she brings home a series of lovers whom she picks up at random and whom she kills while in a sexual frenzy.
The late 1970s. It's summer in a small provincial town. Twelve-year-old Piotrek has a very strong bond with his mother. While his father is away, his mother starts going out almost every night. Their simple and clear relationship starts to get complicated...
Hired assassin John Lee is asked by Chinatown crime boss Terence Wei to murder the young son of policeman Stan Zedkov. Lee has the boy in his sights, but his conscience gets the better of him, and he spares the child's life. Afraid that Wei will take revenge on his family in China, Lee seeks out expert forger Meg Coburn to obtain the passport he needs to get out of the country, but a band of replacement killers is soon on his trail.
Jackie is a CCTV operator. One day, a man shows his face on her monitor, a man she hoped never to see again. Now she has no choice and is compelled to confront him.
Chen Chen returns to his former school in Shanghai when he learns that his beloved instructor has been murdered. While investigating the man's death, Chen discovers that a rival Japanese school is operating a drug smuggling ring. To avenge his master’s death, Chen takes on both Chinese and Japanese assassins… and even a towering Russian.
A group of working-class friends decide to enlist in the Army during the Vietnam War and finds it to be hellish chaos - not the noble venture they imagined. Before they left, Steven married his pregnant girlfriend - and Michael and Nick were in love with the same woman. But all three are different men upon their return.