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Tormentors and the tormented given Lang's gifted touch. Out of MGM, Fury is directed by Fritz Lang and stars Spencer Tracy and Sylvia Sidney and features Walter Abel, Bruce Cabot, Edward Ellis and Walter Brennan in support. It's adapted by Lang and Bartlett Cormack from the story "Mob Rule" written by Norman Krasna. Loosely based around the events that surrounded both the "Brooke Hart" murder in 1933 and the "Lindbergh" kidnapping/murder case in 1932, the story sees Tracy as Joe Wilson, an innocent man who is jailed and apparently killed in a fire started by a rampaging lynch mob. However, as the lynch mob go on trial for his murder, Joe surfaces but is twisted by thoughts of revenge on those who happily watched him burn. Widely and rightly considered a classic, this first Hollywood outing from director Fritz Lang is a remarkable look at mob violence and one man's limit pushed to its breaking point - and then some. That Lang survived studio interference to craft such a penetrating study of injustice is a minor miracle. Fury is neatly put together as a story, the calm before the storm as Joe & Kath are brought to us as the happy face of Americana. Then it's the middle section as rumours run out of control, the dangers of idle prattling rammed home as things start to escalate out of control - culminating in the savage assault on the jail (a gusto infused action sequence indeed). Then the fall out of mob rule actions, the court case and Joe's malevolent force of vengeance, that in turn comes under scrutiny. The film was said to have been Lang's favourite American film, which is understandable given it bares all his trademarks. The expressionistic touches, shadow play dalliances and supreme cross-cutting between tormentors and the tormented, for sure this is prime Lang, with no frame wasted. While it's no stretch of the imagination to think that Lang, having fled Nazi Germany, was pondering what he left behind as he moulded the picture together. Of the cast, Tracy is majestic as our main protagonist, while Sidney is brightly big eyed and hugely effective as the moral centre of Joe's universe. Controversial at the time, the film has naturally lost some of that controversial power over the decades. However, as the film points out with the lynching statistics, there was once a time when inhumanity was able to rear its ugly head in the blink of an eye. Fury serves to remind two-fold that not only is it a potent social commentary, but also that it's a damn fine piece of skilled cinema. 9/10
A young widow and her nine year-old son spend a week at her family’s pear farm in Washington state, where they both fall in love with small town farm life, and she falls for the guy who has been managing the farm.
Amine is fifteen, a high school kid like any other. He has a girlfriend, Lou, and lives an ordinary life. One day, he has a bicycle accident, another one. This time, a young woman offers him a helping hand. She says his injured knee needs looking after, it's not a pretty sight. She lives nearby, so she takes him to her place. She's very relaxed with him, natural, sure of herself, happy in a world where everything seems so easy. He feels close to her, and finds her attractive. But is he attracted to her, or to this world that is so foreign to him? When he leaves, he notices that her apartment can be seen from the street, so he makes a plan to spy on her every day.
Artemis Fowl is a 12-year-old genius and descendant of a long line of criminal masterminds. He soon finds himself in an epic battle against a race of powerful underground fairies who may be behind his father's disappearance.
After his relationship falls apart, Sal and his two best friends decide to rent a house on the island, in an attempt to get him out of his slump. The girls' attempt to help Sal results in excessive drinking, late nights, and mild debauchery.
Two Finnish toy manufacturers Jim King and Krakström compete for toys. King's business is far too successful and he is trying to tax fraud with the help of his chamberlain. Both toy manufacturers hire gangster chief Niitti to handle their twilight jobs, but not everything goes according to plan.
A female photographer teams up with a policeman to try to bring down a corrupt police officer who framed her for drug possession and during her investigation, finds that not everything, or everyone, is what they appear to be.
To avenge the death of his family, a man infiltrates a group of wealthy killers who take homeless people and use them as prey in a sadistic game of "hunt the man down".
Duffer, an intense and bizarre study of obsession that is by turns beautiful and disturbing, tells the story of a teenage boy torn between the womanly charms of a kindly prostitute, and the sadistic attentions of an older man. Both whimsical and disturbing, with a quirky sense of the grotesque, Duffer is a film that defies easy comparison.
The protagonist, Bora, is a charming but mean-spirited gypsy, while his older wife, Lence, is submissive. Bora is in love with the younger Tisa, who is being offered in marriage by her father. The two get themselves in trouble and eventually have to flee. Tisa rejects her husband and she and Bora get married in the church, and their adventures continue.
Long ago, a room in a small-town inn was the site of a gruesome double murder. Decades later, with the town terrorized once again by bloody ritual killings, a mysterious woman suffers bizarre flashbacks related to the slayings.