D'ailleurs, Derrida

In 1991, a long-form music video version of Goo was released on VHS and LaserDisc. A music video for each song from the album was included; the track listing was identical to that of the original album.

The life and work of Puerto Rican painter and print maker, Myrna Báez are explored in this documentary.

Sara writes a harsh blog about the bleak lives of Haredi (Ultra-Orthodox) women. Shulamit is an independent photographer who documents violent incidents on segregated busses on which women are required to seat at the back. Both of them were banned by their communities because of their desire to live normal, unsuppressed lives. These young women operate entirely alone and pay a very high price for violating the number-one rule of Haredi society: "Never air a dirty laundry in public." As they expose the violence of Haredi fanatics, acting in the name of modesty, they are punished by persecution and vilification. What will happen to them when they can no longer bear being shunned by their own family and friends? Wich way will they choose? where will they go? Black Bus, Soreret, tells the story of their singlehanded and courageous attempts to document and lead a change in the Haredi Society from which they have fled.

Hélène is a woman who already has, in her view, quite enough children. For some time she has secretly been taking birth control pills, but now she is too old to use them safely. When her husband Gabriel discovers the pills, he is distressed, since he wants a large family. The two of them discuss their differing attitudes and desires but come to no resolution.

A mystery, a comedy with an undercurrant of terror, about the expose of scandal in big business transactions and how a three year-old boy and his father lost each other.

Recording of the play 1789, a collective creation by Théâtre du Soleil at La Cartoucherie de Vincennes in 1970, edited from several shows.

Art Is Reactionary is the 10-minute video recording of a performance by Carolee Schneemann dating from 1987. Carolee Schneemann shares the stage with her ideal double, an African American. On a stage, the two women start their story using the heralding expression of fairy tales: “Once upon a time...” They speak into the same microphone, their voices combine and each becomes the echo of the other. Three people stand downstage, like a Classical chorus. A woman flanked by two men dialogues with the two performers through their voices, but also by an alternating play of the black and white of their clothes and skin. Slides relating to sexuality, close ups of sexual organs, are projected on stage. Schneemann and her double move within the field of projection of the images while reciting a text dealing with the role of women in society and the question of feminism in artistic practice.

A 5th grade elementary school student meets a transfer student who has a mysterious charm about her. He then learns her big secret.

Contrary to the public stereotype of a youthful homosexual community, gay men and women do grow old. Silent Pioneers presents an upbeat focus on the lives of these people today, showing them living full and diverse lives and sharing concerns on ageing, health and housing, with other senior citizens. It also considers how support networks within the gay and lesbian community have enriched and strengthened their individual lives.

Trouble comes to a family while trying to sell their house, not only does the kids try their best to keep the house from selling . One of the real estate agents is a deranged serial killer.

After the difficult birth of their first child, Anneke becomes addicted to pills. After an attempted suicide, she is admitted to a psychiatric clinic.