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Okay watch, probably won't watch again, and can't recommend. It was interesting to see a young Jodie Foster... While I appreciate this popularizing (I'm still not convinced it birthed) a trope of "body swapping", it seems very uninspired: as if they said, "Wouldn't it be great if a kid and a parent swapped?" and then just stopped coming up with ideas. It was honestly very jarring on both swaps, the latter being honestly confusing (despite having addressed it directly). The movie made me realize how difficult it would be to swap places and attempt to "be" that person without a shred of preparation. I'm sure that's a bad sign as I should be more entertained by the novelty or adversity of the situation, but no. It's not that its a bad movie, there's a lot going on, a lot of it decent, but it's very dated. Even the action in it is a little awkward, but I certainly see why people in 1976 would have been impressed with this. On the other hand, I don't imagine people were talking about it for very long. There is a lot of thought narration that occurs, which isn't very engaging, and most of the engaging humor is cheap physical humor of "what's going to go wrong this time" so you're not engaged very long and the impression doesn't hold. The part of the movie that is actually rather good is the substance of teaching everyone to appreciate everyone else in the family, but we really took "walk a mile in his shoes" to an extreme here. There are more palatable ways to express the concept, and more movies that use this trope. I honestly suggest the 2003 version over this one, it's just not very memorable.
Barbara Harris and Jodie Foster are superb in 'Freaky Friday'! Having only seen the 2003 remake, I wasn't sure how I was going to feel about this 1976 original. In short, I loved it. It's funny and charming, a real shining light in Disney's live-action stuff from the 1970s. They only give you a snippet of Ellen (Harris) and Annabel (Foster) in their actual state, before switching it up, but it's more than enough to set up how the characters should act versus how they then act. The two leads are utterly fantastic, they both boss their respective roles. It's easy to forget they're acting as their opposing characters in moments, which is very impressive. Obviously a load of the story elements are outdated in terms of gender roles etc., but even when that stuffs occurs the film - at least in my interpretation - sniggers at it - especially with Bill (John Astin). The actual comedic moments remain amusing. I enjoyed this way more than I would've predicted, I haven't watched the '03 production in an incredibly long time so look forward to seeing how it compares to this. A great film, elevated by Harris and Foster.
Two drag queens and a transgender woman contract to perform a drag show at a resort in Alice Springs, a town in the remote Australian desert. As they head west from Sydney aboard their lavender bus, Priscilla, the three friends come to the forefront of a comedy of errors, encountering a number of strange characters, as well as incidents of homophobia, whilst widening comfort zones and exploring new horizons.
Two couples, Pierre and Aimée, Éric and Pénélope, all share four years of friendship without cloud. Only concern, Penelope and Pierre have become lovers ... The situation becoming untenable, they decide to break. But after a final night of passionate love, fate plays a trick on them: Peter and Penelope each wake up in the body of the other! To protect their secrecy, they each find themselves having to live the life of the other. This is the beginning of the complications ...
Lloyd and Harry are two men whose stupidity is really indescribable. When Mary, a beautiful woman, loses an important suitcase with money before she leaves for Aspen, the two friends (who have found the suitcase) decide to return it to her. After some "adventures" they finally get to Aspen where, using the lost money they live it up and fight for Mary's heart.
Two young insurance corporation employees try to pretend that their murdered employer is alive by puppeteering his dead body, leading a hitman to attempt to track him down to finish him off.
Sophie, a young milliner, is turned into an elderly woman by a witch who enters her shop and curses her. She encounters a wizard named Howl and gets caught up in his resistance to fighting for the king.
The adventures of two amiably aimless metal-head friends, Wayne and Garth. From Wayne's basement, the pair broadcast a talk-show called "Wayne's World" on local public access television. The show comes to the attention of a sleazy network executive who wants to produce a big-budget version of "Wayne's World"—and he also wants Wayne's girlfriend, a rock singer named Cassandra. Wayne and Garth have to battle the executive not only to save their show, but also Cassandra.
How would you react if you were a Martial Arts expert, had a Katana in your hands, and your daughter had just been kidnapped. Under this premise, Sensei Marín launches a race against time with Nacho, his best friend.
When Russian workers in Bernie’s house turn out to be wanted criminals, Bernie has to man up and save his ’90s sitcom family.
Popelka, a resourceful and independent young girl, is a servant in her stepmother's house and confides in her closest friend the owl. When she comes across three magical acorns, she's granted a single wish for each one of them.
The story is about a woman traveling to the islands of the Parana River Delta to claim rightful inheritance, and begins to relate to fruit growers in the region.
