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Accused- Guilty or Innocent? - (Apr 19th)
Interrogation Raw - (Apr 19th)
Young Sheldon - (Apr 18th)
Gutfeld! - (Apr 19th)
Hannity - (Apr 19th)
The Five - (Apr 19th)
The Ingraham Angle - (Apr 19th)
All In with Chris Hayes - (Apr 19th)
Alex Wagner Tonight - (Apr 19th)
The Last Word with Lawrence ODonnell - (Apr 19th)
Law and Order- Organized Crime - (Apr 19th)
Tonight - (Apr 19th)
Next Level Chef - (Apr 19th)
Royal Crackers - (Apr 19th)
Caught - (Apr 19th)
Down Home Fab - (Apr 19th)
Building Off the Grid - (Apr 19th)
A Gentleman in Moscow - (Apr 19th)
BMF - (Apr 19th)
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***Haunting and surreal Southern Gothic is nigh post-apocalyptic*** Two boys living with their father (Dermot Mulroney) in rural Georgia near Savannah (where the film was shot) try to eke out a living off the land. Chris (Jamie Bell) is about 16 and Tim around 10; both manifest their grief over their dead mother and the challenges of their destitute isolation in different ways: Chris gets in trouble with the law while Tim strangely seems preoccupied with consuming non-edible items. Their father's brother (Josh Lucas) comes to visit and seems affable enough, but there's a wild, sinister glint in his eyes. No wonder, he's inwardly frothing with hostility and greed. David Gordon Green's "Undertow" (2004) is a bit reminiscent of Terrence Malick's "Days of Heaven" (1978) in that both are realistic dramas focusing on youths in rural areas and both offer a dreamy viewing experience. Each tries hard to enchant with their movie magic. Unlike "Days," however, "Undertow" is rooted in Southern Gothic. Of the two, I favor "Undertow." After viewing the director’s awesome "Snow Angels" (2007), easily one of the greatest dramas ever filmed, I decided to give this one, his previous film, another chance. I'm glad I did because "Undertow" is the type of movie that improves on repeat viewings. But these types of arty flicks aren't for everyone. Those bred on modern blockbusters will likely find "Undertow" dull, meandering and pointless. I myself wasn't all that impressed the first time I watched it. I didn't hate it; I just didn't "get" it. I'm glad I gave it a second (and third) chance, however, because "Undertow" succeeded in pulling me in under its spell. You just have to be in the right mode for a film of this ilk. The "dreamy" quality noted above is facilitated by Philip Glass' mesmerizing score that plays during the opening and closing credits. It's simple and repetitive, but spellbinding. I've gone to the credits a few times just to enjoy this brilliant piece. Being a Southern Gothic drama/thriller, "Undertow" has a cool Southern ambiance with focus on the rural underbelly. Other films that are successful in this regard come to mind: "The General's Daughter," "Ode to Billy Joe," "I Walk the Line" (with Gregory Peck, 1970), "Mississippi Burning," "Squirm," "The Man in the Moon" and "The Skeleton Key." If you have a taste for these types of films, including the aforementioned "Days of Heaven," you'll likely appreciate "Undertow." The difference with “Undertow” is that it concentrates so exclusively on pastoral paucity that it cops a poetic post-apocalyptic ambiance. The film runs 1 hour, 48 minutes. Kristen Stewart has a small role in the first act. GRADE: B/B-
Renowned oceanographer Steve Zissou has sworn vengeance upon the rare shark that devoured a member of his crew. In addition to his regular team, he is joined on his boat by Ned, a man who believes Zissou to be his father, and Jane, a journalist pregnant by a married man. They travel the sea, all too often running into pirates and, perhaps more traumatically, various figures from Zissou's past, including his estranged wife, Eleanor.
Shipped off to a Romanian orphanage to finish his sentence, a British criminal finds romance but also discovers corruption inside the facility.
Three strangers are drawn together in search of Darcy, a man they all love who has been involved with some nasty underworld business.
An alcoholic ex-football player drinks his days away, having failed to come to terms with his sexuality and his real feelings for his football buddy who died after an ambiguous accident. His wife is crucified by her desperation to make him desire her: but he resists the affections of his wife. His reunion with his father—who is dying of cancer—jogs a host of memories and revelations for both father and son.
Ronia lives happily in her father's castle until she comes across a new playmate, Birk, in the nearby dark forest. The two explore the wilderness, braving dangerous Witchbirds and Rump-Gnomes. But when their families find out Birk and Ronia have been playing together, they forbid them to see each other again. Indeed, their fathers are competing robber chieftains and bitter enemies. Now the two spunky children must try to tear down the barriers that have kept their families apart for so long.
Jackie Brown is a flight attendant who gets caught in the middle of smuggling cash into the country for her gunrunner boss. When the cops try to use Jackie to get to her boss, she hatches a plan — with help from a bail bondsman — to keep the money for herself.
Set in 1929, a political boss and his advisor have a parting of the ways when they both fall for the same woman.
When an armed, masked gang enter a Manhattan bank, lock the doors and take hostages, the detective assigned to effect their release enters negotiations preoccupied with corruption charges he is facing.
A poetic and melancholic short film about two brothers with different intentions. A personal struggle involving obsession, abuse, and guilt.
Obsessive master thief Neil McCauley leads a top-notch crew on various daring heists throughout Los Angeles while determined detective Vincent Hanna pursues him without rest. Each man recognizes and respects the ability and the dedication of the other even though they are aware their cat-and-mouse game may end in violence.
A gold prospector in Alaska struggles to survive the elements and win the heart of a dance hall girl.