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"Jeanne" (Maria Schneider) is flat-hunting when she encounters the predatory "Paul" (Marlon Brando) in an empty apartment where he proceeds to rape her. It turns out that he has recently lost his wife to suicide and is completely bereft - bewildered and almost feral in his attitude towards this girl. He rents the apartment and she comes back for more - always using the no names no pack drill routine as the sex becomes perfunctorily obsessional for both of them. The question is - can they both remain so dispassionate emotionally as their rendezvous become more intense, more humiliating for her and ultimately completely addictive? She is obedient in every way, and like most things reliably delivered on a plate the sex soon ceases to satiate his desires. He must completely control this young woman. She, meantime, is engaged to the aspiring film director "Tom" (Jean-Pierre Léaud) who remains blissfully oblivious of his fiancée's peccadilloes. In the end, it's going to be "Jeanne" who has to take control of her own life - but which way will she turn? For a film that's essentially about passion, this is an entirely sterile affair with little actual chemistry between the couple as Bertolucci exposes us to endless pointless female nudity, some clumsily choreographed sex and a surfeit of dialogue that doesn't generate steam so much as spray amidst a series of gratuitous nookie that did neither Brando nor the marginally more natural Schneider any favours. If it's supposed to be a penetrative look at the human psyche, or at our animal instincts, or maybe even at our dependencies, then I'm afraid it was all just too plodding, repetitive and undercooked. This just wasn't for me, sorry.
Five different criminals face imminent death after botching a job quite badly.
After a chaotic night of rioting in a marginal suburb of Paris, three young friends, Vinz, Hubert and Saïd, wander around unoccupied waiting for news about the state of health of a mutual friend who has been seriously injured when confronting the police.
When you read the title ‘Summer on the Balcony’ you probably think it will be a light Berlin summer comedy but it’s not. This film is an intimate study of two women friends who come to each other because of troubles with everyday life and with men and thus try to enjoy a life based on their ideas.
Director helmut Dietls and Patric Susskinds illustrate a legendary story of two lovers who cant keep themselves away from death.
Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. Urged by his doctors to rest, Anselmi heads for a luxurious resort, but a sorry group gathers—his producer, staff, actors, wife, mistress, and relatives—each one begging him to get on with the show. In retreat from their dependency, he fantasizes about past women and dreams of his childhood.
Lester Burnham, a depressed suburban father in a mid-life crisis, decides to turn his hectic life around after developing an infatuation with his daughter's attractive friend.
Four ordinary women, inflicted by silly societal norms, have to steal, lie, cheat and hide in order to lead the lives that they rightfully deserve.
Mikage will get married to Youiti next year, she agrees to live with Youiti's parents. One day, Youiti's father disrobed Mikage's Kimono and raped her. To her astonishment, her fiancé Youiti whom Mikage considers true love has an affair with his young stepmother. Shocked and devastated, what will Mikage do?
Shin and Sara have been engaged for two years. They once had an argument and agree to have fun individually. Sara’s best friend Jeana who always has a soft spot on Shin, she then tried every means to seduce him. In the meanwhile, Jeana’s boyfriend Jacky is also getting close with Jolie who’s fun and wild. Lan Kwai Fong is as bustling as usual this weekend. The girls are all gathered to rock the clubs. Since Sara met the Korean hot guy Kim, the relationship between all of them started to change…
A teenager who's lived a sheltered life because she's allergic to everything, falls for the boy who moves in next door.
