1971: ബിയോണ്ട് ബോര്‍ഡേഴ്സ്

A group of friends in their early 40s are shocked by the death of one of them. After the funeral, they must fulfil his last wish: a peculiar game in which each of them must write down on a piece of paper something that they would like to do before they die. Each wish will be the starting point of an intense weekend in which they will live fun, unexpected and, sometimes, extreme situations. But each one will also open other doors, releasing fears, instincts, prejudices and secrets, leading them to more complex situations by confronting them with a concept that they carry as a condemnation: "adulthood".

For her first television film, director Vera wants the perfect cast. But the first day of shooting is fast approaching and the numerous casting sessions have yet to find a suitable actress to play the leading role. Although the producer and crew are getting ever more exasperated with Vera, Gerwin is happy about the extra work, as he earns his money as an audition reader, delivering the lines of dialogue to the starry candidates at the various castings. When the male lead suddenly has to back out, Gerwin thinks that this might just be his chance.

A teenager labeled as having a mental disorder by his father. When he has no intention or purpose in life, his friend comes and and will change his life completely.

Ravi, an unemployed young man, faces a series of encounters during his search for a job.

Kavalam Jimmy and Vattathil Bosco are rivals from their school days and Minnal Simon always tries to benefit from this situation.Three of them have their own intentions and they back stab each other to attain their own aims.

Fast, frenetic, and furious best describe the story of five teenage boys all but abandoned by the system, estranged from any parents, and discarded by life in general. They build a world of there own in which gangs, drugs, fighting, body piercing, self-harm, and even suicide are considered commonplace. The film highlights their harrowing place in time and this small world; where brotherhood is valued above all else. Impressively acted by actual street kids, the movie highlights a gritty side of modern-day Singaporean life.

Rajputana, India, 13th century. The tyrannical usurper Alauddin Khilji, sultan of Delhi, becomes obsessed with Queen Padmavati, wife of King Ratan Singh of Mewar, and goes to great lengths to satisfy his greed for her.

Two young dancers seek the truth after the mysterious disappearance of their mother.

Nancy Taylor, a divorced mother of three, feels especially lonely during the holidays. All she wants for Christmas is to meet a nice man - even just a nice compliment would make her day. Sensing her sadness, Nancy's little girl, Emily, has a plan to make her mom happy again. She shares her Mommy's wish with shopping mall Santa, Benjamin Armstrong. And Benjamin, who is also a struggling songwriter, knows exactly the right words to say.

Manillaköysi is a cult status holding TV-movie adaptation of the satirical war novel by Veijo Meri. Manillaköysi has an endless list of classic one-liners, but it is still not based on cheap laughs or anything like that. The whole humouristic aspect of it comes from describing the absurdity of war, and the whole military system, by looking it with the eyes of a simple man, who's thrown into it, and who simply does not give a rats ass of it all. The tone of it is not overly preachy or moralizing. If I would have to describe it with one word, it would be: unglamourizing. The main point of Manillaköysi is pretty much compressed in one of the most famous quotes of it: There is nothing supernatural about war, it is just work like anything else.