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Hearts Around the Table Sharis Second Act 2025 - Movies (Mar 31st)
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The Future of Nature - (Apr 1st)
Our Welsh Chapel Dream - (Apr 1st)
The Bailiffs - (Apr 1st)
Piers Morgan Uncensored - (Apr 1st)
Katy Tur Reports - (Apr 1st)
Chris Jansing Reports - (Apr 1st)
Tipping Point - (Apr 1st)
The Cruise - (Apr 1st)
Escape to the Country - (Apr 1st)
Air Crash Investigation- Special Report - (Apr 1st)
American Idol - (Apr 1st)
Son of a Critch - (Apr 1st)
The Tommy Tiernan Show - (Apr 1st)
The Divorce Insurance - (Apr 1st)
Homes Under the Hammer - (Apr 1st)
The Chase Australia - (Apr 1st)
After Midnight - (Apr 1st)
Sam Pang Tonight - (Apr 1st)
The 11th Hour with Stephanie Ruhle - (Apr 1st)
The Dog House Australia - (Apr 1st)
When I needed your faith, you withheld it; and now, when I don't need it, and don't deserve it, you give it to me. Shanghai Express is directed by Josef von Sternberg and written by Jules Furthman (adaptation) & Harry Hervey (story). It stars Marlene Dietrich, Clive Brooks, Anna May Wong, Warner Oland, Eugene Palette and Lawrence Grant. Music is by W. Franke Harling & Rudoplh G. Kopp and cinematography by Lee Garmes. Plot finds Shanghai Lily (Dietrich) meeting up with old flame Donald Harvey (Brooks) aboard the Shanghai Express during the Chinese Civil War in 1931. However, this train has many passengers with secrets to hide, so when some rebels ambush the train, such things as loyalties, friendships, hidden motives and the birthing of legends come to the fore. Stylishly crafted by Sternberg and brisker than the other collaborations with Dietrich, Shanghai Express thrives on atmospheric visuals, strong scripting and a sultry turn from the leading lady. The cramped confines of the train allow Sternberg to dally with trademark shadows, smoke and shafts of light for maximum effect, garnering Garmes an Oscar in the process, while there is deft deadpannery amongst the myriad of intriguing characters. Quality film making on both sides of the camera and also off of the writers desk. 8/10
Amidst the civil war in 1930s China, a train is travelling from Peking to Shanghai carrying a disparate group of passengers that includes the infamous "Shanghai Lily" (Marlene Dietrich) and "Doc" (Clive Brook) who is on his way to perform surgery on a mandarin. The two have a past, and he reckons she is still a selfish woman quite capable of doing whatever is necessary to look after number one. That view changes when the train is stopped by guerrillas and he is taken hostage. With "Chang" (Warner Oland) now in charge, things are a great deal more perilous for everyone and "Lily" has to use all her feminine wiles and guile to keep her and the doctor as safe as she can in the face of a brutal and shrewd enemy. Dietrich is on good form here and there's an engaging degree of chemistry between her and Brook, but it was actually Oland who stole this for me as the truly malevolent soldier who knew no boundaries of human decency when it came to inflicting pain and torture on the unwitting passengers. As ever, Von Sternberg and the camera could make us fall in love with her reading of the phone book, and this is lit and paced in quite a menacingly intriguing fashion engendering a real sense of intensity as it progresses to it's not so predictable denouement. Well worth a watch on a big screen if you can - Dietrich positively glows and has no songs to fall back on.
A group of French soldiers, including the patrician Captain de Boeldieu and the working-class Lieutenant Maréchal, grapple with their own class differences after being captured and held in a World War I German prison camp. When the men are transferred to a high-security fortress, they must concoct a plan to escape beneath the watchful eye of aristocratic German officer von Rauffenstein, who has formed an unexpected bond with de Boeldieu.
Overwhelmed by her suffocating schedule, touring European princess Ann takes off for a night while in Rome. When a sedative she took from her doctor kicks in, however, she falls asleep on a park bench and is found by an American reporter, Joe Bradley, who takes her back to his apartment for safety. At work the next morning, Joe finds out Ann's regal identity and bets his editor he can get exclusive interview with her, but romance soon gets in the way.
In the boorish city of Agrabah, kind-hearted street urchin Aladdin and Princess Jasmine fall in love, although she can only marry a prince. He and power-hungry Grand Vizier Jafar vie for a magic lamp that can fulfill their wishes.
Private eye Jake Gittes lives off of the murky moral climate of sunbaked, pre-World War II Southern California. Hired by a beautiful socialite to investigate her husband's extra-marital affair, Gittes is swept into a maelstrom of double dealings and deadly deceits, uncovering a web of personal and political scandals that come crashing together.
In this classic German thriller, Hans Beckert, a serial killer who preys on children, becomes the focus of a massive Berlin police manhunt. Beckert's heinous crimes are so repellant and disruptive to city life that he is even targeted by others in the seedy underworld network. With both cops and criminals in pursuit, the murderer soon realizes that people are on his trail, sending him into a tense, panicked attempt to escape justice.
In 1962 Hong Kong, two neighbors form a strong bond after both suspect extramarital activities of their spouses.
Having met on a train, a smooth-talking psychotic socialite shares his theory on how two complete strangers can get away with murder to an amateur tennis player — a theory he plans to test out.
Four small time thieves make a living by doing minor robberies and con acts. One of their robberies goes awry when they are caught by the owner of the house. He inspires them to use their talents for the greater good.
The fates of three entwined families. Joséphine and Tomas have just got married. It was a joyful celebration. But soon, Joséphine’s parents will discover a darker side lurking behind the couple’s sunny happiness. Meanwhile, Mélanie tells her parents that she is pregnant but the father is not ideal.
When you read the title ‘Summer on the Balcony’ you probably think it will be a light Berlin summer comedy but it’s not. This film is an intimate study of two women friends who come to each other because of troubles with everyday life and with men and thus try to enjoy a life based on their ideas.
Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. Urged by his doctors to rest, Anselmi heads for a luxurious resort, but a sorry group gathers—his producer, staff, actors, wife, mistress, and relatives—each one begging him to get on with the show. In retreat from their dependency, he fantasizes about past women and dreams of his childhood.