Venom The Last Dance 2024 - Movies (Oct 27th)
High Forces 2024 - Movies (Oct 27th)
Thirst 2023 - Movies (Oct 27th)
LOUDER The Soundtrack of Change 2024 - Movies (Oct 27th)
Conclave 2024 - Movies (Oct 27th)
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This Time Each Year 2024 - Movies (Oct 26th)
For Prophet 2024 - Movies (Oct 26th)
Cuckoo 2024 - Movies (Oct 26th)
Slingshot 2024 - Movies (Oct 26th)
In a Violent Nature 2024 - Movies (Oct 26th)
10 Lives 2024 - Movies (Oct 25th)
Keanu Reeves The One and Only 2024 - Movies (Oct 25th)
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The Remarkable Life of Ibelin 2024 - Movies (Oct 25th)
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Road Diary Bruce Springsteen and The E Street Band 2024 - Movies (Oct 25th)
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On Patrol- Live - (Oct 27th)
Lioness - (Oct 27th)
Great British Home Restoration - (Oct 27th)
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House Hunters Renovation - (Oct 27th)
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FROM - (Oct 27th)
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Marketplace - (Oct 27th)
The View - (Oct 27th)
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Lucky - (Oct 26th)
Alex Witt Reports - (Oct 26th)
20/20 - (Oct 26th)
**It's a good movie, but I've seen better courtroom dramas.** I saw this film not long ago and was very impressed with its quality. I didn't know, however, that it was based on a novel by John Grisham (I've never read it, and I have doubts if it was translated into Portuguese), and based very lightly on the emotional testimony of a young girl victim of rape. It should be noted, moreover, and by mere curiosity, that, in the real case behind the novel, the victim was a white girl and the man accused of having raped her was black. In summary, it's very good, but it's not a perfect film, and it pales in comparison to other much more consistent and effective courtroom dramas. Joel Schumacher is the director of this movie, and that's really surprising me because his work rarely pleases me. I was able to appreciate the qualities of “Number 23”, the beauty and musicality of “Phantom of the Opera” were able to captivate me, but on the other hand, I hate the two “Batman” films he made, and I felt that “8 mm” is one of those films full of potential that ends up not living up to expectations. And then, this movie. And I'm still wondering whether I should consider the director responsible for the film's biggest weaknesses, or as a redeeming work that shows that, despite the crap, Schumacher had some talent. The cast is strong. Despite the downward trajectory that his career has taken after his consecration, Matthew McConaughey is in good shape here and gives the public an enjoyable job. It's not the actor's best, it's nothing original, especially if we think about courtroom dramas, but it's effective and it looks credible. Samuel L. Jackson also does a good job, but the character is the most ambiguous in the film, and he can be a villain or a hero depending on our opinion (and the film makes an effort to sell him a hero). Kevin Spacey is good in a highly stereotyped character, and Donald Sutherland gives an air of his grace when the material allows. Less interesting were the appearances of Kiefer Sutherland and Sandra Bullock. Technically, it's a low-key film, without major visual strokes or effects, which is good as it gives all the necessary space to the story and the actors' performance. It does, however, have good cinematography, a clever use of filming locations and sets, and also good costumes. It's a little long for the story it brings, but that fact doesn't constitute a very serious problem here. The story has problems that we have to consider. It begins beautifully, presenting the opening incident with shocking colors and tones. The scene where the father kills his daughter's rapists is also incredibly well done, but the rest, and especially the scenes outside the courtroom, are bland. Bullock's character is so expendable that it was preferable that it had never been added: she appears to throw some adulterous romance into the script, but that never goes beyond a succession of flirtations because the main character does not have the nerve to really cheat on his wife. For the rest, she gives him some good ideas, aiding an incompetent lawyer to do a job well done, but that would have been better if it had come from Donald Sutherland, giving him a greater utility and better material. I had serious problems with the trial of this film, starting with the judge's attempts to focus the facts on the death of the rapists. This would never be acceptable by a real court or a real defense, considering that, after the obvious failure of the transient insanity claims, the defense would have to rely on a clean criminal record, good citizenship and a truckload of extenuating circumstances in order to lighten the penalty to which that man was fatally to be condemned. And the most credible and convincing mitigating factor for a judge or jury would be, exactly, the enormous commotion that the rape would have caused, leading that father to act in a way that would have been impossible under other circumstances. And the insertion of the KKK in the film, not being a problem in itself, only serves to exaggerate a racial problem that is already there and that doesn't need to be exaggerated anymore.
The opening scenes of this movie are the sort that stay with you for ever: the brutal assault and murder of a young girl by two rednecks in Mississippi. Before their trial, they are gunned down in the courthouse by the girl's bereft father "Carl Lee Hailey" (Samuel L. Jackson) and it falls to "Brigance" (Matthew McConaughey) to defend the man in a state riddled with institutional and communal bigotry. Kevin Spacey is effective as the DA ("Buckley") who assumes the all white jury will never countenance the murder of these two odious creatures by a black man, but he doesn't count on the resolution - despite threats to himself and to his family - of "Brigance" and of his feisty assistant "Ellen" (Sandra Bullock). Joel Schumacher really does capture the almost viscerally racist elements of John Grisham's book cleverly here with frequently potent, but not unnecessarily graphic, scenarios depicting just how "justice" was expected to flow, even though there is never any doubt about the guilt of either the initial rapists/killers or of her avenging father. McConaughey is super. Sure, he has the boy next door looks but here, also, he portrays his determined character in a convincing manner. So does Bullock - demonstrating, through one especially harrowing scene, that she has more to her than we see with her more regular smart-mouthed comical roles. As ever, Patrick McGoohan excels - this time as the aptly named judge "Noose" and both Donald and Kiefer Sutherland and a few short scenes from Oscar winning Brenda Fricker all serve to demonstrate that there is still some semblance of hope (and futility) against the inherently malevolent prevailing attitudes of the time. The closing speech at the end from "Brigance" is especially potent. SLJ was nominated for a Golden Globe, his appearances are fine but sparing, but there was a curious dearth of plaudits for McConaughey which I found astonishing - he holds the threads of this menacing, at times quite sickening drama together well till the end. Not an easy watch, but well worth it.
Jackson and Helen are in love and about to have their first child when they move in with Jackson's mother, Martha, in order to take care of the family estate. But all is not well in this household. Martha is jealous of her son's affection for Helen, and, despite her Southern smile, she's starting to act strangely. As Helen tries to create a happy home life, Martha attempts to divide the family so that Jackson will become hers alone.
An extinct species, the Tasmanian tiger. A long-forgotten legend, “The Pieman” aka Alexander Pearce, who was hanged for cannibalism in 1824. Both had a desperate need to survive; both could have living descendants within the Tasmanian bush. Four hikers venture deep into isolated territory to find one of these legends, but which one will they come upon first?
One evening, Hammer gives a ride to Christina, an attractive hitchhiker on a lonely country road, who has escaped from the nearby lunatic asylum. Thugs waylay them and force his car to crash. When Hammer returns to semi-consciousness, he hears Christina being tortured until she dies. Hammer, both for vengeance and in hopes that "something big" is behind it all, decides to pursue the case.
For a class project, three college students decide to invent an unfounded rumor about the most popular girl on campus. But as the rumor spreads, it begins to spiral out of control.
Dr. Samantha Goodman is a beautiful, young psychiatrist. Burnt out, she drives to the family’s winter cottage to spend time with her husband and sister. A relaxing weekend is jarringly interrupted when a terrifying and unexpected guest arrives. What follows is an extraordinary night of terror and evil mind games where escape is not an option.
Sergeant Tong is wracked with guilt after he unwittingly kills a young girl whilst capuring a criminal named Cheung. When the girl's sister is later kidnapped in a ploy to get Cheung released, Sergeant Tong vows to find and rescue her before she comes to harm.
A remake of the 1927 horror film "The Wizard". Dr. Larry Forbes arrives in a remote French village to visit his fiancée who lives with her scientist father Dr. Renault and his Ape-like manservant Noel. Several Murders coincide with Dr. Forbes arrival, with clues pointing in multiple directions.
John Simm stars in this adaptation of Dostoyevsky's tragic masterpiece - a profound drama of redemption and a thrilling detective story of the soul.
A folklore professor becomes unwittingly possessed by the ancient Japanese demons of Thunder and Lightning. But when The Bureau of Paranormal Research & Defense dispatches a team of agents to investigate, a cursed samurai sword sends Hellboy to a supernatural dimension of ghosts, monsters, and feudal mayhem. Now while pyrokinetic Liz Sherman and fishboy Abe Sapien battle one very pissed-off dragon, a lost and cranky Hellboy must find his way home.