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Secrets of the Superagers - (Apr 26th)
The Talk - (Apr 26th)
The Bold and the Beautiful - (Apr 26th)
The Price Is Right - (Apr 26th)
Love Triangle - (Apr 26th)
Johnson and Knopfler’s Music Legends - (Apr 26th)
After Midnight - (Apr 26th)
The 11th Hour with Stephanie Ruhle - (Apr 26th)
Jersey Shore- Family Vacation - (Apr 26th)
TNA iMPACT! - (Apr 26th)
Action - (Apr 26th)
Lovers and Liars - (Apr 26th)
Patti Stanger- The Matchmaker - (Apr 26th)
Renovate or Rebuild - (Apr 26th)
Gardening Australia - (Apr 26th)
The Cook Up with Adam Liaw - (Apr 26th)
The First 48 Presents Critical Minutes - (Apr 26th)
Smartypants - (Apr 26th)
Swamp People- Serpent Invasion - (Apr 26th)
Swamp People - (Apr 26th)
Manon de Boer films the dancer Cynthia Loemij, who improvises to Eugène Ysaÿe’s 3 Sonates for Violin Solo.
A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.
In 1966, John Harlin II died while attempting Europe's most difficult climb, the North Face of the Eiger in Switzerland. 40 years later, his son John Harlin III, an expert mountaineer and the editor of the American Alpine Journal, returns to attempt the same climb.
In Buenos Aires a group of acclaimed dancers create the first Contemporary National Company of Dance under their collective leadership. This is the story of four talented dancers, Ernesto, Bettina, Victoria and Pablo, along six years of their journey. We follow their lives, we attend their rehearsals and performances in the emblematic building of the National Library, along with their premiere and backstage in the historical National Theatre of Cervantes. They expose their dreams as dancers, individuals and members of our society, as we observe the fulfilment of their biggest dream: the demand of a National Dance Law. Amazing choreographies, beautiful folklore songs and original Latin-American contemporary music reveal the beauty of dance becoming life.
"Africa Light" - as white local citizens call Namibia. The name suggests romance, the beauty of nature and promises a life without any problems in a country where the difference between rich and poor could hardly be greater. Namibia does not give that impression of it. If you look at its surface it seems like Africa in its most innocent and civilized form. It is a country that is so inviting to dream by its spectacular landscape, stunning scenery and fascinating wildlife. It has a very strong tourism structure and the government gets a lot of money with its magical attraction. But despite its grandiose splendor it is an endless gray zone as well. It oscillates between tradition and modernity, between the cattle in the country and the slums in the city. It shuttles from colonial times, land property reform to minimum wage for everyone. It fluctuates between socialism and cold calculated market economy.
A nervous, careless recording of a trip through India and Nepal at the beginning of the 1970s. Fleeting impressions of faces, landscapes, temples, people and things. Images that, having been captured in a ephemeral medium, proceed to fade away (although without aging), alongside the river of time.
Images of the Church of the Sagrada Familia by Antoni Gaudí confronted with brief flashes of housing projects and industrial areas. The furious display of a effervescent imagination is opposed to a grey functionality.