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SkyMed - (Mar 2nd)
Forensics- The Real CSI - (Mar 2nd)
The Kelly Clarkson Show - (Mar 2nd)
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Family or Fiance - (Mar 2nd)
Australian Idol - (Mar 2nd)
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Gangland Chronicles - (Oct 1st)
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Deadliest Catch - (Oct 2nd)
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**A forgotten film that deserves to be revisited, even with all its flaws.** Personally, I liked this film. It's one of those films that fell into oblivion very quickly, which doesn't seem fair to me: the film is much better than many more expensive and publicized productions, even though it has serious problems, which I'll talk about. Perhaps very few, besides the producers and cast, really believed in it: it didn't receive much attention from studios and theaters, it was a huge success in Asia but was ridiculed in the USA, while Europe seems to have ignored it. The film has a very good, but small, cast: Christopher Reeve was still reaping the rewards of the success of “Superman”, but that didn't stop him from putting in a lot of effort into this smaller work. The actor is a solid protagonist, and his work is one of the levers that moves the film forward and gives it quality. Next to him, we see the elegant Jane Seymour, still quite young, in a performance full of dignity and where she establishes excellent chemistry with Reeve. Christopher Plummer was less fortunate: the actor, whose credits and talent are beyond doubt, received a cliché and quite artificial character because the villain was necessary to the plot anyway, and had to be someone sufficiently worthy of our disdain. This leads us to talk about the script, which has its merits and also many demerits: the story is based on a somewhat mystical passion between Richard Collier, a modern-day playwright, and Elise McKenna, a young and successful actress from the past. Right at the beginning of the film they meet when she, already elderly, gives him a watch and says a few short and mysterious words to him. Eight years later, he becomes fascinated by a young woman, portrayed in 1912 in a room in an old hotel, discovering her identity. He then decides to try self-hypnosis to go back in time and find her. The script thus creates a kind of love at first sight, in which the object of passion is a photograph of someone who has long since passed away and who you have never met. Just the idea itself seems bizarre, and things don't get better when we introduce time travel and the notions of regression and self-hypnosis, which only the “new age” crowd will really value in some way. Perhaps it would have been preferable to travel through “traditional” time through some machine, portal or “wormhole”. Technically, the film shines due to the choice of filming location (the hotel still exists and can be visited) and the design of the sets and costumes, full of details and well made, worthy of the Oscar nomination in 1981. The editing is quite regular, and the film unfolds without haste, but also without dull moments. The cinematography comes in joyful warm colors and the soundtrack is dominated by two distinct, but by no means incompatible, tonics: the excellent Rhapsody on a Theme of Paganini Op. 43, by Rachmaninoff, and a hypnotic and striking melody composed by John Barry.
Imagine a dating app that only allows it’s users to connect through character. Would it still work? Or are people too shallow?
Mame Dennis, a progressive and independent woman of the 1920s, is left to care for her nephew Patrick after his wealthy father dies. Conflict ensues when the executor of the father's estate objects to the aunt's lifestyle and tries to force her to send Patrick to prep school.
Deals with the lives of the three Irish Catholic McMullen brothers from Long Island, New York, over three months, as they grapple with basic ideas and values — love, sex, marriage, religion and family — in the 1990s. Directed, written, produced by and starring Edward Burns.
Back in Montréal after spending five years in Guatemala, Julie moves in with her elder sister, Jeanne, a chronic liar and woman of rather loose sexual morals... Disillusioned with love, Jeanne is nevertheless engaged to Noël. However, Jeanne and Noël lead separate lives, and only communicate by leaving each other messages on the fridge.Everything suddenly becomes very complicated. Jeanne compels Julie to take up with Noël so she can have a fling with a passionate musician. Noël, meanwhile, sets Julie up with Michel - without Jeanne's knowledge. Julie mixes things up even further. Egged on by her friend Marie-Ève, she alters the contents of the messages on the fridge in an attempt to breathe new life into Jeanne and Noël's relationship. Along the way, she also begins to fall for the seductive Michel. The tables are turned on everyone... In the game of love and truth, illusion leads to betrayal, but love conquers all.
Antoine works in a bar in Paris. One evening on his way home from work, he intervenes when a man tries to commit suicide. He feels strangely guilty about having saved the man's life and constantly tries to help him, make things better. No matter what Antoine does, he can't get Louis's mind off Blanche, the woman of his dreams, his sole obsession, the reason why he wanted to die... Antoine decides to look for her, but doesn't let Louis know.
Two young women and their friends spend spare time at an exclusive nightclub in 1980s New York.
Nineteen-year-old Danny Flynn is imprisoned for his involvement with the I.R.A. in Belfast. He leaves behind his family and his sixteen-year-old girlfriend, Maggie Hamill. Fourteen years later, Danny is released from prison and returns to his old working class neighborhood to resume his life as a boxer.
The story is about a young woman (Melody) who goes to Mauritius to stay with friends. It is the story of her sexual awaking and finding true love.
When a meek high-school girl discovers that she has the power to turn back time, she tries again and again to fix her mistakes while she drifts away from her best friend.
A lonely university student develops a romance with a beautiful interesting woman, who turns out to be a cyborg from the future.
Clara (Karin Viard) is a stripper with a high-strung, jealous boyfriend with the curious name of Loockeed (Antoine Chappey). The couple are friends with the even-temperred, almost saintly Max (Gerald Laroche), an auto mechanic. The three of them set out from their home in the north to journey to the Alpine mountains near Switzerland and Italy, where they will help a fourth friend take care of his pleasure boat business at Lake Annecy while he is in military service. As the trio attempt to establish some sort of equilibrium in their new lives, Max must constantly deal with Loockeed's testy, jealous barbs. Despite this, the three of them remain friends.