The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The World According to Allee Willis 2024 - Movies (Mar 25th)
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Caught - (Mar 26th)
Gannibal - (Mar 26th)
Million Dollar Secret - (Mar 26th)
Hyper Knife - (Mar 26th)
Frontline - (Mar 26th)
Dark Side of the Ring - (Mar 26th)
The Joe Schmo Show - (Mar 26th)
House of Knives - (Mar 26th)
Renovation Aloha - (Mar 26th)
The Last Word with Lawrence ODonnell - (Mar 26th)
Hard Quiz - (Mar 26th)
Night Court - (Mar 26th)
The Irrational - (Mar 26th)
The Rookie - (Mar 26th)
WWE NXT - (Mar 26th)
Will Trent - (Mar 26th)
Rob Becketts Smart TV - (Mar 26th)
The Real Housewives of Beverly Hills - (Mar 26th)
St. Denis Medical - (Mar 26th)
The Curse of Oak Island - (Mar 26th)
This is sort of worth it for the last fifteen minutes, but otherwise it's a pretty awful waste of our time and their efforts - such as they are. James MacArthur and Patricia Oliver are being disciplined by their university for the school rag publishing material just a bit to close to the bone for the principal. In protest, Richard Todd ("Dr. Barnett") quits and is soon a spokesman for their free love style existence. Initially, he holds to his liberté, égalité, fraternité existence but the adulation and success, as well as a little romantic attention from his erstwhile student gradually corrupts his soul and soon someone is heading for a fall. It's really only at the end of this film, that we get anywhere near a point to it all. The proof that absolute power (or a variation thereof, in this case) corrupts absolutely - even those with the most benign intentions. Todd is hopeless, however - he really is a fish out fo water; MacArthur and Oliver are just too preppy and cute to evoke any sort of passion for what they are trying to achieve - indeed the whole "niceness" of the first flower-power, anti-establishment 75 minutes is quite hard to sit through. The censors rejected it... I can't think why?
"Loro", in two parts, is a period movie that chronicles, as a fiction story, events likely happened in Italy (or even made up) between 2006 and 2010. "Loro" wants to suggest in portraits and glimps, through a composite constellation of characters, a moment in history, now definitively ended, which can be described in a very summary picture of the events as amoral, decadent but extraordinarily alive. Additionally, "Loro" wishes to tell the story of some Italians, fresh and ancient people at the same time: souls from a modern imaginary Purgatory who, moved by heterogeneous intents like ambition, admiration, affection, curiosity, personal interests, establish to try and orbit around the walking Paradise that is the man named Silvio Berlusconi.
Wyatt and Billy, two Harley-riding hippies, complete a drug deal in Southern California and decide to travel cross-country in search of spiritual truth.
Heroin addict Mark Renton stumbles through bad ideas and sobriety attempts with his unreliable friends - Sick Boy, Begbie, Spud and Tommy. He also has an underage girlfriend, Diane, along for the ride. After cleaning up and moving from Edinburgh to London, Mark finds he can't escape the life he left behind when Begbie shows up at his front door on the lam, and a scheming Sick Boy follows.
Raoul Duke and his attorney Dr. Gonzo drive a red convertible across the Mojave desert to Las Vegas with a suitcase full of drugs to cover a motorcycle race. As their consumption of drugs increases at an alarming rate, the stoned duo trash their hotel room and fear legal repercussions. Duke begins to drive back to L.A., but after an odd run-in with a cop, he returns to Sin City and continues his wild drug binge.
A myriad of outrageous calamities befalls an eccentric English clan with more than a few skeletons in its closets when the family's patriarch dies an unexpected death.
A surreal triptych adapted by "Trainspotting" author Irvine Welsh from his acclaimed collection of short stories. Combining a vicious sense of humor with hard-talking drama, the film reaches into the hearts and minds of the chemical generation, casting a dark and unholy light into the hidden corners of the human psyche.
In the early 1960s, teenager Adam Stafford (Cameron Bright) becomes obsessed with his new neighbor, Catherine Caswell (Gretchen Mol), a divorcée and free spirit. Stafford spies on Caswell as she meets with strange men, and, despite the warnings of his conservative parents, he begins working for her as a gardener. Amid rumors of her affair with President Kennedy, the two become close, but political intrigue surrounding her acquaintances soon infringes on their friendship.
Three sailors are talked into trying LSD and marijuana-which, this film implies, are basically the same thing-and the effects of the drugs endanger the lives of their fellow sailors aboard ship.
After his wife leaves him, a disillusioned director dives into the drug scene, trying anything his friend suggests.
The investigation of two horrific mass murders leads to the capture and trial of the psychotic pseudo-hippie Charles Manson and his "family".