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Sister Wives - (May 5th)
The Rehearsal - (May 5th)
The Righteous Gemstones - (May 5th)
24 in 24- Last Chef Standing - (May 5th)
Evil Lives Here- The Killer Speaks - (May 5th)
Wardens of the North - (May 5th)
Snapped- Killer Couples - (May 5th)
The Great North - (May 5th)
The Last of Us - (May 5th)
The Equalizer - (May 5th)
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Parlor Room - (May 5th)
Home Town - (May 5th)
Family Guy - (May 5th)
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The _Empire Strikes Back_ of the Firefly Family franchise. Firstly because they're both the middle entry in their respective trilogies, and secondly because I gave them both the same rating. And I say that knowing full well how much the film community at large will look down on me for admitting it. But I don't care. This is a fantastic movie. Probably Zombie's best. Mm, second best. After _Halloween II_. Which is also the best _Halloween_ movie. ...Now they're really coming for me. _Final rating:★★★★ - Very strong appeal. A personal favourite._
**Between black comedy and disgusting horror, it's not a movie that wants to be taken seriously.** Rob Zombie is a decidedly strong stomach man. His musical curriculum could be enough to prove it, but we still have his horror films, full proof of his taste for blood and shocking scenes. Personally, I'm not a fan of excessively bloody films, I think that the blood and deaths in a horror film shouldn't be indiscriminate, it ends up being counterproductive and having a perverse effect, as if we got used to it, making this type of resource less effective. This film is the sequel to “House of 1000 Corpses”: starting where it ends, it shows us the siege of the decrepit Firefly house to arrest or massacre that family of degenerates. They manage to escape and will spread panic in the region, while the local police try everything to catch them. To understand this film, therefore, I recommend first seeing the film that gives rise to these events (and which is just as violent and disgusting as this one). However, I felt that this film has a slightly better script than its predecessor and that it tries to at least create a good story, "Bonnie & Clyde" style, with cultural references to Ned Kelly, Ma Barker and others. The slash subgenre, to which this film belongs, has a legion of fans and some renowned films, namely the “Saw” franchise. They are films filled with violent deaths, infamous acts, obscenities and graphic content. I already expected this here. What I really don't understand is how Zombie tries to introduce comedy into a movie like this. Even dealing with black humor, attempts to introduce humor end up cutting the atmosphere. Back to characters they already knew, Sid Haig and Bill Moseley continue to do a great job as actors. They dominate the film and their characters are both comic (it didn't work for me but…) and brutal and sadistic. Sherry Moon Zombie, who is the director's wife, gained more prominence in this film, where she appears naked (or almost) in several scenes. The veteran and prestigious Leslie Easterbrook (who most people will remember for her performance in the comedies of the “Police Academy” franchise) replaced Karen Black, but I confess that I felt at various times that the actress did not fit into this type of material. The film also features other well-known actors such as William Forsythe, Ken Foree, Danny Trejo and Taylor Maine. Technically, the film has some points that deserve to be highlighted, starting with the use of good special effects and good digital resources, which the director took full advantage of. We cannot fail to observe with some pleasure the richness of detail in the sets and costumes, and the good work of the camera. The soundtrack features several well-known songs, and contributes to not taking the film too seriously.
Aspiring filmmaker Rocky Horror (Robert Baldassari) devises a dangerous plan to create a surefire terror hit when he lures several film school classmates to a haunted tavern, hoping to capture footage of them being attacked by a legendary monster. But when the creature finally appears, Rocky and his fellow students realize that the blood and corpses are real, not special effects, and that the action may not stop when the director yells "cut."
Fed up with their college classmates' repeated attempts to make them feel like outsiders, Gary (Gary Moreline) and Tom (Tom Woodman) stage the ultimate act of rebellion by launching a strange series of practical jokes on the last day of fall term and capturing everything they do on camera. Neil, Lea and John Heather - three-fourths of the creative team of siblings known as the Heather Brothers - direct this black comedy with considerable bite.
A married woman and a drifter fall in love, then plot to murder her husband.
When a tabloid reporter and his son travel to a quiet Midwestern town to investigate a gruesome massacre, they fall victim to a possessed orphan named Micah.
After a couple adopts a pair of orphaned brothers, it becomes alarmingly clear the boys are much more than they seem.
A bright young medical student must solve the frightening mystery that plagues the children of a small Midwestern town.
A girl called Hannah goes back to her hometown (Gatlin) to find her mother but on the way she picks up a strange man who fore-shadows her life with a passage from the bible. When she gets there she wakes up Isaac from a coma he has been in for 19 years. Isaac is awake and wants to fulfil the final prophecy.
When calls to her grandmother go unanswered, Jamie Lowell uncovers the truth behind her mysterious disappearance.
Three teenage brothers are terrorized by a trio of escaped mental patients disguised as clowns.
On February 15, 1992 in Milwaukee, Wisconsin, Jeffrey Dahmer, one of the world's most infamous serial killers, was convicted of 15 counts of murder and sentenced to 937 years in federal prison. This movie is based on events from his life.