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The _Empire Strikes Back_ of the Firefly Family franchise. Firstly because they're both the middle entry in their respective trilogies, and secondly because I gave them both the same rating. And I say that knowing full well how much the film community at large will look down on me for admitting it. But I don't care. This is a fantastic movie. Probably Zombie's best. Mm, second best. After _Halloween II_. Which is also the best _Halloween_ movie. ...Now they're really coming for me. _Final rating:★★★★ - Very strong appeal. A personal favourite._
**Between black comedy and disgusting horror, it's not a movie that wants to be taken seriously.** Rob Zombie is a decidedly strong stomach man. His musical curriculum could be enough to prove it, but we still have his horror films, full proof of his taste for blood and shocking scenes. Personally, I'm not a fan of excessively bloody films, I think that the blood and deaths in a horror film shouldn't be indiscriminate, it ends up being counterproductive and having a perverse effect, as if we got used to it, making this type of resource less effective. This film is the sequel to “House of 1000 Corpses”: starting where it ends, it shows us the siege of the decrepit Firefly house to arrest or massacre that family of degenerates. They manage to escape and will spread panic in the region, while the local police try everything to catch them. To understand this film, therefore, I recommend first seeing the film that gives rise to these events (and which is just as violent and disgusting as this one). However, I felt that this film has a slightly better script than its predecessor and that it tries to at least create a good story, "Bonnie & Clyde" style, with cultural references to Ned Kelly, Ma Barker and others. The slash subgenre, to which this film belongs, has a legion of fans and some renowned films, namely the “Saw” franchise. They are films filled with violent deaths, infamous acts, obscenities and graphic content. I already expected this here. What I really don't understand is how Zombie tries to introduce comedy into a movie like this. Even dealing with black humor, attempts to introduce humor end up cutting the atmosphere. Back to characters they already knew, Sid Haig and Bill Moseley continue to do a great job as actors. They dominate the film and their characters are both comic (it didn't work for me but…) and brutal and sadistic. Sherry Moon Zombie, who is the director's wife, gained more prominence in this film, where she appears naked (or almost) in several scenes. The veteran and prestigious Leslie Easterbrook (who most people will remember for her performance in the comedies of the “Police Academy” franchise) replaced Karen Black, but I confess that I felt at various times that the actress did not fit into this type of material. The film also features other well-known actors such as William Forsythe, Ken Foree, Danny Trejo and Taylor Maine. Technically, the film has some points that deserve to be highlighted, starting with the use of good special effects and good digital resources, which the director took full advantage of. We cannot fail to observe with some pleasure the richness of detail in the sets and costumes, and the good work of the camera. The soundtrack features several well-known songs, and contributes to not taking the film too seriously.
D, a legendary dhampir competes with a motley family of bounty hunters to track down Charlotte Elbourne, a young woman who has seemingly been abducted by vampire nobleman Meier Link.
The story revolves around three soldiers — Colee, T.K. and Cheaver — who return from the Iraq War after suffering injuries and learn that life has moved on without them. They end up on an unexpected road trip across the U.S.
In future Tokyo, a young woman in the privatized police force tracks down her father's killer while battling against mutant rebels known as engineers.
Five young people apply to live in an isolated house together for six months whilst their every move is filmed by numerous cameras.
Inspired by the the life of Pulitzer Prize-winning, Miami-based journalist, Edna Buchanan, who investigates the murder of a man with ties to the Miami mafia.
Magnificent Mimi is a woman with a destiny and a bright future ahead of her. She is the world's greatest female wrestling champion, she has a loving boyfriend and loyal family members who care and love her. But things take a turn for the worst when Mimi's boyfriend Nick is wounded and her younger brother is shot to death for trying to stiff local druglord Harry Lee. Lee is the toughest and meanest criminal figure in all of Southern California and if you double-cross him, you won't live to see the sun set. Not only does Lee rule his own empire, he also runs the Kumite, a gladitorial fight ring where warriors battle to the death. Mimi knows the police can't touch Lee with a ten foot pole and so she enlists the aid of her martial arts friend Master Vern to teach her kickboxing and tai chi so she can prepare for combat. Vern doesn't think Mimi is ready for Kumite, as it is a place where only one warrior can be left standing and breathing and the one who loses dies.
Harumi Hagiwara lands in the hospital after being involved in an accident. She hits it off with her nurse, Reiko Nishimura, and the two decide to move in together after she's discharged. However, Harumi begins to witness a series of mysterious events soon after noticing Reiko's strange behavior. Additionally, she fears for her own safety when Reiko starts referring to herself as 'Mari' as if she's become an entirely different person. Before long, the situation develops into a case of murder.
Max and Annie's weekly game night gets kicked up a notch when Max's brother Brooks arranges a murder mystery party - complete with fake thugs and federal agents. So when Brooks gets kidnapped, it's all supposed to be part of the game. As the competitors set out to solve the case, they start to learn that neither the game nor Brooks are what they seem to be. The friends soon find themselves in over their heads as each twist leads to another unexpected turn over the course of one chaotic night.
Madison is paralyzed by shocking visions of grisly murders, and her torment worsens as she discovers that these waking dreams are in fact terrifying realities with a mysterious tie to her past.
The 'Beast Cop' Ma Seok-do heads to a foreign country to extradite a suspect, but soon after his arrival, he discovers additional murder cases and hears about a vicious killer who has been committing crimes against tourists for several years.
Mary Henry ends up the sole survivor of a fatal car accident through mysterious circumstances. Trying to put the incident behind her, she moves to Utah and takes a job as a church organist. But her fresh start is interrupted by visions of a fiendish man. As the visions begin to occur more frequently, Mary finds herself drawn to the deserted carnival on the outskirts of town. The strangely alluring carnival may hold the secret to her tragic past.