Wicked 2024 - Movies (Dec 31st)
Mufasa The Lion King 2024 - Movies (Dec 31st)
Trilogy New Wave 2024 - Movies (Dec 31st)
Love in the Big City 2024 - Movies (Dec 31st)
Heightened 2023 - Movies (Oct 2nd)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
Knox Goes Away 2023 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Michelle Buteau A Buteau-ful Mind at Radio City Music Hall 2024 - Movies (Dec 31st)
Avicii - My Last Show 2024 - Movies (Dec 31st)
Avicii - Im Tim 2024 - Movies (Dec 31st)
My National Gallery London 2024 - Movies (Dec 31st)
A Real Pain 2024 - Movies (Dec 30th)
We Were Dangerous 2024 - Movies (Dec 30th)
Saturday Night 2024 - Movies (Dec 30th)
Mr. Monks Last Case A Monk Movie 2023 - Movies (Dec 30th)
A Ghost Story for Christmas Woman of Stone 2024 - Movies (Dec 30th)
The Way My Way 2024 - Movies (Dec 30th)
Take My Hand 2024 - Movies (Dec 30th)
WWE NXT - (Dec 31st)
Black Snow - (Dec 31st)
The View - (Dec 31st)
The Count of Monte Cristo - (Dec 31st)
Raw Talk - (Dec 31st)
Family Feud Canada - (Dec 31st)
The Chase Australia - (Dec 31st)
The Yorkshire Vet - (Dec 31st)
Shaun Micallefs Eve of Destruction - (Dec 31st)
Rob and Romesh Vs - (Dec 31st)
Great Pretender - (Dec 31st)
The Ingraham Angle - (Dec 31st)
The Five - (Dec 31st)
Special Report with Bret Baier - (Dec 31st)
Outnumbered - (Dec 31st)
Jesse Watters Primetime - (Dec 31st)
Hannity - (Dec 31st)
The Tucker Carlson Show - (Dec 31st)
Joselines Cabaret Texas - (Dec 31st)
Saturday Kitchen Live - (Dec 31st)
The _Empire Strikes Back_ of the Firefly Family franchise. Firstly because they're both the middle entry in their respective trilogies, and secondly because I gave them both the same rating. And I say that knowing full well how much the film community at large will look down on me for admitting it. But I don't care. This is a fantastic movie. Probably Zombie's best. Mm, second best. After _Halloween II_. Which is also the best _Halloween_ movie. ...Now they're really coming for me. _Final rating:★★★★ - Very strong appeal. A personal favourite._
**Between black comedy and disgusting horror, it's not a movie that wants to be taken seriously.** Rob Zombie is a decidedly strong stomach man. His musical curriculum could be enough to prove it, but we still have his horror films, full proof of his taste for blood and shocking scenes. Personally, I'm not a fan of excessively bloody films, I think that the blood and deaths in a horror film shouldn't be indiscriminate, it ends up being counterproductive and having a perverse effect, as if we got used to it, making this type of resource less effective. This film is the sequel to “House of 1000 Corpses”: starting where it ends, it shows us the siege of the decrepit Firefly house to arrest or massacre that family of degenerates. They manage to escape and will spread panic in the region, while the local police try everything to catch them. To understand this film, therefore, I recommend first seeing the film that gives rise to these events (and which is just as violent and disgusting as this one). However, I felt that this film has a slightly better script than its predecessor and that it tries to at least create a good story, "Bonnie & Clyde" style, with cultural references to Ned Kelly, Ma Barker and others. The slash subgenre, to which this film belongs, has a legion of fans and some renowned films, namely the “Saw” franchise. They are films filled with violent deaths, infamous acts, obscenities and graphic content. I already expected this here. What I really don't understand is how Zombie tries to introduce comedy into a movie like this. Even dealing with black humor, attempts to introduce humor end up cutting the atmosphere. Back to characters they already knew, Sid Haig and Bill Moseley continue to do a great job as actors. They dominate the film and their characters are both comic (it didn't work for me but…) and brutal and sadistic. Sherry Moon Zombie, who is the director's wife, gained more prominence in this film, where she appears naked (or almost) in several scenes. The veteran and prestigious Leslie Easterbrook (who most people will remember for her performance in the comedies of the “Police Academy” franchise) replaced Karen Black, but I confess that I felt at various times that the actress did not fit into this type of material. The film also features other well-known actors such as William Forsythe, Ken Foree, Danny Trejo and Taylor Maine. Technically, the film has some points that deserve to be highlighted, starting with the use of good special effects and good digital resources, which the director took full advantage of. We cannot fail to observe with some pleasure the richness of detail in the sets and costumes, and the good work of the camera. The soundtrack features several well-known songs, and contributes to not taking the film too seriously.
Coming from a police family, Tom Hardy ends up fighting his uncle after the murder of his father. Tom believes the killer is another cop, and goes on the record with his allegations. Demoted to water-way duty Tom, along with new partner Jo Christman, navigate the three rivers looking for clues and discovering bodies. This time the victims are women Tom knows, he must find the killer to prove his innocence.
Seven years after the death of his wife, widower Shigeharu seeks advice on how to find a new wife from a colleague. Taking advantage of their position as a film company, they stage an audition. Interviewing a series of women, Shigeharu is enchanted by the quiet Asami. But soon things take a twisted turn as Asami isn’t what she seems to be.
Rusty Sabich is a deputy prosecutor engaged in an obsessive affair with a coworker who is murdered. Soon after, he's accused of the crime. And his fight to clear his name becomes a whirlpool of lies and hidden passions.
A strong-willed peasant girl is sent by her father to the estate of some local aristocrats to capitalize on a rumor that their families are from the same line, but is left traumatised from her experiences.
Various interconnected people struggle to survive when an earthquake of unimaginable magnitude hits Los Angeles, California.
Under the watchful eye of his mentor, Captain Mike Kennedy, probationary firefighter Jack Morrison matures into a seasoned veteran at a Baltimore fire station. However, Jack has reached a crossroads as the sacrifices he's made have put him in harm's way innumerable times and significantly impacted his relationship with his wife and kids.
The Freeling family move in with Diane's mother in an effort to escape the trauma and aftermath of Carol Anne's abduction by the Beast. But the Beast is not to be put off so easily and appears in a ghostly apparition as the Reverend Kane, a religeous zealot responsible for the deaths of his many followers. His goal is simple - he wants the angelic Carol Anne.
Former secret government agent Max Hecker (Sven Martinek) disguises himself with a clown mask in order to fight international crime. He hangs up his mask when one of his supporters, journalist Claudia (Diana Frank), is murdered. Four years later, he must put it back on as Claudia's sister Leah (Eva Habermann) is kidnapped by the same people that killed Claudia.
Loner Mark Lewis works at a film studio during the day and, at night, takes racy photographs of women. Also he's making a documentary on fear, which involves recording the reactions of victims as he murders them. He befriends Helen, the daughter of the family living in the apartment below his, and he tells her vaguely about the movie he is making.
An ordinary funeral procession moves along its path from church to cemetery. Observing, you slip from reality into a place where time has lost its linearity, looping through the odd images thrown off by a distorted reality. Images of non-existence, of varying reflections of death issuing from both past and future, concrete yet abstract, horrible yet desirable. A family asks a young psychiatrist to be their guest for a while to untangle the circumstances of their father's illness. He's developed a suicidal fixation for ropes and knots among other things. While deeply involved in analyzing the patient's delirium, the doctor begins to lose track of what is taking place. The task of "how to help" is twisted into "who am I? Doctor or patient? Chance guest, member of this suffering family, or a catholic priest who has dreamed this all up?" In order to get a handle on it all, it's best to start from the beginning, but why do things keep shifting, changing?