Turneja

Middle-aged cinephile and film projectionist Pera still lives with his mother - and best friend - Mara, in Belgrade. It's 1999 and when NATO bombs start raining down on Serbia, the two of them become refugees. After a surreal journey, they end up in New York, where Pera realizes that he can no longer do the old job he loved so much. While he and Mara were struggling to survive, the new age of digital projection was born. Then Pera stumbles upon some discarded projectors and his new mission in life becomes clear: he will travel around and show people the magic of Real Cinema - the magic that can only be created by celluoid, mechanical projectors, the silver screen and flickering light.

A group of Serbian socialists prepares for the war in a surreal underground filled by parties, tragedies, love and hate.

A frustrated and unemployed architect experiences flashbacks of his youth and 1968 protests while the life passes by. Unable to adapt and to accept the reality, he’s constantly getting into conflicts with the people around him.

An old man named Zivojin Markovic, living in a remote village prays for his grandson Cane to go to the city, sell his cow and bring back a wife. In the city he is supposed to meet up with his grandfather's stepbrother, but this man is dead. Instead, he meets this man's two grandsons, two good-natured brothers who are nevertheless small-time criminals and experts in demolition. Cane soon clicks with these men, and also falls in love with a schoolgirl (Jasna), who he wants to marry as part of his testament with his grandfather. He gets involved in this girl's family affairs, rescuing both her and her mother from prostitution and gangsters headed by a man called Bajo, and the new group of people return to the small village in time to celebrate Zivojin's wedding to his neighbor, despite the gangsters' best efforts to stop the celebration, which results in a double wedding.

On Saturday, 5 April 1941, one day before the Invasion of Yugoslavia of the Kingdom of Yugoslavia, a colourful group of random passengers on a country road deep in the heart of Serbia board a dilapidated bus, headed for the capital Belgrade. The group includes two gypsy musicians, a World War I veteran, a Germanophile, a budding singer, a sickly looking man, and a hunter with a shotgun. The bus is owned by Krstic senior, and driven by his impressionable and dim-witted son Misko.

Belgrade, Yugoslavia, 1979; a mysterious "Phantom" occupies the attention and hearts of Belgrade. Every night, he exhibits spectacular driving maneuvers using a stolen white Porsche car through the city streets.

Swan is a lonely Serbian refugee in Belgrade. He hopes for a visa to follow his long-lost fiancée to Chicago, but winds up at the Happy Millennium dating agency. A warm romantic comedy with a twist.

A young student Braca is trying to seduce a beautiful model Iris. Although they are from two different worlds, they both try not to show it. In another story, Šomi and Duje anxiously follow the football match between Manchester and Eastwich. They bet on Eastwich, because their childhood friend Kengur is their goalkeeper. The plot of the third story takes place on the roof of the solitaire, where Avaks and Hibrid are wasting time in anticipation of something happening.

In 1942, in Nazi-occupied Belgrade, locksmith and acrobat Dragoljub Aleksić wrote, produced, directed and starred in Nevinost bez zaštite, the first sound feature film made in Serbia. It is a thrilling action picture with musical numbers and prolonged sequences of Aleksić's acrobatic stunts. Nevinost bez zaštite was never released due to the Nazi censors. "Gentlemen, I assure you the entire Yugoslavian cinema came out of my navel. In fact, I have made certain inquiries, and I am in a position to state positively that the entire Bulgarian cinema came out of my navel as well."

A Serbian engineer falls for a younger woman, but he is inept at courtship.

A story about two unhappy couples in love, one from Dorćol, the other from Manhattan.