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Lee returns as Dracula after an 8-year absence. RELEASED IN 1966 and directed by Terence Fisher, “Dracula: Prince of Darkness” focuses on two English couples circa 1900 traveling the mysterious forests of Eastern Europe who are warned to stay away from a particular area that has an ominous castle. Fools that they are, they end up spending the night and the sinister Count is resurrected. Hammer did nine Dracula films from 1958 to 1974: Horror of Dracula (1958); The Brides of Dracula (1960); Dracula: Prince of Darkness (1966); Dracula Has Risen from the Grave (1968); Taste the Blood of Dracula (1969); Scars of Dracula (1970); Dracula AD 1972 (1972); The Satanic Rites of Dracula (1973); and The Legend of the 7 Golden Vampires (1974). Christopher played the Count in every one of these except "The Brides of Dracula" and "The Legend of the 7 Golden Vampires." As such, "Dracula: Prince of Darkness" was Lee's return to the role after a long eight year absence. Most Hammer fans praise the first film in the series from 1958, which was Lee's first gig as Dracula, and it is a solid entry with the typical Hammer highlights, like lush Gothic ambiance, bright colors, Lee & Cushing and bodacious women, not to mention Lee's diabolical interpretation of the Count and one of the most stunning horror scores by James Bernard. But the truncated story wasn't completely satisfactory and there were too many 50's limitations IMHO. I prefer this sequel as it features all the Hammer hallmarks listed above, except Cushing. Some might complain about the slow first half, but I like the way the film takes its time and concentrates on the two couples, the spooky ambiance, and the build-up of suspense. Klove (Philip Latham) is a particularly creepy character with his courteous pretense. The way he resurrects the Count is a ghastly highlight. Interestingly, Lee doesn't have all that much screen time and not one line of dialogue, so he's basically a vampire bogeyman here. But the lush Gothic atmosphere is potent and the cast shines, especially Barbara Shelley as the doomed wife of a so-“cultured”-he's-stupid husband (Charles Tingwell). And Andrew Keir as Dracula's worthy antagonist, Father Sandor, a most formidable monk. I also appreciated the elaboration on vampire lore by Sandor (Keir). One reviewer scoffed at the idea that the undead have to be willingly allowed into a person’s abode, but this fits the parallel of vampires to evil itself, which first affects a person’s mindset (ideology) and THEN their behavior or lifestyle. In short, evil cannot overtake a person unless s/he willingly allows it. THE FILM RUNS 90 minutes and was shot in Buckinghamshire and Berkshire, England, (with, perhaps, some establishing shots from Romania, e.g. the mountains). WRITERS: Jimmy Sangster and Anthony Hinds. ADDITIONAL CAST: Francis Matthews & Suzan Farmer play the other couple. GRADE: B
A circus' beautiful trapeze artist agrees to marry the leader of side-show performers, but his deformed friends discover she is only marrying him for his inheritance.
British estate agent Renfield travels to Transylvania to meet with the mysterious Count Dracula, who is interested in leasing a castle in London and is, unbeknownst to Renfield, a vampire. After Dracula enslaves Renfield and drives him to insanity, the pair sail to London together, and as Dracula begins preying on London socialites, the two become the subject of study for a supernaturalist professor, Abraham Van Helsing.
A well dressed old man was waiting on a bed. A telephone rang. A glamorous young lady entered the room. They vaguely introduced themselves and made love. A bloody current exchange in a way.
During its return to the earth, commercial spaceship Nostromo intercepts a distress signal from a distant planet. When a three-member team of the crew discovers a chamber containing thousands of eggs on the planet, a creature inside one of the eggs attacks an explorer. The entire crew is unaware of the impending nightmare set to descend upon them when the alien parasite planted inside its unfortunate host is birthed.
Found at a Catholic hospital filthy and ferocious, feral teenager Darlin’ is whisked off to a care home run by The Bishop and his obedient nuns, where she’s to be rehabilitated into a "good girl" as an example of the miraculous work of the church. But Darlin’ holds a secret darker than the "sins" she is threatened with, and she is not traveling alone. The Woman who raised her, equally fierce and feral, is ever present in the shadows of Darlin’s psyche and is determined to come for her no matter who tries to get in her way.
Police chief Brody must protect the citizens of Amity after a second monstrous shark begins terrorizing the waters.
After another deadly shark attack, Ellen Brody decides she has had enough of New England's Amity Island and moves to the Caribbean to join her son, Michael, and his family. But a great white shark has followed her there, hungry for more lives.
Rose, a desperate mother takes her adopted daughter, Sharon, to the town of Silent Hill in an attempt to cure her of her ailment. After a violent car crash, Sharon disappears and Rose begins a desperate search to get her back. She descends into the center of the twisted reality of a town's terrible secret. Pursued by grotesquely deformed creatures and townspeople stuck in permanent purgatory, Rose begins to uncover the truth behind the apocalyptic disaster that burned the town 30 years earlier.
An all-expenses-paid international search for a rare copy of the book 'The Nine Gates of the Kingdom of Shadows' brings an unscrupulous book dealer deep into a world of murder, double-dealing and Satanic worship.