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_**A weird hungry red glob from outer space!**_ Some teens (Steve McQueen & Aneta Corsaut) witness a strange Jell-O-like substance horrifically assault some people in a Pennsylvania town, but the police have a hard time believing their story. Despite its datedness, “The Blob” (1958) is worth checking out as a window into small town America in 1957 (when it was shot) plus the fact that it was Steve McQueen’s debut starring role, not to mention the movie is genuinely scary in a quaint 50’s way. My only criticism is that Steve is clearly an adult male and not a teenager or youngster. He was 27 during shooting, but looked at least 30. Larry Hagman did a sequel fourteen years later called “Beware! the Blob” (aka “Son of Blob”) after his rise to TV stardom with I Dream of Jeannie and before his return to popularity as J.R. in Dallas. It throws in quirky comedic bits amidst the serious horror and it is interesting to compare the two movies because of the social changes brought about by the radical events of the 60s. The sequel is an entertaining window into the counterculture of that time (specifically 1971 when the film was shot) and how the hippies or semi-hippies gelled with those of traditional culture. To me, it wasn’t a big deal as there’s always a “generation gap” between young and old in every decade, which can be observed even in the original film. A quality remake of the original movie came out in 1988 and, like “Beware! The Blob,” walked the balance beam between utter horror and amusing non-horror. It had a bigger budget compared to Hagman’s film, but the addition of a subplot revealing the creature's origins as decidedly earth-centric took away from the Blob's otherworldly and creepy ambiance. Still, it’s a worthwhile reimagining. The movie runs 1 hour, 26 minutes, and was shot entirely in southeast Pennsylvania in areas west of Philadelphia (Phoenixville, Downingtown, Valley Forge, Royersford & Chester Springs). GRADE: A-/B+
A young boy tells three stories of horror to distract a witch who plans to eat him.
In the Australian outback a vicious wild boar kills and causes havoc to a small community.
At the Tromaville Institute of Technology's nuclear plant, Prof. Holt has perfected "subhumanoids": living beings without emotions who perform menial tasks. When school reporter Roger Smith meets a beautiful subhumanoid named Victoria, they fall in love and he becomes determined to save her and the school from a giant mutant squirrel, Tromie.
In England, a group of space scientists led by Bernard Quatermass, who have developed plans for the first Moon colony, learn that a secret, ostensibly government-run, complex of identical design has been built in a remote part of England and is the focus of periodic falls of small, hollow "meteorites" originating in outer space. Quatermass determines to investigate and uncovers a terrifying extraterrestrial life form which has already begun action to take over the Earth.
Martin, who believes himself to be a vampire, goes to live with his elderly and hostile cousin in a small Pennsylvania town where he tries to redeem his blood-craving urges.
The pupils at a high school next to a nuclear power plant start acting and looking strange after buying contaminated drugs from a plant worker.
A man awakes to find himself trapped in a dirty, confined crawlspace. He barely has enough room to move. He also has no memory of why he's there, or why he's bleeding from a stomach wound. Apparently drugged, he occasionally 'zones out' of his surroundings as he tries to edge towards his way to freedom. But the more he explores, the more pain he has to endure, and the more frightening his predicament becomes.
Rough Cut, the debut feature from London-based artist Jamie Shovlin, explores the re-making of an exploitation film that never was. At its dark heart is Hiker Meat, an archetypal 1970s slasher movie imagined by Shovlin, complete with hitchhiking heroine, charismatic commune leader and a group of teens who disappear one by one. This tantalising film-within-a-film serves to both deconstruct and pay affectionate homage to the often-maligned exploitation style. Having created a full screenplay, score and cut-and-paste prototype for Hiker Meat, Shovlin filmed key sections and a full trailer in an intense shoot in the Lake District in summer 2013. Rough Cut contrasts these re-made sequences with on-set footage and insights into the development of Hiker Meat’s script, soundtrack and design, to create a compelling mash-up of self-referencing processes, behind-the-scenes viewpoints and time-honoured slasher tropes.
A huge burrowing machine tunnels out of control at ferocious speed, cutting clean through to the center of the earth, to the twilight world of pellucidar. Once there, Dr. Perry and David Innes are threatened by half human creatures, lizard-like birds, and man-eating plants.
When Amy moves from her beloved Hawaiian Islands to study drama on the mainland, she has little cause to rejoice as a gang of vicious co-eds plots to make her life a living hell. With the aid of their boyfriends, the girls set Amy up as the target of a horrendous prank that results in the young girl falling victim to a brain seizure from which she may never recover. Seeking answers, her aunt Maelea arrives with a special Tiki doll - specially designed to kill! Through magic, she coaxes Amy's subconscious spirit to enter the idol's body and bring it to hideous life. Now the idol tracks down the students one by one to exact its grisly revenge in a relentless assault of Tiki terror!
A mute man with a violent past is forced to take on the teeming underworld of a near-future Berlin as he searches for his missing girlfriend.