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Gutfeld! - (Dec 8th)
Hannity and Colmes - (Dec 8th)
The Five - (Dec 8th)
Tucker Carlson Tonight - (Dec 8th)
Escape to the Country - (Dec 8th)
Pink Lie - (Dec 8th)
Pawn Stars Do America - (Dec 8th)
The Last Word with Lawrence ODonnell - (Dec 8th)
The Cook Up with Adam Liaw - (Dec 8th)
Christina on the Coast - (Dec 8th)
Alex Wagner Tonight - (Dec 8th)
Dateline- Secrets Uncovered - (Dec 8th)
All In with Chris Hayes - (Dec 8th)
Road Wars - (Dec 8th)
Engineering Catastrophes - (Dec 8th)
Murder Under the Friday Night Lights - (Dec 8th)
Diesel Brothers - (Dec 8th)
Moonshiners Master Distiller - (Dec 8th)
Murder in the Heartland - (Dec 8th)
Guys Grocery Games - (Dec 8th)
Described by Roger Ebert as a "trapped in a haunted house" movie, this movie set the bar for Horror in the Summer. The "Nostromo," like "Star Wars" spacecraft, looks worn and in use, compared to the "just out of the box" look of "Star Trek" spacecraft. (And I'm a fan of the "Star Trek" universe!) The claustrophobic feel of the "Nostromo" is due to "filming inside of a tube" location shooting next seen in "Das Boot." A band of "space truckers" are awakened from hibernation, and are shocked to find that they are only half way home. The Company orders them to investigate an Alien transmission, which sets up a descent into Hell as the crew finds themselves being stalked by an opportunistic "Exomorph." As the crew is picked off one by one, the true nature of the beast and the odd attitude of the Science officer, Ash, raise the anxiety level over 100%. What sets this tale apart from other "space monster" films is the character of Third officer Ripley, who raises uncomfortable questions to Capt. Dallas about company policy in general and Science officer Ash in particular. After Capt. Dallas disappears, take-charge-female-Ripley discovers Ash's true intentions and leads her diminished crew to action. The level of violence has been described as "near pornographic," which is helped along by H.R. Giger's "worst nightmare" mature Alien. This is the first of a memorable franchise, featuring a strong female leader that continues into the "Prometheus" prequel.(?)
There is a clause in the contract which specifically states any systematized transmission indicating a possible intelligent origin must be investigated... Alien is directed by Ridley Scott and written by Ronald Shusett and Dan O'Bannon. It stars Tom Skerritt, Sigourney Weaver, Veronica Cartwright, John Hurt, Yaphet Kotto, Ian Holm and Harry Dean Stanton. Music is by Jerry Goldsmith and cinematography by Derek Vanlint. The space merchant vessel Nostromo receives an unknown transmission as a distress call and land on the moon where the call had come from. Bad idea... Back on release it was one of the most talked about movies of 1979, backed by a terrifically tantalising trailer - which itself was backed by one of the greatest tag-lines of them all, the weight of expectation of a genre blending classic was colossal. This was only after all director Ridley Scott's second feature length film, could a sophomore pic really be all that? History as we now know has proven that to be the case. On plot synopsis it's standard format, where the haunted house and a killer on the loose has been replaced by a space ship in space. Yet once the pic plays its alien hand, and it becomes a battle of survival in one location, it dawns on you there is really no escape. No running into the garden and down the street, no hiding in the attic hoping the killer saunters off home, this is find and destroy or be destroyed yourself - with the future of mankind depending on the humans to succeed. Some still go into a viewing of Alien nowadays and decry it for being too much of a slow burn, yet this is one of the pic's biggest assets. Time in space is slow anyway, and lonely one would guess, so Scott wisely lets the characters be introduced, lets us understand just enough about their psychological make up before things go belly up (literally as it happens). When the pot finally boils over it's terrifying, the bar well and truly raised for horror/sci-fi hybrid conventions. With art design by H.R. Giger and Goldsmith producing eerie musical rumbles, the whole piece has a disquiet about it, notably with distressing sexual connotations and symbolism that haunts the mind as the body horror unfolds. The quiet passages are nerve shredders, Alien across the board is a visceral experience, especially for those who have ever watched it on a big screen in a darkened theatre. It made a star of Weaver, who unbeknown to those on first viewing is the main character, another masterstroke by Scott, with Ripley the character in Weaver's hands shunting women's character's in big budget films forward by some considerable margin. All the cast are on great form, there's no showy stars in here, a collection of hard working British and American actors feeding off their director for super returns. Now 40 years old, Alien shows no sign of losing its classic status, and rightly show. A seminal class act that still holds all the qualities it had back in 1979. In space no one can hear you scream - indeed! 10/10
The standard bearer of horror in space, Ridley Scott's masterpiece still thrills new generations of fans. The Giger-inspired alien induces a claustrophobic nightmare that still carries on in sequels and prequels.
'Alien' isn't as eventful, and as such as entertaining, as I had anticipated, though it is still an enjoyable near two hours. It's a strong cast, with newbie Sigourney Weaver putting in a great performance. Tom Skerritt, Harry Dean Stanton, Yaphet Kotto and John Hurt are good too. I wanted to see more of them, though that's normal given the tightness of the setting - there's only so much they can do, of course. Other positives include the neat set design, solid special effects and well done tension building. I can't say I was ever fully unnerved, in fairness that's more a personal thing as fiction rarely scares me, but I was locked on for the entirety. It also gets respect for setting the benchmark it did. Will check out the sequels, prequels and spin-offs/crossovers with much intrigue.
Betrayed by his own kind and left for dead on a desolate planet, Riddick fights for survival against alien predators and becomes more powerful and dangerous than ever before. Soon bounty hunters from throughout the galaxy descend on Riddick only to find themselves pawns in his greater scheme for revenge. With his enemies right where he wants them, Riddick unleashes a vicious attack of vengeance before returning to his home planet of Furya to save it from destruction.
Batman has not been seen for ten years. A new breed of criminal ravages Gotham City, forcing 55-year-old Bruce Wayne back into the cape and cowl. But, does he still have what it takes to fight crime in a new era?
Katniss Everdeen has returned home safe after winning the 74th Annual Hunger Games along with fellow tribute Peeta Mellark. Winning means that they must turn around and leave their family and close friends, embarking on a "Victor's Tour" of the districts. Along the way Katniss senses that a rebellion is simmering, but the Capitol is still very much in control as President Snow prepares the 75th Annual Hunger Games (The Quarter Quell) - a competition that could change Panem forever.
A chronicle of the decade-long hunt for al-Qaeda terrorist leader Osama bin Laden after the September 2001 attacks, and his death at the hands of the Navy S.E.A.L. Team 6 in May, 2011.
In RoboCop, the year is 2028 and multinational conglomerate OmniCorp is at the center of robot technology. Overseas, their drones have been used by the military for years, but have been forbidden for law enforcement in America. Now OmniCorp wants to bring their controversial technology to the home front, and they see a golden opportunity to do it. When Alex Murphy – a loving husband, father and good cop doing his best to stem the tide of crime and corruption in Detroit – is critically injured, OmniCorp sees their chance to build a part-man, part-robot police officer. OmniCorp envisions a RoboCop in every city and even more billions for their shareholders, but they never counted on one thing: there is still a man inside the machine.
Ex-Federale agent Machete is recruited by the President of the United States for a mission which would be impossible for any mortal man – he must take down a madman revolutionary and an eccentric billionaire arms dealer who has hatched a plan to spread war and anarchy across the planet.
A distant Federation outpost Fort Casey comes under attack by bugs. The team on the fast attack ship Alesia is assigned to help the Starship John A. Warden stationed in Fort Casey evacuate along with the survivors and bring military intelligence safely back to Earth. Carl Jenkins, now ministry of Paranormal Warfare, takes the starship on a clandestine mission before its rendezvous with the Alesia and goes missing in the nebula. Now, the battle-hardened troopers are charged with a rescue mission that may lead to a much more sinister consequence than they ever could have imagined....
In a future where a failed global-warming experiment kills off most life on the planet, a class system evolves aboard the Snowpiercer, a train that travels around the globe via a perpetual-motion engine.
Four everyday suburban guys come together as an excuse to escape their humdrum lives one night a week. But when they accidentally discover that their town has become overrun with aliens posing as ordinary suburbanites, they have no choice but to save their neighborhood - and the world - from total extermination.
Set in the near future, Lockout follows a falsely convicted ex-government agent , whose one chance at obtaining freedom lies in the dangerous mission of rescuing the President's daughter from rioting convicts at an outer space maximum security prison.
Open war against humanity rages. For five survivors – lost and on the run – the pursuit is relentless, the bullets are dwindling and the battle is everywhere. This is a 24-hour look into their lives.