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Nothing. Something. Anything. Meh. I think I understand why so many people are into this film, and I do understand why it's so influential. The thing is, I'm not sure I care about any of that. Yeah, surrealism. So it's something. Or it's not something. Or it's anything. Or really, it's nothing. To me, it's meh. It's not bad, and I can't say it was nearly a waste of my time. Coming in at just over a quarter of an hour, I've spent longer watching the last two minutes of a basketball game when I didn't even care about who won. While I don't think it was a waste of my time, it didn't really add anything to my day, either. Maybe I'll have to come back and review this if the film sticks with me, but I can't imagine this will do so. It's not my first experience with surrealism, and I'm certainly not the type to ponder of the concept for hours, especially not recently. I'd also argue that this film does nothing to provoke thought on its own. It might be a guiding point to long sessions of thought regarding existence and meaning, but I'm not sure how many people would get there without reading up on the film and surrealism at the least. So, ultimately, meh.
When Kimberly has a violent premonition of a highway pileup she blocks the freeway, keeping a few others meant to die, safe...Or are they? The survivors mysteriously start dying and it's up to Kimberly to stop it before she's next.
The impressionistic story of a Texas family in the 1950s. The film follows the life journey of the eldest son, Jack, through the innocence of childhood to his disillusioned adult years as he tries to reconcile a complicated relationship with his father. Jack finds himself a lost soul in the modern world, seeking answers to the origins and meaning of life while questioning the existence of faith.
A domestic house cat named Francis investigates the grisly feline murders taking place in his new neighborhood.
Hedonist Frank Cotton finds a mysterious puzzle box that summons the Cenobites, who open the doors to a dominion where pain and pleasure are indivisible.
Marcus, an average young man awakens to find his apartment under quarantine and completely isolated from the outside world. Ominous messages about toxins and evacuations plaster each screen of his various electronic devices, leaving his next door neighbor as the only person he has contact with. Scared, and with few resources, the two try to navigate there way through the indefinite wait - staving off hunger, boredom, and paranoia.
Samentha is a mediator for the spirits haunting her apartment. One morning, she has to confront repairman Christophe, who apparently caused grievous harm in the past but denies all accusations.
After a comet disrupts the rain cycle of Earth, the planet has become a desolate, barren desert by the year 2033. With resources scarce, Kesslee, head of the powerful and evil Water & Power Corporation, the de facto government, has taken control of the water supply. Unwilling to cower under Kesslee's tyrannical rule, a pair of outlaws known as Tank Girl and Jet Girl rise up, joining the mysterious rebel Rippers to destroy the corrupt system.
Waking Life is about a young man in a persistent lucid dream-like state. The film follows its protagonist as he initially observes and later participates in philosophical discussions that weave together issues like reality, free will, our relationships with others, and the meaning of life.
High school senior Wendy's premonition of a deadly rollercoaster ride saves her life and a lucky few, but not from death itself — which seeks out those who escaped their fate.
A girl tragically consumes a full vial of LSD and quickly succumbs to a bizarre fantasy world, with strange beings and a magical obelisk that might be her portal home.
Jess joins her friends at a party in a dilapidated mansion hosted by the mysterious Seth. When odd things begin to happen to Jess and her friends, the Phantom Stranger intervenes to save her from a dreary fate.