The Playback Singer

The film captures the daily duality of three young Palestinian women in Tel Aviv, caught between hometown tradition and big city abandon, and the price they must pay for a lifestyle that seems obvious to many: the freedom to work, party, have sex, and choose.

Carlos Oliveira's literary universe is re-enacted in a studio using the writer’s personal objects and manuscripts, and with the help of Luis Miguel Cintra and Fernando Lopes. Shot with the purpose to document his work in the same way Carlos de Oliveira documented his hometown in Gândara, the film uses all the creative liberty that new digital technology allows in order to recreate the visual and sound records that were also present in the writer and poet’s own work.

When spirited young woman, Fanny Price is sent away to live on the great country estate of her rich cousins, she's meant to learn the ways of proper society. But while Fanny learns 'their' ways, she also enlightens them with a wit and sparkle all her own.

A young woman’s charming but overbearing father helps her move out of her wealthy older boyfriend’s apartment.

Having just arrived in paradise, Jerome sets out to find his wife Maryline. In the course of his search, he sinks into a surreal and colorful world in which no one seems to be able to help him.

A down on their luck couple from South Georgia go on the run to get the money to repay a gambling debt, and decide to film their escapade, in hopes of selling their 'reality movie' to Hollywood for a quick buck. However, the danger becomes very real when their misguided foray into drug dealing does not go as planned, and they quickly find out they are in over their heads.

This is a passage between two faces, each the same, yet different. Bibicha’s face first appears in the dark, her eyes open and expression impassive, only her heavy breathing betraying the strain she feels. She will withstand the strain and take the vow of silence, retreating to her grandmother’s house for the 40 days to pass. The house and the landscape outside at least offer Bibicha certain sensory distractions: the taste of honey, the texture of a wall, an eye-catching bedspread, the view out over a sea of cloud, water fizzling on the stove. But it is not just her under strain, as her aunt’s frantic text messaging, her grandmother’s rueful acknowledgement of the stories of marital strife on the radio and her little cousin’s illegitimate status bear witness to. Four generations of women in the complete absence of men, yet all marked by their presence, the similarity of their fates blurring together different times and customs.

A fresh take on the outlaw spirit, focusing on a road trip by four motorcyclists who forge deep friendships over nearly 3,000 miles. Zeros in on four California women who get to know one another while traveling to and from Sturgis, South Dakota, for the world’s largest biker gathering, an annual event since 1938. The rally is a heady brew of races, partying, and exhibitionism under the Great Plains sun. The central quartet have come to Sturgis not merely to revel but to work: Among them are two journalists (Cris Sommer-Simmons, cofounder-founder of Harley Women magazine; and Jamie Elvidge, who specializes in test-riding bikes), a singer-songwriter (Gevin Fax) and a photographer (Gail DeMarco). Combines footage of the women’s trip and post-travel interviews.

Soledad is a young woman who returns to her grandmother's house after years of having cut off communication with her family. She wants to connect with nature, her family's spiritual practices and her sister with whom she never developed a relationship. At the same time she is looking for a way to heal the duel of her mother's death years ago. Soledad will realize that the process is long and exhausting and will lead her to reconnect with the people around her and herself.

The memory of Piero Portaluppi, a Milanese architect who reached the peak of his fame during the 20 years of the Fascist regime, comes back to life, both through the rediscovery of his work today and in a previously unpublished film diary in 16 mm, shot and edited throughout his lifetime. A man of great charm and power, Portaluppi lived through a grandiose but tragic era with ironic detachment, as if dancing across things as he created beauty. History marches on implacably, radically transforming the arena in which the eclectic artist and his large family lived and worked.

Jean-Claude Bernardet, Brazil’s most important living film critic, is old and sick, but tries to reinvent himself through his long disintegration. Shifting between fiction and documentary, A Destruição de Bernardet uses unusual tools to trigger his memory and to make him tell his story.