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Eva is for Ever. Les salauds vont en enfer (The Bastards Go to Hell) is directed by Robert Hossein and Hossein co-adapts the screenplay with René Wheeler from the Frédéric Dard play. It stars Marina Vlady, Henri Vidal and Serge Reggiani. Music is by André Hossein and cinematography by Michel Kelber. Two escaped convicts hole up at a beach house and get more than they bargained for... 1955 was the year that Robert Hossein starred in Jules Dassin's brilliant crimer, Rififi, it was also the year where he began his directing career with this splendid slice of Frenchie film noir. Pic is very much a two parter, first part focuses on our two protagonists in prison. Standard prison noir rules are adhered to, with the shadows of the bars suitably oppressive, the murky confinements of the surroundings offering up a feeling of sorrowful pessimism. There's even a strong narrative thread that says one of the men may be a rat, which is a problem since they share a cell together! But they want out, and we want them out because we feel their claustrophobia in that there dank miserable prison. Then the story goes outside, it's all airy, with sunshine even, but this is noir so darkness is never far away. It's here where we are introduced to our femme fatale, who comes in the form of Eva, played as crafty and sensual by Vlady. A turn of events has brought the three of them together, and as the story plays out there's a whole ream of human traits, foibles and wiles on show. It's all very deliciously sly, a trinity bouncing off of each other with a blend of mistrust and sexual energy. Which shunts us uneasily, yet in eager anticipation as well, towards the finale. Hossein (who also plays a part in the film) knows his noir, and he knows that the best noirs do not cop out at the end. Thus we have, well, the ending here. The only misstep here is the musical score. Scored by Hossein's father, it's far too old school for the play on show, it would be more at home in a silent chiller of the 20s, or some Tod Slaughter twirling moustache horror of the 30s. A shame, for even though it isn't a film killer, a better and more tonally aware composition would have elevated this nifty noir to a grade higher. Also be advised that the subtitles don't hang around, read quickly folks! 8/10
A small-time thief steals a car and impulsively murders a motorcycle policeman. Wanted by the authorities, he attempts to persuade a girl to run away to Italy with him.
Enigmatic gangster Silien may or may not be responsible for informing on Faugel, who was just released from prison and is already involved in what should be a simple heist. By the end of this brutal, twisting, and multilayered policier, who will be left to trust?
After carrying out a flawlessly planned hit, Jef Costello, a contract killer with samurai instincts, finds himself caught between a persistent police investigator and a ruthless employer, and not even his armor of fedora and trench coat can protect him.
Tom Ripley is a talented mimic, moocher, forger and all-around criminal improviser; but there's more to Tom Ripley than even he can guess.
A gangster escapes jail and quickly makes plans to continue his criminal ways elsewhere, but a determined inspector is closing in.
Pépé le Moko, one of France's most wanted criminals, hides out in the Casbah section of Algiers. He knows police will be waiting for him if he tries to leave the city. When Pépé meets Gaby, a gorgeous woman from Paris who is lost in the Casbah, he falls for her.
Gentleman gangster Max and his partner, Riton, pull off their last, most successful heist and find themselves comfortable enough to retire in the style they enjoy. However, Max confides the details of the theft to his younger mistress, Josey - who has secretly taken up with ambitious young rival gangster Angelo. Angelo then has Riton kidnapped and demands the stash of gold as ransom, which threatens Max's dreams of the perfect retirement.
A band of gangsters devise a plan to steal a game contested between two drug gangs of drug traffickers: the five fraudsters will face bigger problems than them.
A self-assured businessman murders his employer, the husband of his mistress, which unintentionally provokes an ill-fated chain of events.
Julie Kohler is prevented from suicide by her mother. She leaves the town. She will track down, charm and kill five men who do not know her. What is her goal? What is her purpose?
When his young son is killed in a hit and run accident, Charles Thenier resolves to hunt down and murder the killer. By chance, Thenier makes the acquaintance of an actress, Helène Lanson, who was in the car at the time of the accident. He then meets Helène’s brother-in-law, Paul Decourt, a truly horrible individual.