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Eva is for Ever. Les salauds vont en enfer (The Bastards Go to Hell) is directed by Robert Hossein and Hossein co-adapts the screenplay with René Wheeler from the Frédéric Dard play. It stars Marina Vlady, Henri Vidal and Serge Reggiani. Music is by André Hossein and cinematography by Michel Kelber. Two escaped convicts hole up at a beach house and get more than they bargained for... 1955 was the year that Robert Hossein starred in Jules Dassin's brilliant crimer, Rififi, it was also the year where he began his directing career with this splendid slice of Frenchie film noir. Pic is very much a two parter, first part focuses on our two protagonists in prison. Standard prison noir rules are adhered to, with the shadows of the bars suitably oppressive, the murky confinements of the surroundings offering up a feeling of sorrowful pessimism. There's even a strong narrative thread that says one of the men may be a rat, which is a problem since they share a cell together! But they want out, and we want them out because we feel their claustrophobia in that there dank miserable prison. Then the story goes outside, it's all airy, with sunshine even, but this is noir so darkness is never far away. It's here where we are introduced to our femme fatale, who comes in the form of Eva, played as crafty and sensual by Vlady. A turn of events has brought the three of them together, and as the story plays out there's a whole ream of human traits, foibles and wiles on show. It's all very deliciously sly, a trinity bouncing off of each other with a blend of mistrust and sexual energy. Which shunts us uneasily, yet in eager anticipation as well, towards the finale. Hossein (who also plays a part in the film) knows his noir, and he knows that the best noirs do not cop out at the end. Thus we have, well, the ending here. The only misstep here is the musical score. Scored by Hossein's father, it's far too old school for the play on show, it would be more at home in a silent chiller of the 20s, or some Tod Slaughter twirling moustache horror of the 30s. A shame, for even though it isn't a film killer, a better and more tonally aware composition would have elevated this nifty noir to a grade higher. Also be advised that the subtitles don't hang around, read quickly folks! 8/10
Lemmy Caution is on a mission to eliminate Professor Von Braun, the creator of a malevolent computer that rules the city of Alphaville. Befriended by the scientist’s daughter Natasha, Lemmy must unravel the mysteries of the strictly logical Alpha 60 and teach Natasha the meaning of the word “love.”
After carrying out a flawlessly planned hit, Jef Costello, a contract killer with samurai instincts, finds himself caught between a persistent police investigator and a ruthless employer, and not even his armor of fedora and trench coat can protect him.
A tobacco planter on Réunion island in the Indian Ocean becomes engaged through correspondence to a French woman he does not know. The woman that arrives does not look like the picture he received, but he marries her anyway.
Charlie is a former classical pianist who has changed his name and now plays jazz in a grimy Paris bar. When Charlie's brothers, Richard and Chico, surface and ask for Charlie's help while on the run from gangsters they have scammed, he aids their escape. Soon Charlie and Lena, a waitress at the same bar, face trouble when the gangsters arrive, looking for his brothers.
A self-assured businessman murders his employer, the husband of his mistress, which unintentionally provokes an ill-fated chain of events.
An unlikely friendship between a dour, working class butcher and a repressed schoolteacher coincides with a grisly series of Ripper-type murders in a provincial French town.
Julie Kohler is prevented from suicide by her mother. She leaves the town. She will track down, charm and kill five men who do not know her. What is her goal? What is her purpose?
A small-time thief steals a car and impulsively murders a motorcycle policeman. Wanted by the authorities, he attempts to persuade a girl to run away to Italy with him.
When his young son is killed in a hit and run accident, Charles Thenier resolves to hunt down and murder the killer. By chance, Thenier makes the acquaintance of an actress, Helène Lanson, who was in the car at the time of the accident. He then meets Helène’s brother-in-law, Paul Decourt, a truly horrible individual.
After committing a murder, a man locks himself in his apartment and recollects the events that led him to the killing.
Two French journalists become embroiled in a criminal plot in New York City involving a disappeared United Nations diplomat.