Richard Pryor: Omit the Logic

With The Marshall Project and the Pulitzer Center, a look at one immigrant mother’s struggle to keep her children safe and housed, with her husband detained by ICE in a facility where COVID is spreading. Also in this two-part hour, Love, Life & the Virus.

Perfect Life, the second feature by Emily Tang (Tang Xiaobai), at first revolves around Li Yueying, a young woman in the cold north-east of China. In a world where no one is waiting for an untrained, inexperienced woman, she knows that in order to fulfil her dreams she will have to resort to her own stubbornness and selfishness. Her father deserted her mother and the money saved by the family is destined for her younger brother's studies. When she stops working for a shop making artificial limbs in order to take a job as a chambermaid, she attracts the attention of a mysterious criminal, Mongol. Then in the editing, the documentary story of Jenny from Hong Kong starts to emerge. She thought she had her life perfectly worked out, but when her marriage breaks down, she also finds herself in financial problems and has to fight for the custody of her children.

Below the belt cancers and a below the radar cause are thrust into the limelight as N.E.D., or No Evidence of Disease, a rock band of GYN Oncology Surgeons, put the plight of their patients center stage in this riveting story of women fighting for their lives.

He is a 75-year-old half-blind man. He takes 3000 steps every day. Since 2004 he has made a decision: he will no longer talk about cinema. Boudjemâa, our living memory. That of Algerian cinema, African cinema, Arab cinema, cinema in short. The Algiers Cinematheque. The “masterpiece of Algerian cinema”. Boudjemâa Karèche directed it for 34 years. So why does Boudjemâa no longer talk about cinema? The answer lies next to the circumstances which caused his ouster from the Cinémathèque. Boudjemâa was silent. The time has come for him to let the word think for itself.

At the age of 91, Mel Brooks is unstoppable, with his musical "Young Frankenstein" opening to great critical acclaim in London in late 2017. Alan Yentob visits Mel at home in Hollywood, at work and at play.

Ricardo Bar (22) is a young man who lives with his family in a little farm, in the border of Brazil and Argentina. There is mainly the jungle and the settlers, descendants of German immigrants. Ricardo doesn't want to inherit his father's land; he wants to become a pastor. Problems begin when Ricardo and the community tell the directors to stop shooting and leave. From that moment on Ricardo Bar tells two stories: one about a deal, the directors' offer to Ricardo in order to be able to shoot the film, and the other about Ricardo's life at this moment, his reaction to the director's offer, reenacted for the camera.

Kaminah and Kusdalini, met as Indonesian political detainees in 1965, when both were on the cusp of adulthood. After being rejected by her hometown, Kaminah went to live with Kusdalini. Since then, they have been inseparable, living together in Surakarta, Central Java. Now, in their 70s, they survive on the kindness of their neighbours, and the crackers that they sell. Growing old hand in hand, You and I charts a delicate moment in time when the pair are faced with the heartbreaking realities of growing old.

A documentary of insect life in meadows and ponds, using incredible close-ups, slow motion, and time-lapse photography. It includes bees collecting nectar, ladybugs eating mites, snails mating, spiders wrapping their catch, a scarab beetle relentlessly pushing its ball of dung uphill, endless lines of caterpillars, an underwater spider creating an air bubble to live in, and a mosquito hatching.

Alexander Kluge documents the preparations for an exhibition on the Staufer dynasty.

Focuses on the socialization of American females. It tells the story of six women and girls. The first film to emerge from the modern women's movement in the early 1970s.

A documentary that captures the sensational trial of infamous gangster James 'Whitey' Bulger, using the legal proceedings as a springboard to explore allegations of corruption within the highest levels of law enforcement. Academy Award-nominated filmmaker Joe Berlinger examines Bulger's relationship with the FBI and Department of Justice that allowed him to reign over a criminal empire in Boston for decades.