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**_Old Western is offbeat enough to make it worthwhile_** A penitent gambler in the Old West (Bill Elliott) hooks up with a wanted female outlaw (Marie Windsor), evidently with the hope of reforming her. Unfortunately, his marshal friend (Forrest Tucker) is hot on her trail. "Hellfire" (1949) is a little too talky with some dull moments, but at least it’s not shallow and develops the characters. The spiritual commentary may be a little corny, but it’s refreshing and the ending involving Psalm 23 is genuinely moving. Plus, it’s interesting to see how far back you can trace the strong, independent female character (I’d say “femme fatale,” but that doesn’t actually fit). Speaking of which, if a woman in the Old West could learn to master the art of gunmanship, she automatically became an equal to any man, no more having to endure unwanted groping and advances as a saloon girl. The flick should be commended for stressing this, not to mention statuesque Marie Windsor is entertaining. It runs 1 hour, 30 minutes, and was shot at Iverson Ranch in Chatsworth, Los Angeles, with second unit stuff done in Sedona, Arizona. GRADE: B-
At a disused railway station, three men - a con artist, a preacher, and a prospector - discuss the recent trial and sentencing of the outlaw Juan Carrasco for the murder of a man and the rape of his wife. In their recounting, the three explore the conflicting testimonies of the parties involved in the crimes. Disconcerting new questions arise with each different version of the event.
The Rough Riders arrive to fight Rand, Ludlow and their gang. Buck poses as a preacher, Tim as a preacher, and Sandy as an undertaker. Buck not only wants the outlaws, but also their unknown boss.
In this western, a paroled desperado and his twin, a preacher, wander about the Old West to bring "salvation." The parson begins trying to help a gang leader's niece whose uncle has been forcing parolees to join him or return to prison. Naturally he tries to rope the paroled twin into his gang.
A former gunfighter who went to prison but then took up religion arrives in a western town as the new preacher. There he finds a feud between the ranchers and the farmers. The Railroad Agent is after the ranchers land and has his men causing all the trouble. The new preacher sets out to bring the two sides together and he says he will not need a gun.
A mysterious preacher protects a humble prospector village from a greedy mining company trying to encroach on their land.
After her husband is taken by a malicious pterodactyl, a schoolteacher enlists the help of a prostitute and a gunslinger to rescue him.
Reverend John Keyes and his wife, Lorna, on their way to a new congregation out west, break down in the desert and are rescued by the residents of a nearby town. At first warm and welcoming, the townspeople become more and more solicitous of John and insistent that he stay on as their minister, against the wishes of Lorna, who goes unheeded and slowly becomes deathly ill. Will John realize the danger before it is too late?
Calamity Jane is a tough and rowdy woman in the old West who owns a saloon and gambling joint (and runs a cattle rustling operation as a sideline). One day she hires a pretty but naive young woman to work as a saloon girl, and finds that the girl is bringing out the maternal instincts she never knew she had. Those instincts are put to the test when a US army cavalry troop arrives to clean up the town and the girl and the young lieutenant in charge of the troop fall in love, and Calamity Jane may know something about the lieutenant that the girl doesn't.
After escaping from jail, outlaw Wes McQueen is convinced by his old partner in crime to do one last heist.
A wagon master and a con-man preacher help freed slaves dogged by cheap-labor agents out West.