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Enigmatic remake making waves in some cinephiles quarters. Directed by Martin Ritt, The Outrage is a remake of the 1950 Akira Kurosawa film Rashomon, that in turn is based on stories by Ryūnosuke Akutagawa, but Ritt has reformulated it in a Western setting. It stars Edward G. Robinson, Paul Newman, Laurence Harvey, Claire Bloom, Howard Da Silva & William Shatner. The story remains the same as four people give contradictory accounts of a rape and murder during the trial of Mexican bandit Juan Carrasco (Newman). The story is told within a flashback framework of three men waiting for a train at a rain soaked Southwestern station; a prospector (Da Silva), a con man (Robinson) and a preacher now struggling with his faith in humanity (Shatner). As each story is told the validity of each account comes under scrutiny, could it be there was a gross miscarriage of justice at the trial? Perhaps unsurprisingly, this remake of a well regarded classic was a commercial flop, with many front line critics particularly savage in their reviews. Which while acknowledging it's a long way away from style and tone of Kurosawa's movie, it's hardly the devil's spawn either. Solidly constructed by Ritt and potently shot in black & white by James Wong Howe (vistas however are in short supply), the story is strong enough to make for an interesting social conscious Oater. There's some misplaced humour in the final third, and a charge of overacting from the talented cast is fair enough (especially Bloom), but maybe, just maybe, Ritt and his team deserve a little leeway for trying a different approach? I mean at least it's not a shot for shot remake eh? Certainly Newman could never be accused of not being bold or daring with his role selections, one only has to look at his Western films to see that. Especially the three he did with Ritt: Hud (1963), The Outrage (1964) & Hombre (1967), three very different roles, and each of a different ethnicity too. Throw in his intense turn as Billy The Kid in Arthur Penn's The Left Handed Gun, and it makes a mockery of those people who pop up from time to time proclaiming Newman had limited range! Is he miscast as Bandido Carrasco in The Outrage? No not really, he throws himself into the role and without prior knowledge of whose under the hat, it's not overtly evident it's the great blue eyed man performing. Sure a Mexican actor would have been better for the role, and definitely Rashomon wasn't in need of a remake. But for Western fans, and especially for fans of Newman, The Outrage still has enough to warrant spending money on a pie and a pint of beer to watch with it. Not particularly great, but not exactly bad either. 6.5/10
Petra von Kant is a successful fashion designer - arrogant, caustic, and self-satisfied. She mistreats Marlene (her secretary, maid, and co-designer). Enter Karin, a 23-year-old beauty who wants to be a model. Petra falls in love with Karin and invites her to move in.
After the ordeal with Samara, Rachel and Aiden move to a rural town. But soon Rachel learns about the death of a girl in a similar fashion. To save Aiden, she must dig into Samara's past even further.
In this Shakespearean farce, Hero and her groom-to-be, Claudio, team up with Claudio's commanding officer, Don Pedro, the week before their wedding to hatch a matchmaking scheme. Their targets are sharp-witted duo Benedick and Beatrice - a tough task indeed, considering their corresponding distaste for love and each other. Meanwhile, meddling Don John plots to ruin the wedding.
Three female employees of the Federal Reserve plot to steal money that is about to be destroyed.
The romance of an engineer who plans the construction of a highway that will cross a town in Patagonia and the conflict with the powerful
While investigating a young nun's rape, a corrupt New York City police detective, with a serious drug and gambling addiction, tries to change his ways and find forgiveness.
Lizzy is a tough, resourceful frontierswoman settling a remote stretch of land on the 19th-century American frontier. Isolated from civilization in a desolate wilderness where the wind never stops howling, she begins to sense a sinister presence that seems to be borne of the land itself, and when a newlywed couple arrive at a nearby homestead, their presence amplifies Lizzy's fears, setting into motion a shocking chain of events.
During the trial of a man accused of his father's murder, a lone juror takes a stand against the guilty verdict handed down by the others as a result of their preconceptions and prejudices.
Ran and Leela are passionately in love with each other. The only problem is that their respective clans have been enemies for 500 years.