Freaky Tales 2024 - Movies (Jun 2nd)
Lucy The Stolen Lives of Elephants 2025 - Movies (Jun 2nd)
The Life of Chuck 2024 - Movies (Jun 1st)
The Girl in the Pool 2024 - Movies (Jun 1st)
Spit 2025 - Movies (Jun 1st)
Flow 2024 - Movies (Jun 1st)
Battle for Castle Itter 2025 - Movies (Jun 1st)
Tom Daley 1.6 Seconds of Glory 2025 - Movies (Jun 1st)
England’s Lions The New Generation 2025 - Movies (Jun 1st)
The Severed Sun 2024 - Movies (Jun 1st)
The Encampments 2025 - Movies (Jun 1st)
Without a Name 2025 - Movies (May 31st)
Final Destination Bloodlines 2025 - Movies (May 31st)
Theres a Zombie Outside 2024 - Movies (May 31st)
Mountainhead 2025 - Movies (May 31st)
The Pickleball Exorcist 2025 - Movies (May 31st)
The Blinkless 2024 - Movies (May 31st)
Call of the Void 2025 - Movies (May 31st)
A RAD Documentary 2025 - Movies (May 30th)
Queer 2024 - Movies (May 30th)
Bring Her Back 2025 - Movies (May 30th)
Garden Rescue - (Jun 2nd)
Duck Dynasty- The Revival - (Jun 2nd)
Border Patrol - (Jun 2nd)
Bargain Hunt - (Jun 2nd)
A Bite to Eat with Alice - (Jun 2nd)
Have You Been Paying Attention - (Jun 2nd)
Isekai Onsen Paradise - (Jun 2nd)
The Farmer Wants a Wife - (Jun 2nd)
LEGO Masters - (Jun 2nd)
Killer Britain with Dermot Murnaghan - (Jun 2nd)
The Never Ever Mets - (Jun 2nd)
Claire Hoopers House of Games - (Jun 2nd)
The Real Housewives of Atlanta - (Jun 2nd)
48 Hours - (Jun 2nd)
Snapped - (Jun 2nd)
Secrets of the Curry Kitchen - (Jun 2nd)
The Mega-Brands That Built America - (Jun 2nd)
Harry Wild - (Jun 2nd)
Crime Scene Investigators - (Jun 2nd)
The Bombing of Pan Am 103 - (Jun 2nd)
Part 2 of Baz Luhrmann's Red Curtain Trilogy: 'Romeo + Juliet'. I remember watching a little bit of this years and years back at high school and I seem to recall enjoying it a lot. I didn't enjoy it as much as I thought I might've on this viewing, but it is still a film I'd recommend for sure - it's very good. I'm yet to see a bad - heck, even a just mildly good - film from Leonardo DiCaprio, which remains the case after this. It's probably the weakest performance I've seen from DiCaprio so far, though that's just through process of elimination as he's still impressive here as Romeo. Claire Danes (Juliet) merits props, also. John Leguizamo (Tybalt) is the pick of the rest of the cast, which also includes the likes of Paul Sorvino, Miriam Margolyes and Paul Rudd. Speaking of the casting, apparently 14-year-old Natalie Portman was originally cast to star alongside DiCaprio (then 21... dodgy!). I love the modern day set up and how they bring this famous tale to life in it, though I do think the choice to use Shakespearean dialogue was perhaps the wrong call. It's not like I didn't appreciate it, but it does feel a bit forced and unnatural at times - still cool that they did it, mind.
Shakespeare is still getting work in Hollywood, and probably always will... ... but I like updated modern Shakespeare when it comes in the form of West Side Story, She's all That, Overboard (all the other million or so Rom-Coms based off of The Taming of the Shrew) and not when the film is modern day with Shakespearean English and... yeah. Too much of a Juxtaposition for me. The kind of WWII update of Richard III wasn't bad, but it wasn't really taking Richard II, putting it in a different time, and keeping almost everything else intact. I guess what I am saying is that it didn't mesh well for me.
Baz Luhrmann has relocated this classic to modern day Verona Beach and introduced a contemporary sound track to complement much of the original dialogue from the bard's story of true love, revenge and, quite possibly, the greatest tragedy ever written in the English language. The families "Montague" and "Capulet" have been feuding since God was a boy. The uneasy truce between them is to be severely tested when "Romeo" (Leonardo DiCaprio) and "Juliet" (Clare Danes) fall in love. Being from each of these warring tribes, they must keep their love clandestine in order to avoid conflict. As their affection grows, that secret proves harder and harder to keep - especially as "Juliet" has been betrothed and her father is determined that she shall be in the church on Tuesday next! I'm sure you all know the story of the "star-crossed lovers" and I rather enjoyed this adaptation. Unlike "Carmen Jones" (1954) which I did not think worked well being relocated, this does. The eclectic contrast between the motor cars, the revolvers and the original old English text is quite effective. The effort from DiCaprio gets better as the film progresses and by the denouement neither he nor Danes are half bad. Harold Perrineau is also competent as the brave "Mercutio" and the conniving "Tybalt" is well covered by John Leguizamo. Purists may well not admire the abridging of this lengthy story though. It is quite heavily condensed and at times that does rob the film of much of the original nuance - not that Luhrmann ever really concentrates on nuance anyway - but I'd rather look on this as an evolution of the story for modern times rather than a straight retelling. For me it worked, and is watchable still.
An honest and idealistic archaeologist, to find the legendary burial of an Etruscan king, collides with the interests of a group of "grave robbers". Larth is a passionate archaeologist of the Etruscan civilization, on the trail of a famous royal tomb. Vasco is a hotelier in the area which is enriched by plundering the graves and selling their treasures. Tania is the beautiful, thirteen year old, niece of Vasco (played by 18 yr old Brigitta Boccoli ) that disturbs the mature scholar Larth by attempting to seduce his wife Leonora. There is treasure, thievery, murder and seduction. Oh, and a red car.
A man cannot bear the superficiality of human relationships, and when his best friend lets him down, he commits suicide by jumping off a skyscraper.
Henry Hackett is the workaholic editor of a New York City tabloid. He loves his job, but the long hours and low pay are leading to discontent. Also, publisher Bernie White faces financial straits, and has hatchet-man Alicia Clark—Henry's nemesis—impose unpopular cutbacks.
Teenagers living in small-town Oregon take a boat trip for a birthday celebration. When they get an idea to play a mean trick on the town bully, it suddenly goes too far. Soon they're forced to deal with the unexpected consequences of their actions.
Mia, an ex-prostitute, is trapped in a loveless marriage with the abusive Quan (Sunny Pang, who also stars in Headshot in this year’s Festival lineup), a butcher who runs a roast meat shop. When she meets sensitive funeral director Wu, their passion for one another escalates into an affair. But the path to true love is fraught with jealousy, forcing someone to make a deadly move.
This coming-of-age drama deals with a young man, realizing who he really is and which things he will never do...
In 1970s Germany, Léopold, a 50-year-old businessman, picks up and seduces 20-year-old Franz, who swiftly moves into his apartment. The dynamic between them intensifies with the sudden arrival of their ex-girlfriends.
In 1969, while studying at the University of Maine, artist Alan Parker becomes obsessed with death. Believing he is losing his girlfriend, he tries to commit suicide on his birthday but his friends manage to stop him. He receives news that his mother has had a stroke and decides to hitchhike to visit her at the hospital.
A group of idealistic, but frustrated, liberals succumb to the temptation of murdering rightwing pundits for their political beliefs.
In Oklahoma, Agnes, a lonely waitress living in an isolated and dilapidated roadside motel, meets Peter, a quiet and mysterious man with whom she establishes a peculiar relationship.