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Red Bull Soapbox Race - (Jun 5th)
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The Grudge - (Jun 5th)
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Dateline- Secrets Uncovered - (Jun 5th)
The Last Captains - (Jun 5th)
Summer House - (Jun 5th)
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All In with Chris Hayes - (Jun 5th)
Dimension 20 - (Jun 5th)
The Price Is Right - (Jun 5th)
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Deadline- White House - (Jun 4th)
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Next Gen NYC - (Jun 4th)
Part 2 of Baz Luhrmann's Red Curtain Trilogy: 'Romeo + Juliet'. I remember watching a little bit of this years and years back at high school and I seem to recall enjoying it a lot. I didn't enjoy it as much as I thought I might've on this viewing, but it is still a film I'd recommend for sure - it's very good. I'm yet to see a bad - heck, even a just mildly good - film from Leonardo DiCaprio, which remains the case after this. It's probably the weakest performance I've seen from DiCaprio so far, though that's just through process of elimination as he's still impressive here as Romeo. Claire Danes (Juliet) merits props, also. John Leguizamo (Tybalt) is the pick of the rest of the cast, which also includes the likes of Paul Sorvino, Miriam Margolyes and Paul Rudd. Speaking of the casting, apparently 14-year-old Natalie Portman was originally cast to star alongside DiCaprio (then 21... dodgy!). I love the modern day set up and how they bring this famous tale to life in it, though I do think the choice to use Shakespearean dialogue was perhaps the wrong call. It's not like I didn't appreciate it, but it does feel a bit forced and unnatural at times - still cool that they did it, mind.
Shakespeare is still getting work in Hollywood, and probably always will... ... but I like updated modern Shakespeare when it comes in the form of West Side Story, She's all That, Overboard (all the other million or so Rom-Coms based off of The Taming of the Shrew) and not when the film is modern day with Shakespearean English and... yeah. Too much of a Juxtaposition for me. The kind of WWII update of Richard III wasn't bad, but it wasn't really taking Richard II, putting it in a different time, and keeping almost everything else intact. I guess what I am saying is that it didn't mesh well for me.
Baz Luhrmann has relocated this classic to modern day Verona Beach and introduced a contemporary sound track to complement much of the original dialogue from the bard's story of true love, revenge and, quite possibly, the greatest tragedy ever written in the English language. The families "Montague" and "Capulet" have been feuding since God was a boy. The uneasy truce between them is to be severely tested when "Romeo" (Leonardo DiCaprio) and "Juliet" (Clare Danes) fall in love. Being from each of these warring tribes, they must keep their love clandestine in order to avoid conflict. As their affection grows, that secret proves harder and harder to keep - especially as "Juliet" has been betrothed and her father is determined that she shall be in the church on Tuesday next! I'm sure you all know the story of the "star-crossed lovers" and I rather enjoyed this adaptation. Unlike "Carmen Jones" (1954) which I did not think worked well being relocated, this does. The eclectic contrast between the motor cars, the revolvers and the original old English text is quite effective. The effort from DiCaprio gets better as the film progresses and by the denouement neither he nor Danes are half bad. Harold Perrineau is also competent as the brave "Mercutio" and the conniving "Tybalt" is well covered by John Leguizamo. Purists may well not admire the abridging of this lengthy story though. It is quite heavily condensed and at times that does rob the film of much of the original nuance - not that Luhrmann ever really concentrates on nuance anyway - but I'd rather look on this as an evolution of the story for modern times rather than a straight retelling. For me it worked, and is watchable still.
A romantic getaway for two troubled college sweethearts turns into a struggle for survival when unexpected guests – and the surrounding environment – exhibit signs of a mysterious infection.
'#babynymph' is the definitive portrait of this generation, who believes that happiness only exists if it is shared on the web.
Henry, a struggling Greenwhich Villiage artist, accidentally finds an invitation to Louise Gordon's coming out party. He goes to the party, falls in love with the pretty socialite, but soon decides to leave as he realizes his financial situation is not up to standards. An old friend recognizes him and encourages Henry into lying that he is a successful businessman.
A man who owns a diamond importing business goes out for a night on the town with his girlfriend, her brother and her brother’s fiancé. The group stops by a circus to see the act of a trapeze artist who’s a friend of the man’s girlfriend. The performer suggests that all the men go out for a few drinks, and the next thing the businessman knows, he’s waking up in his apartment with a terrible hangover and a dead body in his room.
When the corpse of mobster Miguel "el chino" Sanabria surfaces, everyone thinks his death is the result of an argument during the heat of the moment. That is, everyone except Officer Ferran (Victor Mayo), who believes something more menacing was at fault. Along with Picasso (Juanko Vellido), the last person to see Sanabria alive, Ferran sets out to find the truth behind the murder - and learns something about his own destiny in the process.
A teen girl disappears after trying to meet men online in order to escape her small town. Apparently, only her best friend worries enough to investigate the mystery.
A pastor of a small church in upstate New York starts to spiral out of control after a soul-shaking encounter with an unstable environmental activist and his pregnant wife.
A shady money deal goes wrong and in the aftermath Mathan ends up killing a police officer. Meanwhile in Kochi, his old flame Aparna an aspiring actress is struggling to prop up her career. Mathan meets up with Aparna and tries to rekindle the past, even as the police hunt for him gets intense.
George, stoic and overprotective, travels to Zurich with his daughter Rachel. One is planning physician-assisted suicide; the other has just one day left to intervene.
A pseudo-documentary edited from the home movies of serial killers Wayne & Andrea Montgomery, presenting a look into their quiet, suburban lives...as well as the graphic & disturbing details of their horrific crimes.
When a well-known environmental researcher is murdered in the Amazon jungle, an arrogant photojournalist joins forces with a beautiful young activist to find out who is responsible. Along they way, they fall in love as they discover the men responsible for the killing would be more than willing to murder again if it will keep them quiet.