Pink Butterfly 2024 - Movies (Dec 22nd)
Catching Dust 2023 - Movies (Dec 22nd)
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Sonic the Hedgehog 3 2024 - Movies (Dec 22nd)
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The Simpsons - (Dec 23rd)
Sunday Brunch - (Dec 22nd)
Taisho Era Contract Marriage- The Substitute Bride and a Soldiers Fierce Love - (Dec 22nd)
The Worlds Strongest Man - (Dec 22nd)
Saturday Kitchen Best Bites - (Dec 22nd)
You Bet - (Dec 22nd)
The Last American Vagabond - (Dec 22nd)
Alex Witt Reports - (Dec 22nd)
Inside the Factory - (Dec 22nd)
Inside with Jen Psaki - (Dec 22nd)
Fletchers Family Farm - (Dec 22nd)
Love Your Weekend with Alan Titchmarsh - (Dec 22nd)
Girl Meets Farm - (Dec 22nd)
Face Jams Truckd Up - (Dec 22nd)
Blue Box - (Dec 22nd)
Krempoli - A Place For Wild Children - (Dec 22nd)
The Kelly Clarkson Show - (Dec 22nd)
The Chocolate Queen - (Dec 22nd)
Miss Scarlet and the Duke - (Dec 22nd)
Invincible Fight Girl - (Dec 22nd)
Part 2 of Baz Luhrmann's Red Curtain Trilogy: 'Romeo + Juliet'. I remember watching a little bit of this years and years back at high school and I seem to recall enjoying it a lot. I didn't enjoy it as much as I thought I might've on this viewing, but it is still a film I'd recommend for sure - it's very good. I'm yet to see a bad - heck, even a just mildly good - film from Leonardo DiCaprio, which remains the case after this. It's probably the weakest performance I've seen from DiCaprio so far, though that's just through process of elimination as he's still impressive here as Romeo. Claire Danes (Juliet) merits props, also. John Leguizamo (Tybalt) is the pick of the rest of the cast, which also includes the likes of Paul Sorvino, Miriam Margolyes and Paul Rudd. Speaking of the casting, apparently 14-year-old Natalie Portman was originally cast to star alongside DiCaprio (then 21... dodgy!). I love the modern day set up and how they bring this famous tale to life in it, though I do think the choice to use Shakespearean dialogue was perhaps the wrong call. It's not like I didn't appreciate it, but it does feel a bit forced and unnatural at times - still cool that they did it, mind.
Shakespeare is still getting work in Hollywood, and probably always will... ... but I like updated modern Shakespeare when it comes in the form of West Side Story, She's all That, Overboard (all the other million or so Rom-Coms based off of The Taming of the Shrew) and not when the film is modern day with Shakespearean English and... yeah. Too much of a Juxtaposition for me. The kind of WWII update of Richard III wasn't bad, but it wasn't really taking Richard II, putting it in a different time, and keeping almost everything else intact. I guess what I am saying is that it didn't mesh well for me.
Baz Luhrmann has relocated this classic to modern day Verona Beach and introduced a contemporary sound track to complement much of the original dialogue from the bard's story of true love, revenge and, quite possibly, the greatest tragedy ever written in the English language. The families "Montague" and "Capulet" have been feuding since God was a boy. The uneasy truce between them is to be severely tested when "Romeo" (Leonardo DiCaprio) and "Juliet" (Clare Danes) fall in love. Being from each of these warring tribes, they must keep their love clandestine in order to avoid conflict. As their affection grows, that secret proves harder and harder to keep - especially as "Juliet" has been betrothed and her father is determined that she shall be in the church on Tuesday next! I'm sure you all know the story of the "star-crossed lovers" and I rather enjoyed this adaptation. Unlike "Carmen Jones" (1954) which I did not think worked well being relocated, this does. The eclectic contrast between the motor cars, the revolvers and the original old English text is quite effective. The effort from DiCaprio gets better as the film progresses and by the denouement neither he nor Danes are half bad. Harold Perrineau is also competent as the brave "Mercutio" and the conniving "Tybalt" is well covered by John Leguizamo. Purists may well not admire the abridging of this lengthy story though. It is quite heavily condensed and at times that does rob the film of much of the original nuance - not that Luhrmann ever really concentrates on nuance anyway - but I'd rather look on this as an evolution of the story for modern times rather than a straight retelling. For me it worked, and is watchable still.
Two owners of an escort service attempt to untangle the mystery when a man who just signed up for their service turns out to be the husband of a female client who was just murdered.
Sam is fifteen, orphaned, hiding a secret and has been living in foster care for the past year. Her Aunt Olina is a widowed, recluse oddball who spends her life in a closed off home speaking to her dead, taxidermies dog Elvis. Together the two learn to overcome the obstacles life has dealt them, trust one another and become family.
Homicide detective John Hobbes witnesses the execution of serial killer Edgar Reese. Soon after the execution the killings start again, and they are very similar to Reese's style.
The mutilated body of a six year old girl is found in a water hole. The girl is identified as the missing daughter of Claudia. However, only two peices of evidence could be used to identify her; a bracelet with her name on it near the crime scene, and the fact that her right leg was three inches longer than her left. All other methods of identification were removed from her body. Five years later Claudia, now addicted to tranquilizers, receives a phone call from someone claiming to be her daughter, asking for her mother to come find her before 'they' kill her. Other mysterious clues show up, further indicating that Claudia's daughter is indeed still alive, and very much in danger. Claudia, a run-down ex-cop, and a parapsychology reporter put together the clues to discover Angela's whereabouts
Danny is a young cop partnered with Nick, a seasoned but ethically tainted veteran. As the two try to stop a gang war in Chinatown, Danny relies on Nick but grows increasingly uncomfortable with the way Nick gets things done.
Conflict arises in the small town of Holly Springs when an old woman's death causes a variety of reactions among family and friends.
In the near future, a police officer specializes in malfunctioning robots. When a robot turns out to have been programmed to kill, he begins to uncover a homicidal plot to create killer robots... and his son becomes a target.
This is the true story of Bobby Kent, a teen bully in the suburban town of Hollywood, Florida. Eventually, his best friend and girlfriend team up with the various other kids that are tired of getting beat up by him. Included in that group are the overweight Lisa Connelly. Together, seven teenagers lure Bobby out, deep into the swamp, promising him sex and drugs and when they get there, they beat him to death with baseball bats....
The murder of 13-year-old Yara Gambirasio shocks the little town of Brembate di Sopra, Italy. To bring the culprit to justice, prosecutors have only scant DNA evidence and no database to compare them to. Based on a true story.
Scotland, 11th century. Driven by the twisted prophecy of three witches and the ruthless ambition of his wife, warlord Macbeth, bold and brave, but also weak and hesitant, betrays his good king and his brothers in arms and sinks into the bloody mud of a path with no return, sown with crime and suspicion.