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Gutfeld! - (Apr 28th)
The Five - (Apr 28th)
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The Last American Vagabond - (Apr 28th)
Hannity - (Apr 28th)
David Lomas Investigates - (Apr 28th)
Match of the Day - (Apr 28th)
In For a Penny - (Apr 27th)
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Traces - (Apr 27th)
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WWE SmackDown - (Apr 27th)
The Young and the Restless - (Apr 27th)
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This town looks as if it's full of men who step on baby chickens. San Antonio is directed by David Butler and written by Alan Le May and W. R. Burnett. It stars Errol Flynn, Alexis Smith, Paul Kelly, S.Z. Sakall, Florence Bates and Victor Francen. Music is by Max Steiner and cinematography by Bert Glennon. It's always interesting to compare Errol Flynn's Westerns, his work in a genre he was not overly fond of. Depending on your Western genre proclivities of course, there's a mix of the old fashioned type, where Errol flirts and is heroic, or the more serious ones where his heroism is underplayed. San Antonio is the former. Plot has Flynn as Clay Hardin, who is the man who can prove that town impresario Roy Stuart (Kelly) is the man responsible for the rampant cattle rustling going on in the state. There's agendas gnawing away in the plot, romantic dalliances that bring the delightful Alexis Smith into prominence, and of course there's frothy comedy light relief - the proviso here is if Sakall and Bates' thing doesn't irritate you? Flynn is ace, athletic with a handsomeness that's rarely been bettered in Hollywood, to which here he's on lovable rascal form, playing off of Smith with appealing skill. Smith is a strong foil for her leading man, holding her end up in both stern characteristics and comedy angles. While it's always great to find Kelly in a villain role, here getting his teeth into it for much viewing reward. Unfortunately this really could have done with a better director, the blend of drama and comedy seemingly uneasy in Butler's hands. The big denouement between hero and villain is a damp squib, which is a shame as we are in the ruins of The Alamo, a poignant piece of architecture that positively demands a more extended and vigorous finale. Elsewhere, Glennon's photography is pleasing if lacking in exterior splendours, and Steiner's score will sound familiar to anyone already familiar with his work. Gloriously pretty, vibrant and colourful, it's well weighted with good production values and a solid cast, but as fun as it is it does lack some urgency ingredients to be great. 7/10
A Wild West cow town is starving for entertainment and it falls upon Calamity Jane, a rowdy, gun-toting tomboy, to go to Chicago to bring back a famed stage actress. She brings instead the star's maid, who settles in the town, but Jane's "Secret Love" falls for her. This television special was based on a stage adaptation of the film that was playing regional circuits at the time it aired.
A renowned former army scout is hired by ranchers to hunt down rustlers but finds himself on trial for the murder of a boy when he carries out his job too well. Tom Horn finds that the simple skills he knows are of no help in dealing with the ambitions of ranchers and corrupt officials as progress marches over him and the old west.
When the showboat hits town, two men use the parade as a distraction to rob the bank. Their accomplice is Pop, the clown from the showboat. He leaves the money on the boat and tells his daughter Patsy to bring it to him at a later stop on the river. Gene's investigation of a bank robbery takes him to the showboat where he becomes a performer. Gene and Frog try to find the money while helping Patsy and her father.
A dance hall girl is murdered and her body robbed of a quantity of gold obtained illegally. The killer flees into Death Valley and encounters the rightful owner of the gold and her sweetheart.
Embezzler, shill, all around confidence man S. Quentin Quale is heading west to find his fortune; he meets the crafty but simple brothers Joseph and Rusty Panello in a train station, where they steal all his money. They're heading west, too, because they've heard you can just pick the gold off the ground. Once there, they befriend an old miner named Dan Wilson whose property, Dead Man's Gulch, has no gold. They loan him their last ten dollars so he can go start life anew, and for collateral, he gives them the deed to the Gulch. Unbeknownst to Wilson, the son of his longtime rival, Terry Turner (who's also in love with his daughter, Eva), has contacted the railroad to arrange for them to build through the land, making the old man rich and hopefully resolving the feud. But the evil Red Baxter, owner of a saloon, tricks the boys out of the deed, and it's up to them - as well as Quale, who naturally finds his way out west anyway - to save the day.
Gunslinger Annie Oakley romances fellow sharpshooter Frank Butler as they travel with Buffalo Bill's Wild West Show.
A young woman arrives in the western town of Headstone and helps the locals outsmart a gang of outlaws.
In 1850 Oregon, when a backwoodsman brings a wife home to his farm, his six brothers decide that they want to get married too.
Bad bank robber falls in love with granddaughter of miner he and his men planned to rob of gold, has change of heart.
Gridley is mining silver from an old Mexican mine and bringing it into the USA thru a passage into his worthless mine. Border guard Rogers suspects Gridley and finally finds the secret entrance to the Mexican mine. He sends Lee Madison for help only to have her captured by Gridley. Trigger brings help that takes care of Gridley's men and now Roy has to rescue Madison.
Cowboy infiltrates an outlaw gang to expose their rackets, but after he's ordered to kidnap a young girl, the gang finds out who he really is.