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Royal Ballet and Opera 2024/25 Romeo and Juliet 2025 - Movies (Jun 3rd)
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Celebrity Wheel of Fortune - (Jun 4th)
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Caught in the Act- Double Life - (Jun 4th)
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For what it is--a slice-of-life of a group of people, trying to make the big-time and at least be able to say that they were on Broadway--it's a fine work. I admit I haven't seen the stage play--which many sources say is far superior to this filmic adaptation. I'm rather surprised that: a) Michael Douglas gets star status here, or is even involved. He doesn't dance here. The film would have worked so much better if it showed his character showing some dance moves and getting across to the dancers what he wanted. Both his character would have connected better with the dancers, and he would have connected better with filmgoers; and b) that Lord Richard Attenborough got involved with this: It's definitely not his forte or cup of tea. Perhaps he wanted to expand his directorial palette, or that some of his influences were masters of the genre, such as Lubitsch or Minnelli. Personally, I wish I knew, for he has done much better work in his career. Overall, not one of the better of contemporary (post-1970) musicals, but worth seeing once, if renting or seeing that it's coming on TV. Not a top purchase priority, unless you are a Douglas or Attenborough completest, and then prepare to be disappointed.
Were it not for Marvin Hamlisch's "Surprise, Surprise" then I think this film would be even more forgettable than it actually is. Michael Douglas is the hard-to-please Broadway director "Zach" who is casting the dance ensemble for his latest production. Aided by his sidekick "Larry" (Terrence Mann) he pits the would-be's through their paces with rigorous routines and some rather invasive questioning about their lives, families and peccadilloes. I did see this on stage and felt it a rather flat and introspective of an industry that should usually keep it's casting practices under wraps. Here, Richard Attenborough attempts to lay these bare for the big screen and ends up with a rather dull, processional series of footwork demonstrations and sob-stories that are pretty wearisome to endure after a repetitive first half an hour. Alyson Reed clutters the thing up further as the down-on-her-luck "Cassie" who is looking for favours from a man who seems pretty impervious to many of the decent aspects of human nature. The stage setting is too sterile to engage for long, and the characterisations fit just about every stereotype in the book as these youngsters vie for this latest opportunity to shine (and eat!). I didn't hate this, but it's really a rather disappointing foray into the potentially fascinating world of who wins and who doesn't in this highly competitive and fickle environment!
The heterosexual man Axel is thrown out of his girlfriends home for cheating and ends up moving in with a gay man. Axel learns the advantages of living with gay men even though they are attracted to him and when his girlfriend wants him back he must make a tough decision.
For her first television film, director Vera wants the perfect cast. But the first day of shooting is fast approaching and the numerous casting sessions have yet to find a suitable actress to play the leading role. Although the producer and crew are getting ever more exasperated with Vera, Gerwin is happy about the extra work, as he earns his money as an audition reader, delivering the lines of dialogue to the starry candidates at the various castings. When the male lead suddenly has to back out, Gerwin thinks that this might just be his chance.
An Irish Traveler father struggles to raise his son, who has darker secrets than most.
Guillaume has been looking after Anthony, his sick companion, for the last couple of years. But his world is turned on its head when Anthony decides to hire a young nurse to help him.
During an imaginary tour of David Bisbal, a young woman happens to take refuge in his caravan. That unexpected encounter brings about some emotional consequences that will mark the artist's life forever.
A dynamic young man falls in love with his own boss, a married businessman, with two children.
Southern Baptist Sissies is the live film of the GLAAD Award winning play by Del Shores. Southern Baptist Sissies is the story of four boys who are gay growing up in the Southern Baptist Church and how they each deal differently with the conflict between the teachings of the church and their sexuality.
Clement is gay. Alex is gay. They are looking for a new roommate for their big apartment in Paris with only one demand: he must be gay. And they find Leo, a charming student who is in deep trouble to find a place to sleep. Leo will do anything to get that room, whatever it takes.
Chandramukhi, the city educated daughter of the village zamindar returns to Ramnagar, a typical village. There she meets her childhood friend Birju aka Brij Mohan. He has a lovely voice and she encourages him to pursue singing. Eventually Brij and Chandramukhi fall in love, but Chandramukhi's father cuts it abruptly and sends her to Lucknow. A short while later Brij arrives at Lucknow. Gitanjali, Chandramukhi's friend, is thrilled by his voice and helps him get a job at Aakashvani through her father. Brij returns to Ramnagar to ask Chandramukhis hand in marriage but is once again rebuked. He returns and goes on to become a great singer in Mumbai with Gitanjali by his side. All through he yearns for Chandramukhi as she yearns for him. How he manages to marry her forms the rest of the story.
Country-western favorite Roy Acuff and his Smoky Mountain Boys star in the Columbia musical western Smoky Mountain Melody. Not much happens plotwise: Acuff, playing "himself," is a tenderfoot who somehow manages to come out on top when he heads westward. The villains (who aren't all that villainous) try to promote a phony stock deal, but Roy and his pals foils their plans. The comedy honors go to Guinn "Big Boy" Williams as a blowhard sheriff. Smoky Mountain Melody was scripted by Barry Shipman, the son of pioneering female filmmaker Nell Shipman.
Copywriter Lorenz is gay and has a relationship with his boss Adrian. The two are happy together until Lorenz meets secretary Nina one day. Nina has just been abandoned by her husband Kai, who is now with a man. Lorenz also suddenly develops new, unknown feelings. He falls in love with Nina, a woman. Of course, he does everything he can to keep that from Adrian. But that does not hide Lorenz's emotional chaos.