SNL50 The Homecoming Concert 2025 - Movies (Feb 16th)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Captain America Brave New World 2025 - Movies (Feb 14th)
The Lord of the Rings The War of the Rohirrim 2024 - Movies (Feb 14th)
The Peanut Man 2024 - Movies (Feb 14th)
The Most Beautiful Girl in The World 2025 - Movies (Feb 14th)
The Dead Thing 2024 - Movies (Feb 14th)
Paddington in Peru 2024 - Movies (Feb 13th)
My Fault London 2025 - Movies (Feb 13th)
Trust in Love 2024 - Movies (Feb 13th)
La Dolce Villa 2025 - Movies (Feb 13th)
Christmas Cowboy 2024 - Movies (Feb 13th)
Emmanuelle 2024 - Movies (Feb 12th)
The Simpsons The Past and the Furious 2025 - Movies (Feb 12th)
Goodbye Hello 2024 - Movies (Feb 12th)
Unnatural 2024 - Movies (Feb 12th)
Nosferatu 2024 - Movies (Feb 11th)
The Influencer 2024 - Movies (Feb 11th)
Love Your Weekend with Alan Titchmarsh - (Feb 16th)
Have I Got News for You - (Feb 16th)
Naked and Afraid Spain - (Feb 16th)
48 Hours - (Feb 16th)
Lidias Kitchen - (Feb 16th)
Oceanfront Property Hunt - (Feb 16th)
Lakefront Luxury - (Feb 16th)
When the Stars Gossip - (Feb 16th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
The Bay - (Oct 2nd)
For what it is--a slice-of-life of a group of people, trying to make the big-time and at least be able to say that they were on Broadway--it's a fine work. I admit I haven't seen the stage play--which many sources say is far superior to this filmic adaptation. I'm rather surprised that: a) Michael Douglas gets star status here, or is even involved. He doesn't dance here. The film would have worked so much better if it showed his character showing some dance moves and getting across to the dancers what he wanted. Both his character would have connected better with the dancers, and he would have connected better with filmgoers; and b) that Lord Richard Attenborough got involved with this: It's definitely not his forte or cup of tea. Perhaps he wanted to expand his directorial palette, or that some of his influences were masters of the genre, such as Lubitsch or Minnelli. Personally, I wish I knew, for he has done much better work in his career. Overall, not one of the better of contemporary (post-1970) musicals, but worth seeing once, if renting or seeing that it's coming on TV. Not a top purchase priority, unless you are a Douglas or Attenborough completest, and then prepare to be disappointed.
Were it not for Marvin Hamlisch's "Surprise, Surprise" then I think this film would be even more forgettable than it actually is. Michael Douglas is the hard-to-please Broadway director "Zach" who is casting the dance ensemble for his latest production. Aided by his sidekick "Larry" (Terrence Mann) he pits the would-be's through their paces with rigorous routines and some rather invasive questioning about their lives, families and peccadilloes. I did see this on stage and felt it a rather flat and introspective of an industry that should usually keep it's casting practices under wraps. Here, Richard Attenborough attempts to lay these bare for the big screen and ends up with a rather dull, processional series of footwork demonstrations and sob-stories that are pretty wearisome to endure after a repetitive first half an hour. Alyson Reed clutters the thing up further as the down-on-her-luck "Cassie" who is looking for favours from a man who seems pretty impervious to many of the decent aspects of human nature. The stage setting is too sterile to engage for long, and the characterisations fit just about every stereotype in the book as these youngsters vie for this latest opportunity to shine (and eat!). I didn't hate this, but it's really a rather disappointing foray into the potentially fascinating world of who wins and who doesn't in this highly competitive and fickle environment!
Radio singing star, Eve Porter, wants a vacation during her show's summer hiatus, but her manager and press have booked her for additional work. She refuses and goes to Las Vegas. When she finds them there hunting her down, she manages to escape them by hiding in the car of a newspaper reporter. She comes out of hiding while he is driving, but everything she says is misconstrued, making him believe that she is a recently-escaped convict, "The Singing Widow". He plans to use this as a story to get back into the good graces of his editor. Through some comic mishaps, he learns who she really is. He then decides to take her back to Hollywood to collect the reward for her return. But now love has entered the mix, and must be resolved with his job and her engagement to another.
Things seem pretty bad for a young girl living a "hard-knock life" in an orphanage. Fed up with the dastardly Miss Hannigan, Annie escapes the run-down orphanage determined to find her mom and dad. It's an adventure that takes her from the cold, mean streets of New York to the warm, comforting arms of bighearted billionaire Oliver Warbucks - with plenty of mischief and music in between.
A detective is hired to protect the life of a singer, who has recently inherited a department store, from the store's crooked manager.
Hubert, a brash 17-year-old, is confused and torn by a love-hate relationship with his mother that consumes him more and more each day. After distressing ordeals and tragic episodes, Hubert will find his mother on the banks of Saint Lawrence river, where he grew up, and where a murder will be committed: the murder of childhood.
A group of rock-music-loving students, with the help of the Ramones, take over their school to combat its newly installed oppressive administration.
After his lover rejects him, Maurice attempts to come to terms with his sexuality within the restrictiveness of Edwardian society.
An edgy drama about a gay teen's tumultuous decent into drugs and anonymous sex, Wrecked smashes cinematic taboos while it spins its cautionary tale. Ryan is an earnest 18-year-old trying to develop a career as an actor and getting his life on the right track. This course is quickly threatened with the sudden arrival of his sort-of ex, Daniel, who arrives at Ryan's door wanting a place to stay.
The greatest diva delivers a unique live performance, designed for France! A show of which there have only been 10 performances in total in the world.
Based on the classic tale of the Pied Piper, this Rock-Opera themed cartoon tells the tale of the 1960s small suburban town of Hamlin, which has been infested with rats. Sly, a Jimi-Hendrix styled guitarist, is hired to take care of the rats with his musical abilities, and is promised a Harley Davidson from the mayor as payment. When he gets cheated out of his payment, he then uses his music to lead the kids to a mountain.