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_**The Bigfoot of southwest Arkansas**_ "The Legend of Boggy Creek" (1972) is docudrama with horror elements about the supposedly true sightings of the Fouke Monster, a three-toed Sasquatch-like creature that was seen in the Fouke region of southwest Arkansas from the 40s onward. Several locals recount their stories, often played by themselves. The modest film only cost $100,000, but unexpectedly became the 10th highest-grossing movie of 1972, raking in a whopping $20 million at the box office and another $4.8 million in 1975 with a North American rerelease. It was director Charles B. Pierce’s breakthrough. He went on to do respectable B-flicks like “The Town That Dreaded Sundown” (1976), which addressed the real-life Texarkana Moonlight Murders of 1946, and “Grayeagle” (1977), a colorful Western that took “The Searchers” plot and made a more entertaining movie. He later did a sequel to this film in 1984 called “Boggy Creek II: And the Legend Continues.” There are also a couple of unofficial sequels made by different directors which eschew the docudrama approach: “Return to Boggy Creek” (1977) and “Boggy Creek,” aka “Boggy Creek: The Legend Is True” (2011). In addition, there’s a documentary about various skunkape encounters in the Midwest called “The Legacy of Boggy Creek” (2011). Obviously something about this film clicked with audiences back in its day. It features some nice nature photography with a spooky bent, a (wisely) vague creature, some quaint narrations and a few old-fashioned folk songs. Some people find it effectively creepy in an understated way while others find it so dull it’s worthless. I’m in the middle. I can enjoy it for what it is and respect its notable history, but it’s also admittedly tedious. It would play better to modern viewers if the runtime was cut in half. The film runs 1 hour, 26 minutes, and was shot in the Fouke, Arkansas, region. GRADE: C
Mike has set up a video camera to capture the big moment, when he proposes to his girlfriend Abi. But it isn't too long until they realize they are not alone in the house.
A group of urbex enthusiasts travel to the backwoods of Appalachia to capture footage of abandoned houses, when they unwittingly become the subjects of a much darker video - made by a different kind of "enthusiast".
An ordinary camping trip turns into a horrifying nightmare when four friends, arm with a 16mm camera, uncover the existence of a race of giant reptilian monsters that emerge from a nearby lake to terrorize a small town
Based on real events, Honey Trehan’s second feature tells the story of human rights activist Jaswant Singh Khalra’s courageous campaign to uncover murderous corruption during the nadir of Punjab’s period of insurgency.
A filmmaker takes a journey to discover a new haunted house and brings along his cameras to document what happens inside. The house, which is plagued by its dark history, begins to come alive in this third instalment of “The Blackwell Ghost.”
Two young friends from New York travel to Barcelona to get over the break up of one of them. But things won't go as expected and they will end up trapped in a house where they will have to fight an evil girl and the evil inside them.
A paranormal television show crew investigates a home where alleged paranormal sightings of La Llorona (The Crying Woman) have occurred. Soon, the group finds themselves in a life or death fight as one of the world's oldest urban legends comes to life before their eyes.
A television reporter and cameraman follow emergency workers into a dark apartment building and are quickly locked inside with something terrifying.
Richthofen goes off to war like thousands of other men. As fighter pilots, they become cult heroes for the soldiers on the battlefields. Marked by sportsmanlike conduct, technical exactitude and knightly propriety, they have their own code of honour. Before long he begins to understand that his hero status is deceptive. His love for Kate, a nurse, opens his eyes to the brutality of war.
